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£39.91I was glad (Brass Band with optional Organ) Hubert Parry trs. Andrew Wainwright
I was glad was originally a choral introit which is a popular piece in the musical repertoire of the Anglican church. It is traditionally sung in the Church of England as an anthem at the coronation of the British monarch, most recently that of King Charles III in May 2023. This transcription for brass band combines the choral and accompaniment parts meaning it is playable as a standalone arrangement. An optional organ part is included to augment the brass. The cornet section is divided into two choirs to create an antiphonal effect. The 'Vivats' are included in this transcription but an optional cut is provided for that section. To view a follow-the-score video please visit https://www.youtube.com/watch?v=Vx95uSp1yU8 PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + *Instrumentation: Soprano Cornet Eb Cornets 1-5 Bb (9 players required as a minimum) Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion *Additional transposed parts are available here for Horns in F, and Baritones, Trombones, Euphoniums and Tubas in Bass Clef.
In Stock: Estimated dispatch 1-3 working days
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£11.97Be Thou My Vision (Brass Band - Additional Parts) Trad. arr. Andrew Wainwright
A highly evocative arrangement of the popular hymn, also known as Slane. The arranger Andrew Wainwright responds to the ethereal quality of the tune with an exquisite layering of texture. The three-verse setting grows to a glorious climax on the final verse, before dying away to a serene ending. The arrangement was commissioned by the Nebraska Brass Band and its Musical Director Glenn Greet. To view a video of Dallas Brass Band performing the work please visit www.youtube.com/watch?v=mUyDYnOkXuE Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone Bass Clef 2nd Baritone Bass Clef 1st Trombone Bass Clef 2nd Trombone Bass Clef Euphonium Bass Clef Tuba Bass Clef (Bass Eb Part) Tuba Bass Clef (Bass Bb Part) The full brass band set with traditional instrumentation is available here.
In Stock: Estimated dispatch 1-3 working days
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£7.98The Lord Bless You and Keep You (Brass Band - Additional Parts) John Rutter
John Rutter's popular choral benediction is based on Numbers 6:24-26, and has here been arranged for brass band by Andrew Wainwright. It is a setting of a biblical benediction, followed by an extended 'Amen'. Rutter originally scored the piece for four vocal parts (SATB) and organ. He composed it in 1981 for the memorial service of Edward T. Chapman, the director of music at Highgate School, London, with whom he had studied when he attended the school. To view a rolling score video with Wellington Brass performing the work please visit www.youtube.com/watch?v=ijJ2Nir3wRQ PDF download includes additional parts as listed below. Full set including score available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Alternative Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone B.C. 2nd Baritone B.C. 1st Trombone B.C. 2nd Trombone B.C. Euphonium B.C. Tuba 1 B.C. Tuba 2 B.C.
In Stock: Estimated dispatch 1-3 working days
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£24.95
Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£12.50
Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£59.95Essay (Brass Band - Score and Parts) - Gregson, Edward
This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialogue takes the form of 'conversations' between the instruments, based on the opening melody announced in unison on cornets and euphoniums. A second theme is introduced on the flugel horn and developed alongside this, creating a sonata form shell.The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The movement is poignant in mood, which is depicted by a cornet solo announced after a brief introduction. The middle section builds to a powerful climax, at which point the opening theme of the first movement is heard again. Tranquillity returns however, with a solo trombone now playing the original theme with other instruments adding decorative accompanying patterns.The final movement, Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band. The middle section, with its changing time patterns and open expansive melody, suggests a 'big-country' style. A rhythmically charged coda concludes the work in exciting fashion.Duration: 12.00
Estimated dispatch 7-14 working days
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£29.95
Essay (Brass Band - Score only) - Gregson, Edward
This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialogue takes the form of 'conversations' between the instruments, based on the opening melody announced in unison on cornets and euphoniums. A second theme is introduced on the flugel horn and developed alongside this, creating a sonata form shell.The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The movement is poignant in mood, which is depicted by a cornet solo announced after a brief introduction. The middle section builds to a powerful climax, at which point the opening theme of the first movement is heard again. Tranquillity returns however, with a solo trombone now playing the original theme with other instruments adding decorative accompanying patterns.The final movement, Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band. The middle section, with its changing time patterns and open expansive melody, suggests a 'big-country' style. A rhythmically charged coda concludes the work in exciting fashion.Duration: 12.00
Estimated dispatch 7-14 working days
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£40.00Bass Trombone Concerto - Gareth Wood
Written in 2006 for Roger Argente, Gareth Wood brings his considerable experience of writing for brass, and brass bands in particular, to an instrument not often blessed with opportunities for solo exposure. It is scored for soloist accompanied by traditional brass band line-up, including timpani and two percussion, and follows the standard three-movement pattern. In the first movement, the soloist launches straight into the musical argument with a low-lying repeated quaver figure punctuated by the band. A lyrical second subject in the high register is also entrusted to the soloist, and the movement comes to a thrilling conclusion. The slow movement opens softly with the percussion, and a mournful bass line sets the mood for a thoughtful long melody. It reaches a powerful climax, which subsides to a return of the opening mood. In the march-like finale, the soloist is pitted against a number of solo instruments from the band and a driving ostinato carries the momentum through to the blazing ending.
