Results
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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£40.00Lionheart (Score and Parts)
Lionheart was commissioned by the British Federation of Brass Bands for the 2007 European Brass Band Championships held at the Symphony Hall, Birmingham, and first performed at the Gala Concert by the European Youth Brass Band. It is a triumphant concert opener of about four minutes duration playable by second, first and championship bands.
Estimated dispatch 7-14 working days
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£30.00Carpe Diem - Josiah Walters
An exuberant, original composition from Josiah Walters, with lots of musical innovation, variety of styles and tempo, and extremely listenable. Seize the day with this inspiring piece as a concert feature or item in your own choice entertainment programme.It was premiered to much acclaim by The National Youth Brass Band of Scotland as part of their end of course gala concert in 2011, and has since received further positive reviews together with many further public performances including a radio broadcast feature on BBC Radio 2.This was the inaugural publication by one of our youngest members of The Music Company (UK) Ltd family at the time, and we are delighted to be able to present such an exciting piece from this talented writer.Look and Listen (courtesy of NYBBS 2011):
Estimated dispatch 7-14 working days
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£40.00
Lionheart - Harper, P
Lionheart was commissioned by the British Federation of Brass Bands for the 2007European Brass Band Championships held at the Symphony Hall, Birmingham, and firstperformed at the Gala Concert by the European Youth Brass Band. It is a triumphantconcert opener of about four minutes duration playable by second, first and championshipbands.2nd section +
In stock: Estimated dispatch 1-3 days
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£54.99My First Solo - Jerry B. Bensman
You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall, on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.
Estimated dispatch 5-14 working days
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£59.99Glory Fanfare - Otto M. Schwarz
Glory Fanfare was commissioned by the Brass Band of Upper-Austria for the 2010 European Brass Band Championships in Linz, and was performed as the fi rst piece in the gala concert. The double chorus of cornets is particularly ingenious and itsvirtuosic character adds to all the excitement. Modern elements, such as funky bass lines played along with the drum kit, help drive the festive atmosphere and create a piece that will captivate your audience from the word go!
Estimated dispatch 5-14 working days
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£290.99Hymn Of The Highlands - Philip Sparke
Hymn Of The Highlands was commissioned by David King and the Yorkshire Building Society Band for first performance at the 2002 European Brass Band Championships Gala Concert in Brussels. The complete suite lasts approximately 35 minutes however it is possible that pieces of different lengths can be constructed to feature particular soloists or fit different programming constraints.
Estimated dispatch 5-14 working days
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£40.00The Lord of the Rings: Return of the King - Howard Shore
A spectacular fantasy medley from the third and final episode of the Oscar-winning trilogy. The most poignant and memorable themes from this magical motion picture have been arranged and assembled as a gala concert piece for fullBrass Band and percussion by Philip Harper. Bring the mystery and excitement of Middle Earth into your repertoire with this full score and parts pack.
Estimated dispatch 5-14 working days
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£107.95Cornet Concerto (Brass Band - Score and Parts) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction
Estimated dispatch 7-14 working days
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£49.95Cornet Concerto (Brass Band - Score only) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Duration: 17.00
Estimated dispatch 7-14 working days
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