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  • £137.70

    How to Train Your Dragon - John James Powell

    "How to train your dragon" is an American animation film about a little viking village which gets attacked by dragons.In the movie, the young character Birk must convince his father and the rest of the village that he will be a viking warrior and fight the dragons.During the process of becoming a real warrior, Birk wants to become friends with the dragons, rather than fight them.The film music is originally written by John James Powell and describes the drama, tension og romance.In this arrangement you'll find the themes "This is Birk" and "Dragon Battle".

    Estimated dispatch 5-14 working days

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  • £53.50

    Theme from JAG - Bruce Broughton

    The television series JAG (Judge Advocate General), which was first broadcast in America in 1995, has become internationally known over the years. In Europe, too, people have become acquainted with the legal wing of navy officers and the intrigues surrounding Commander Harmon "Harm" Rabb (David James Elliott) and his partner Lieutenant Colonel Sarah "Mac" MacKenzie (Catherine Bell). Both inside and outside the courtroom they fight with one major aim: winning! In their personal relationships, there's a good deal of tension too. The theme tune to this television series, full of action and adventure, has been arranged for brass band by Roland Kernen.

    Estimated dispatch 5-14 working days

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  • £159.99

    Rush Hour - Etienne Crausaz

    Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division.Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter andmore peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry.Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour.

    Estimated dispatch 5-14 working days

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