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£84.99The Saint and the City - Jacob de Haan
This work is based on a well-known myth about the city of Zwolle in the Netherlands. In the waters surrounding Zwolle lived a dragon that regularly emerged. Time and time again he threatened to destroy the city with his fiery breath if he was not given a living sacrifice. The archangel, Michael, who manifested himself as a young knight, saved the city. In a fight he beheaded the monster with his sword. Later, Saint Michael fighting the dragon, which was a symbol of evil and injustice, acquired a permanent place on the city coat of arms. For this composition, the hymn tune Laudate Dominum has been chosen as a central musical theme for the archangel. The dragon isreflected in a series of chords that evoke a somewhat ominous association.
Estimated dispatch 5-14 working days
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£10.00Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£45.00f/m
Descriptionf/m was inspired by the internet cartoon 'frequency' by the artist Randall Munroe, which can be seen atxkcd.'Frequency' displays a grid of randomly chosen statistical events which flash at the frequency of their real-time occurrence; an outwardly banal idea with surprisingly profound results. f/m (which - predictably - is short for frequency/modulation) takes a similarly random set of time/duration statistics and uses them to generate the note lengths for each instrument. The first four statistics (and the first brass instrument entries) are derived from physical science. The next eight are all related to the natural world. The final ten, for which the cornets are used, represent contemporary human activity. The percussion instruments maintain a "tick and chime" throughout the work. To view a PDF preview of the score click here.The statistics used are as follows, indicated by numbers in brackets in the score at the first iteration of each one:Lightning strikes the earth 100 times per secondThe first pulsar ever discovered, PSR1919+21, pulses once every 1.337 secondsThere are approximately 10 supernovae every 0.95 secondsEvery 0.6 seconds the entire solar system moves 100 miles around the galactic centreEvery 4.1 seconds a 70 kg human emits 1000 gamma rays due to naturally occurring potassiumA blue whale's heart beats once every 6.67 secondsA hedgehog's heart beats 300/min or 5 times a secondEvery 2 seconds the net population of the world increases by 5There is one birth every 0.24 secondsThere is one death 0.56 seconds5.14 people die of malaria every minute ( one every 11.67 seconds)10 kilotonnes of polar ice are lost on average every 1.4 seconds.Walmart's takes in sales revenue of $10,000 every 1.4 secondsEvery 3 seconds there are 60,000 plastic bags used in US supermarketsEvery 0.72 seconds the world uses 500 tonnes of paperEvery 7.65 seconds, South Korea builds a carEvery 1.75 seconds, China builds a carEvery 5.8 seconds, Germany builds a carEvery 4.7 seconds, the USA builds a truckTwo commercial airline flights take off every 1.86 secondsMacdonalds serves 300 burgers every 4 seconds and feeds 787 people per secondStarbucks uses 3 gallons of milk every secondPerformance Notes:All entries are cued by the conductor at his/her discretion. There is no specified minimum or maximum time between entries and no specified overall duration; the times between each new entry do not have to be consistent unless the conductor wishes them to be so. However each player should be allowed time to complete at least one iteration of their note, and preferably to become comfortable with their place in the overall texture - one of the aims of the work is try present dissonant sounds through the medium of the brass band outside the normal performance context, allowing players to find their place in a non-diatonic harmonic matrix without regard for linear motion or developmental activity. Entries should not coincide unless they align vertically on the score. While it is accepted that absolute accuracy is not possible, players should attempt to get as close as they can the the printed duration of their note, and do their best to keep that duration consistent during repetitions. Rests are indicated by empty staves. A continuous line indicates a repetition in progress.Soprano cornet will require a harmon mute. Cornet 1 and Trombone 2 require metal straight mutes. Cornets 5,7,8 and 9 require cup mutes. The work requires three percussionists, playing tubular bells, vibraphone and and egg shaker.Approximate duration 6'00" - 9'00"
Estimated dispatch 7-14 working days
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£35.00A Suffolk Prelude - Andrew Duncan
Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional tunes from Suffolk:'Nutting Time','Blackberry Fold','Cupid's Garden','A Seaman's Life''The Bold Richard'The piece begins on the percussion and timpani alone leading through a crescendo into the first statement of the fanfare which is derived from a motif from the tune 'Nutting Time'. This leads into a playing of the 'Nutting Time' tune which is then developed as the tune is passed around the band.'Nutting Time' is a jolly lighthearted tune about a 'fair maid' who meets a handsome young farmer called 'Johnny' when out gathering nuts in the wood. After a pause on the tubular bells the slow tune 'Blackberry Fold' is presented as a solo for Flugel Horn, then as a full band version.'Blackberry Fold' is a touching song about a Suffolk squire who gets married well below his station to a beautiful milkmaid, simply because he loves her! They live happily ever after.The next tune to be heard is the juanty 'Cupid's Garden' played firstly as a solo on the Euphonium, and again this is about the subject of love. This song is sung from a sailors prospective and he tells how he met a lovely maiden and has promised to marry her when he returns from duty at sea.The trombones then play the noble tune 'A Seaman's Life'. This tune seems to serve as a warning to young girls about the fickle nature and the total unsuitability of marrying a sailor! 'Oh a seaman's life is a merry merry life, they'll rob young girls of their heart's delight, they will leave them behind for to sail one morn, but they never know when they'll return'. Despite this it is a fine tune!The last tune featured is 'The Bold Richard' which is played by all the bass instruments in the band. This is a song telling how the Royal Navy friggate 'The Bold Richard' went to battle against a French friggate destroying her and taking her crew as prisoners.Suffolk Prelude goes on to feature a slow version of the tune 'A Seaman's Life' played alongside a fast version of the tune 'Cupid's Garden'. The opening fanfare then returns leading into a final coda section.
