Results
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£22.95DUNELM CREST (score & parts) - Kitto, Gordon (1923-2000)
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In stock: Estimated dispatch 1-3 days
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£8.50THE CROFT HILL MARCH (score) - Warren, Richard (1917-2009)
If you require further information on THE CROFT HILL MARCH (score), please
In stock: Estimated dispatch 1-3 days
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£22.95THE CROFT HILL MARCH (score & parts) - Warren, Richard (1917-2009)
If you require further information on THE CROFT HILL MARCH (score & parts), please
In stock: Estimated dispatch 1-3 days
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£28.50Crowning Glory - Kevin Ackford
Score & Parts Crowning Glory was written for Denton Brass as their march for the annual Whit Friday March Contests. This bright energetic march has all the hallmarks of Kevin's march writing with obbligatos for the Soprano Cornet and Solo Horn. A great concert opener for all standards of bands.
Estimated dispatch 5-7 days
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£24.95The Wondrous Cross - Dean Jones - Christian Jenkins
The Wondrous Cross was written as the result of a request from Tim Parker, Bandmaster of the Staines Band of The Salvation Army for something new and inspiring for Easter and based on the tunes of 'Rockingham' and 'O Waley,...
Estimated dispatch 4-7 working days
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£34.95Upon the Celtic Cross - Jonathan Bates - Christian Jenkins
Upon the Celtic Cross is an effective opener, overture or finale to any programme. With choreography, special percussion effects, and impressive virtuosity showcasing the various sections of the band, this new concert work has great entertainment value and was used...
Estimated dispatch 4-7 working days
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£29.95
WAR CRY (Brass Band Set) - Dorothy Gates
This work was written as the opener for the New York Staff Band's 125th anniversary concert in Carnegie Hall in March 2012. Based on the song, 'Ever is the war cry'. the music is quite militant in nature which is a direct reflection of the text. While the composer pays homage to the past in this fitting salute, the overall musical style is decidedly that of the 21st century.
Estimated dispatch 7-14 working days
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£34.95
SOUTHERN CROSS, The (Brass Band Set) - Brian Bowen
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£40.00
Creative Dreams - Matthew Hall
Creative Dreams was written for the opening of the new Abraham Darby Academy in Telford, Shropshire. This jubilant piece can be performed as a Brass Band work, a Wind Orchestra work, or the forces can be combined.
Estimated dispatch 5-7 days
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The Crown of Roses - Tchaikovsky - Len Jenkins
Tchaikovsky wrote this in his 'Songs for Young People' in Moscow in 1883 to words by Pletchtcheev. The story it tells is about Jesus Christ when he was a young child, having a small wild garden in which roses grew. Passing children saw the roses and plucking them mockingly asked if he wove rose garlands in his hair. Christ says to take the roses, but to leave the thorns. Instead, they make a crown of these and forced it onto his head so that it bleeds, symbolic of what was going to happen later in his lifetime. The melody contains all the passion that we associate with Russian church music and is equally suitable for a contemplative Christmas or Passiontide. This arrangement is faithful to the four verses of the original lyrics, but with an optional ending half-way if preferred.