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£199.95120 Hymns for Brass Band Enlarged A4 Edition (Value Set) - Steadman-Allen, Ray
Value set includes:Soprano Cornet x1Bb Solo Cornet x4Flugel Horn x22nd/3rd Cornet x4Solo Eb Horn x11st Eb Horn x12nd Eb Horn x11st Baritone x12nd Baritone x11st Trombone x12nd Trombone x1Bass Trombone x1Euphonium x2Eb Bass x2Bb Bass x2 Contents 1. Aberystwyth31. Geibel 61. National Anthem 91. St. Michael121. Angels from the Realms of Glory2. Abridge32. Gerontius62. Nearer, My God, To Thee92. St. Oswald122. As with Gladness3. Angelus33. Gopsal63. Nicaea93. St. Peter123. Christians Awake4. Aurelia34. Hanover64. Notingham (Mozart)94. St. Theodulph124. The Coventry Carol;5. Austrian Hymn35. Hollingside65. Nun Danket95. St. Theresa125. Ding Dong Merrily on High6. Belmont36. Horsley66. Old Hundredth96. Samuel126. Deck the Halls7. Blaenwern37. Hursley67. Passion Chorale97. Sandon127. God Rest ye Merry Gentlemen8. Carlisle38. Hyfrydol68. Penlan98. Sawston128. Good King Wenceslas9. Christ the King39. Innocents69. Pentecost99. Sine Nomine129. Good Christian Men Rejoice10. Colne40. Kocher70. Pilgrims100. Stella130. The Holly and The Ivy11. Cor Jesu41. Laudate Dominum71. Praise my Soul101. Stracathro131. I Saw Three Ships12. Corpus Christi42. Laudes Domini72. Redhead102. Stuttgart132. It Came upon the Midnight Clear13. Crimond43. Lloyd73. Regent Square103. Tallis' Canon133. Jingle Bells14. Cross of Jesus44. Lobe den Herren74. Richmond104. Turris Davidica134. O Little Town of Bethlehem15. Darwalls 148th45. Love Divine75. Rimmington105. Victory135. The Rocking Carol16. Day of Rest46. Lux Benigna76. Rockingham106. Vox Dilecti136. See Amid the Winter Snow17. Dennis47. Maidstone77. St. Agnes107. Wareham137. Unto us a Child is Born18. Diadem48. Mannheim78. St. Albinus108. Warrington138. Wassail19. Diademata49. Martyrdom79. St. Ann109. Westminster139. We Three Kings20. Divine Mysteries50. Maryton80. St. Bees110. When He Cometh140. We Wish you a Merry Christmas21. Dix51. Melcombe81. St. Cecilia111. Whitburn 22. Dominus Regit Me52. Melita82. St. Clement112. Wiltshire 23. Duke Street53. Miles Lane83. St. Columba113. Wir pflugen (Dresden) 24.Dundee (French)54. Misericordia84. St. Cuthbert114. O Come All Ye Faithful 25. Easter Hymn55. Missionary85. St. Denio115. Away in a Manger 26. Ein' Feste Burg56. Monkland86. St. Ethelwald116. Hark! The Herald Angels Sing 27. Ellacombe57. Monks Gate87. St. Francis117. Once in Royal David's City 28. Ellers58. Morning Hymn88. St. George118. Nowell 29. Eventide59. Morning Light89. St. Gertrude119. Silent Night 30. Franconia60. Moscow90. St. Magnus120. While Shepherds Watched
Estimated dispatch 7-14 working days
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£11.97
I was glad (Brass Band with Organ - Additional Parts) Parry trs. Wainwright
I was glad was originally a choral introit which is a popular piece in the musical repertoire of the Anglican church. It is traditionally sung in the Church of England as an anthem at the coronation of the British monarch, most recently that of King Charles III in May 2023. This transcription for brass band combines the choral and accompaniment parts meaning it is playable as a standalone arrangement. An optional organ part is included to augment the brass. The cornet section is divided into two choirs to create an antiphonal effect. The 'Vivats' are included in this transcription but an optional cut is provided for that section. To view a follow-the-score video please visit www.youtube.com/watch?v=Vx95uSp1yU8 PDF download includes additional parts. Purchase the full score and brass band parts here. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone Bass Clef 2nd Baritone Bass Clef 1st Trombone Bass Clef 2nd Trombone Bass Clef Euphonium Bass Clef Tuba 1 Bass Clef (Bass Eb equivalent) Tuba 2 Bass Clef (Bass Bb equivalent)
In Stock: Estimated dispatch 1-3 working days
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