Results
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£57.00
The Christmas Tree - Edvard Grieg/John A. Brakstad
Edvard Griegs tune to an old Christmas song was published in his opus 61 in 1895.
Estimated dispatch 10-14 working days
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£42.00
Vissi d'Arte - Giacomo Puccini/Gareth Jones
Vissi d'Arte is a soprano aria from act 2 of the opera Tosca by Giacomo Puccini. It is sung by Floria Tosca as she thinks of her fate, how the life of her beloved, Mario Cavaradossi, is at the mercy of Baron Scarpia and why God has seemingly abandoned her. Gareth Jones made an impressive arrangement for cornet and brass band.
Estimated dispatch 10-14 working days
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£53.00
Queens and Bees - Erik Waerts
Here we have a stirring march with an obvious Scottish influence. Though the orchestration is rather simple, this march with its melodic trio sounds great. It can be used as a parade march, but will also be most efficient to play in or simply performed as a concert march.
Estimated dispatch 10-14 working days
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£92.00
Chorus - Feike van Tuinen
The Dutch conductor Feike van Tuinen, who wrote 'Hever castle' for flexible instrumentation, has now written this fine composition for fanfare band 'Chorus'.It consists of a series of fine variations on an impressive hymn.
Estimated dispatch 10-14 working days
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£50.00
Four Meets Seven - Patrick Millstone
The young Dutch composer Patrick Millstone is a new name in our catalogue. In this fine composition he describes the meeting of two friends with quite different personalities, the one being introvert (4/4 meter), the other extrovert (7/8 meter). The lyrical introduction suggests the quiet beginning of the conversion. By means of an almost constant alteration of both meters, the Allegro part suggests a sudden quarrel. Finally both friends are parting ... A most fine acquisition for the original concert repertoire.
Estimated dispatch 10-14 working days
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£50.00
Dutch Treat - Pi Scheffer/W. Bosman
Paul Yoder is one of the big names in the history of American wind band music. He was a pioneer in teaching the developing youth bands in the USA and by spreading the modern wind band music repertoire throughout Japan. He wrote over 200 works for symphonic band. 'Dutch Treat' was composed in the early seventies and immediately published in 1971 by Molenaar, a personal friend of Paul Yoder. It is an original arrangement of a traditional tune.
Estimated dispatch 10-14 working days
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£42.00
Dutch Treat - Paul Yoder/Wim Bouman
Paul Yoder is one of the big names in the history of American wind band music. He was a pioneer in teaching the developing youth bands in the USA and by spreading the modern wind band music repertoire throughout Japan. He wrote over 200 works for symphonic band. 'Dutch Treat' was composed in the early seventies and immediately published in 1971 by Molenaar, a personal friend of Paul Yoder. It is an original arrangement of a traditional tune.
Estimated dispatch 10-14 working days
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£70.00
Three Pictures for Band - Oliver Waespi
This composition consists of three sound pictures. Numerous associations mutually link those parts as far as motifs and harmony are concerned. The motif of the ascending and descending fourth plays an important role in many a theme. There are many fourth chords by means of which I try to put a harmonic and unifying stamp on the composition as a whole. Moreover there are similar or identical, though varied, motifs in the successive parts. The first part 'Cortege' (Procession) describes the dignified majestic procession by means of simple, precise rhythms. At first, the music is scarcely audible, as if coming from a distance; it gradually comes nearer until it reaches its climax in large chords, before fading away again. At each quarter note one could imagine a step. The second part 'Dialogue' consists in broad outlines of dialogues between the different orchestral groups. Some instruments are asking questions, others are giving answers. After a rather sad passage, the music turns into a climax followed by a second passage that brings comfort and leads to a quiet ending. In the third part, there is a sudden movement coming up in the shape of 'Waves'. The principle of the wave, successively swelling and decreasing, dominates the entire musical structure of this part, even in the separate motifs.Oliver Waespi
Estimated dispatch 10-14 working days
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£30.00
A Short Ride in a Brass Machine
DescriptionA Short Ride in a Brass Machine was written in 2006 to mark the 140th anniversary of the Brighouse and Rastrick Band and first performed in the Central Methodist Church in Brighouse by Brighouse and Rastrick conducted by James Gourlay. The title refers to the orchestral composition A Short Ride in A Fast Machine by the American composer John Adams which provided some of the inspiration for the work. The music is a simple celebratory prelude consisting of two main ideas, an expansive melody full of open fifths (giving the music a slightly "American" feel) and a short fanfare figure. After these are both heard for the first time a brief development of the fanfare material leads to a broader, warm harmonisation of the opening melody and the pulse relaxes a little before tension builds to a reiteration of the fanfare and a final triumphant version of the opening theme.Performance Notes:Percussion instruments required are 4 Timpani, Snare Drum, Bass Drum, 3 Tom-toms, 3 Wood Blocks, Suspended Cymbal, Clash Cymbals, Tubular Bells, Glockenspiel, Tam-tam.Soprano, repiano, 2nd solo cornet, 2nd and 3rd cornets will require metal straight mutes; 2nd and 3rd cornets will require harmon mutes with the tubes removed (indicated by 'TR').Duration approximately 3'30"Follow the score in the preview video below!
Estimated dispatch 7-14 working days
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£31.50
Edward Gregson: Postcard to Grimethorpe
DescriptionComposer's NoteI composed the original version of Postcard to Grimethorpe in 1993 at the request of Elgar Howarth, for a concert at the Queen Elizabeth Hall, London, given by the Grimethorpe Colliery Band. This was at a time when after the Grimethorpe Colliery pit closed the future of the band was in severe jeopardy. The concert was given in aid of the band, both through publicity and funding.Then in late 2022 Jack Stamp, the American composer, conductor and educator, and at that time international composer-in-association with Grimethorpe, contacted me to say that he had discovered my short piece in the band library, and asked if I might extend it for a recording he was sponsoring for the band - the repertoire to consist entirely of music specially composed for Grimethorpe.I agreed and decided to extend the piece by using the miner's hymn Gresford, as a symbolic gesture of protest at the many thousands of miners in the UK who were made redundant from their jobs. After an angular (atonal) first section, the hymn enters, softly at first, but with each phrase it becomes more powerful and insistent, ending with the final phrase triumphantly accompanied by melodic percussion (replacing the drums and cymbals of the earlier phrases, as if the band were then on the march). However, this short work ends softly and gently, as if anger has been replaced by quiet resolution and determination, looking to the future with confidence.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days