Estimated dispatch 7-14 working days
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£79.00
Minnen fran Holmen - Jerker Johansson
The first theme played by the solo clarinet was written by Jerker Johansson the summer 1997, when he was composing in Swedish folk music style for an intended radio programme in which his father should participate reading poems in local dialect. Unfortunately, the project was discontinued. In the spring 2015 Mr. Johansson however started to work on the theme again, this time adding a song theme of broader character. Holmen is the name of the homestead where Mr. Johansson's father Arne grew up. It is beautifully located in the parish of Skarv, situated east of Skara, one of the oldest towns in Sweden. At Holmen, the composer spent his childhood summers and his recollections are filled with many bright moments and happy memories. The piece was premiered May 22, 2015 by the Goteborg Wind Orchestra conducted by the composer.
Estimated dispatch 12-14 working days
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£90.30Minnen fran Holmen - Jerker Johansson
The first theme was written the summer 1997 when Jerker Johansson was composing in Swedish folk music style for an intended radio programme in which his father should participate reading poems in local dialect. Unfortunately, the project was discontinued. In the spring 2015 Mr. Johansson however started to work on the theme again, this time adding a song theme of broader character. Holmen is the name of the homestead where Mr. Johansson's father Arne grew up. It is beautifully located in the parish of Skarv, situated east of Skara, one of the oldest towns in Sweden. At Holmen, the composer spent his childhood summers and his recollections are filled with many bright moments andhappy memories. The piece was premiered May 22, 2015 by the Goteborg Wind Orchestra conducted by the composer.
Estimated dispatch 5-14 working days
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£40.00Finale from Symphony No. 4 - Pyotr Tchaikovsky arr. Phillip Littlemore
Tchaikovsky began work on his Symphony No.4 in F minor in the early part of 1877, about the time he began his relationship with his long-term benefactor Nadezhda von Meck. The bulk of the composition was completed by the May of that year, although Tchaikovsky's hastily arranged marriage in the following July to Antonina Miliukova put further work on hold for a while.He returned to working on the symphony in the latter half of the same year, agonising over the orchestration of the much meatier first movement, yet finding the following movements less taxing. The Finale itself erupts with a fortissimo explosion before giving way to the Russian folk song, The Little Birch Tree , which offers much of the thematic material for the movement, until the return of the 'fate' theme from the opening of the symphony itself, which acts as a disturbing presence amongst the more carnival atmosphere of an otherwise buoyant Finale.Duration: 6'00"Difficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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£54.99Nativity Carol - John Rutter
For a long time John Rutter has been the composer of contemporary music for choirs. His Gloria is world-known and also his Nativity Carol is sung all around the world at Christmas time. A simple melody of great beauty accompanied by perfect chords get you in the true Christmas spirit.
Estimated dispatch 5-14 working days
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£59.99Es ist ein Ros Entsprungen (Brass Band - Score and Parts) - Praetorius, Michael - Schwarz, Otto M.
The many sided and productive Michael Praetorius (1571-1621) is known as a composer of dance music, sacred music and music for the advent and Christmas time. He worked as Kapelmeister to the court at Wolffenbuttel, but he was also asked to serve in other places, including Dresden. Praetorius was valued for the new impulses he gave to music by means of his use of instrumental accompaniment. His main contribution is his theoretical work "Syntagma Musicum", one of the most important musical reference books, in connection with instruments and instrumentation in the early 17th Century. "Es ist ein ros entsprungen" is a well known ancient melody which has inspired numerous composers and arrangers throughout the Centuries. Otto M. Schwarz has made a choral arrangement.Duration: 3:00
Estimated dispatch 7-14 working days
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£40.00Symphony No.1, Finale from (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip
Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40
Estimated dispatch 7-14 working days
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