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  • £119.99

    The Lonesome Knight - Saskia Apon

    The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

    Estimated dispatch 5-14 working days

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  • £74.99

    Match-Rhythm - Jan Bosveld

    Match-Rhythm was the compulsory work for the B-division during the European Brass Band Championships of 2005 taking place in Groningen. It is a rhythmical (Rhythm) oriented opening work in which the bands have the opportunity to present themselves during the indisputable competitive character (Match) of these championships. To achieve the high standard required is intensive preparation alone not sufficient. The bands increase their level op performance during the customary try-out concerts so that a kind of competitive rhythm (Match) is acquired.

    Estimated dispatch 5-14 working days

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  • £102.60

    Carol of the Bells - Mykola Leontovych

    Ukrainian composer Mykola Leontyovich composed this famous Christmas Carol in 1914. The carol is based on a folk chant called Shchedryk.The composer was a supporter of the independence movement in Ukraina, and was assassinated by a Soviet agent in 1921.The carol was made famous after the adaption by Peter J Wilhousky in 1936. Wilhousky worked as an arranger for the NBC symphony orchestra.It is also well known from popular culture, like the film Home Alone (1990), and a version by the vocal group Pentatonix.

    Estimated dispatch 5-14 working days
  • £102.60

    Saele Jolekveld - Elias Blixt

    "Saele Jolekveld" was arranged for Concert Band to Kongelige Norske Marines Musikkorps (The Royal Norwegian Navy Band) and their CD-recording "Julestemning"(2009) featuring Solveig Kringlebotn as soprano soloist and the choir of Oslo Philharmonic Orchestra conducted by Ingar Bergby.The arrangement works very well for a collaborative concert for band and SATB choir and possible soprano soloist. However it will also work well also for concert band alone.

    Estimated dispatch 5-14 working days

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  • £113.00

    Mahalageasca - Mahala Rai Banda

    Mahalageasca is a piece that make you happy both to listen and perform.It's possible to play the piece as a stage entrance piece. Repeat bars 1 to 8 several times. You might let the Drum set and some Percussion start alone. After basses have played their first eight bars, move on to bar nine.It is also possible to perform is as an ancore where you might change positions for the brass players but use the same pattern with Percussion as above.Here's a suggestion for set-up:Backrow sits in front of the conductor (on horn chairs)Soprano and Solo Cornets standing behind them.Trombones sits at the conductors right (on Euphonium/Baritone-chairs)Basses sitting behind the TrombonesFlugelhorn and horns on the left (sitting on the solo cornet chairs)Euphoniums and Baritones behind the horns.Please do not play too loud on mf. A bit press on the start of the slurs often better the emphasis (some marcatos written as well)Bars 96 to 136 is challenging for mallet percussion. They can be played as solo, or two players might share it in a convenient way.

    Estimated dispatch 5-14 working days

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