Results
-
£58.10Three English Folk Songs - Alan Fernie
MovementsIn An English Country Garden Linden Lea Richmond Hill Three English Folk Songs is a composition by Alan Fernie. In the Obrasso webshop are the Sheet Music for Brass Band with the article no. 19204 available. The sheet music is classified in Difficulty level B (easy). More Original compositions for Brass Band can be found using the flexible search function.Use the free trial score for Three English Folk Songs and get a musical impression from the audio samples and videos available for the Brass Band piece. With the user-friendly search function in the Obrasso webshop, you can find in just a few steps more sheet music from Alan Fernie for Brass Band. So that you can complete your concert program, show all music sheets can be displayed with one click on Original compositions in Difficulty level B (easy) .Three English Folk Songs is one of many brass music compositions that have been published by Musikverlag Obrasso. Next to Alan Fernie over 100 composers and arrangers work for the Swiss music publishing house. In addition to the notes for Brass Band you will also find literature in other formats such as Brass Band, Concert Band, Junior Band, Brass Ensemble, Woodwind Ensemble, Symphony Orchestra as well as CDs and Music Education. A large part of the publisher's own literature from top brass bands such as the Black Dyke Band, Cory Band, Brighouse & Rastrick Band or the Oberaargauer Brass Band was recorded on Obrasso Records. All sound carriers are also available digitally on the popular portals of Apple, Amazon, Google, Spotify and other providers worldwide.All Obrasso sheet music is produced on high quality paper. The slightly yellowish note paper offers a good contrast and is easy on the eyes in difficult lighting conditions. Delivery to private customers worldwide is free of shipping costs. Order your sheet music now directly from Obrasso Verlag.
Estimated dispatch 5-14 working days
-
£58.10Three English Folk Songs (Brass Band - Score and Parts) - Fernie, Alan
Includes:In an English Country GardenLinden LeaRichmond Hill
Estimated dispatch 7-14 working days
-
£8.50ENGLISH FOLK SONG (score) - Frederick, Mike
The score shows brass band scoring & percussion.
In stock: Estimated dispatch 1-3 days
-
£27.50ENGLISH FOLK SONG (score & parts) - Frederick, Mike
The score shows brass band scoring & percussion.
In stock: Estimated dispatch 1-3 days
-
£69.99English Dances, Set 1, Op. 27: No. 1 - Sir Malcolm Arnold
English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ak's Slavonic Dances and Bartok's Romanian Folk Dances. The premiere took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.
Estimated dispatch 5-14 working days
-
£74.95
Second Suite in F (Score and Parts)
During Holst's earlier years as a composer, he took interest, as did many other English composers at the time, in writing pieces based on folk music. His contemporary Ralph Vaughan Williams had written his English Folk Song Suite, all based on English folk tunes. Holst followed suit and composed the Second Suite as a result. Six tunes are compressed into the four movements of the suite, each with their own character.The Second Suite consists of movements based on specific English folk songs
Estimated dispatch 7-14 working days
-
£32.95
Second Suite in F (Score Only)
During Holst's earlier years as a composer, he took interest, as did many other English composers at the time, in writing pieces based on folk music. His contemporary Ralph Vaughan Williams had written his English Folk Song Suite, all based on English folk tunes. Holst followed suit and composed the Second Suite as a result. Six tunes are compressed into the four movements of the suite, each with their own character.The Second Suite consists of movements based on specific English folk songs
Estimated dispatch 7-14 working days
-
£55.00Second Suite in F - Gustav Holst arr. Phillip Littlemore
Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert and restores it to the original key of F.Duration: c. 12 minutesDifficulty: 3rd Section and above
Estimated dispatch 5-7 working days
-
Le Canal En Octobre - Frederic Paris - Len Jenkins
The tune that forms the basis of this arrangement for brass band was recommended to us by a good friend who plays concertina and melodeon in the traditional English Folk genre. Its delightfully simple melody is based on a French Schottische composed by Frederic Paris and is frequently played at folk music sessions where it is instantly recognised and internationally known. As a folk tune used for dancing, the piece would consist of Tune A and Tune B which would each be repeated several times in succession. In this arrangement for brass, that basic order of the melodies has been varied, and includes a brief foray into a minor key to maintain audience interest. It is not a difficult piece and should be within the capabilities of a fourth section band. However, it is recognised that not every brass band possesses a Marimba, and that part can be played on a Glockenspiel, with appropriate adjustment to fit the available range of the instrument.
-
£40.00
Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes
"Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!
Estimated dispatch 12-14 working days
View Music