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  • £34.09

    Cornish Fantasy (Euphonium Solo with Brass Band) David Taylor

    VIEW SCORE PDF Cornish Fantasy was written for Kidlington Concert Brass's euphonium soloist Benjamin Abbott to perform in their Autumn 2021 series of concerts and contests. Based around a series of Cornish folk tunes, it pays tribute to Ben's Cornish roots, and in particular to his banding education with the Camborne Town Band. The solo opens with the 'unofficial Cornish anthem' Trelawny, which is followed with a series of virtuoso cadenzas. After these is an up-tempo jig in several segments, containing the traditional tunes Camborne Hill, Pendeen Jig, Newlyn Jig, Pencarrow, and Off She Goes, the latter two at a breakneck pace that carries through to a triumphant close. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion Xylophone

    In stock: Estimated dispatch 1-3 days

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  • £90.91

    Euphonium Concerto with Brass Band (Karl Whelan)

    VIEW SCORE PDF Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £7.57

    Euphonium Concerto with Brass Band (Karl Whelan) Soloist Copy

    *Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA To purchase the full band set please visit www.brookwrightmusic.com/product-page/euphonium-concerto-with-brass-band-karl-whelan *Please note this download only includes the soloist copy. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £34.09

    O Holy Night (Flugel Solo with Brass Band) arr. Kevin Larsson

    VIEW SCORE PDF O Holy Night, also known as Cantique de Noel, was originally based on a poem by Placide Cappeau before being set to music by Adople Adam. This carol has become a favourite to many, being performed all over the world in various styles and forms. This jazz-style arrangement for flugel horn and brass band was written for John Docter for The Salvation Army's Night of Wonder Carol Service in Los Angeles. To view a performance video please visit: www.youtube.com/watch?v=tMobVKBLmMY Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Flugel Horn Soloist Bb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Percussion Bongos

    In stock: Estimated dispatch 1-3 days
  • £60.61

    Caprice (Euphonium Solo with Brass Band) Andrew Batterham

    VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £49.99

    ARIA (Euphonium, Trombone or Flugel Horn) (Brass Band) - Finn, Robert

    An aria is a lyrical dramatic solo work for voice. For this work an instrumental soloist interprets the vocal part. The typical melancholy, nostalgia and drama of the Italian aria combines with filmtrack like passages (Morricone) to form the main ingredients of this simple composition. The solo part can be played by a euphonium, a trombone or a tenor saxophone (or flugelhorn).

    Estimated dispatch 7-14 working days

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  • £72.99

    Dreamsong (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

    Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim, Norway. After a short introduction, the soloist introduces a rather nostalgic melody, accompanied by the lower brass parts. A fast central section is then played by the band, which leads to a climax. Eventually, the main melody played by the solo cornet and flugel horn returns, overlaid with an ornamented counter-melody from the soloist, who then closes the piece with a short cadenza.Duration: 4.30

    Estimated dispatch 7-14 working days

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  • £42.95

    WATCHING THE WHEAT (Flugel Horn Solo with Brass Band) - Davoren, Tom

    Instrumentation: Score; Flugelhorn; Solo E flat Horn; 1st E flat Horn; 2nd E flat Horn; 1 st B flat Baritone; 2nd B flat Baritone; 1st B flat Trombone; 2nd B flat Trombone; Bass Trombone; B flat Euphonium; E flat Bass; B flat Bass; Timpani; Percussion 1; Percussion 2; Percussion 3. Cornets are tacet throughout.

    Estimated dispatch 7-14 working days
  • £61.99

    Dreamsong (Euphonium Solo with Brass Band - Score and Parts)

    Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim, Norway. After a short introduction, the soloist introduces a rather nostalgic melody, accompanied by the lower brass parts. A fast central section is then played by the band, which leads to a climax. Eventually, the main melody played by the solo cornet and flugel horn returns, overlaid with an ornamented counter-melody from the soloist, who then closes the piece with a short cadenza. Duration: 4.30

    Estimated dispatch 7-14 working days
  • £74.95

    DAY OF THE DRAGON - Peter Graham

    Additional Score: 29.95The latest in a series of "world music" features by Peter Graham (including Cry of the Celts, Windows of theWorld and Call of the Cossacks), Day of the Dragon is a joint commission fromthe Buy as You View Band and the National Youth Brass Band of Wales. The fivemovements are based on traditional Welsh Folk Songs and feature solos forcornet, trombone, horn, flugel, euphonium : 1) Overture (Ar lan y mor,Hunting the Hare) 2) Lullaby (Suo Gan) 3) Welsh ClogDance 4) Ballad (By Kell's Waters) 5) Triumph(Men of Harlech)

    In stock: Estimated dispatch 1-3 days

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