Grevling i taket - Øystein Dolmen og Gustav Lorentzen

This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, baritones and euphoniums should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the cornet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. Flugelhorn and horns can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.

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Grieg's Morning Mood - Edvard Grieg

Griffenfeldt - 0

Here we present "Griffenfeldt, a folk-dance in the style of a Norwegian reinlender.This arrangement can be used as the first item in a concert, or after an interval.The musicians can come on stage as they join in. That is why two of the measures are notated "repeat till ready", here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted.Be sure to play with a bouncy but singing style, not with short and harsh articulations.Do the trills on the beat, but these can also be omitted if it makes it too difficult.To bring out the folk music style a little extra, you can ask the musicians to play on the "backbeat", i.e. emphasize the last half of each quarter-note.In addition, the music will really come to life if all "solo" places are done standing up.The musician Anon Egeland tells this story:This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.

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Grigri Overture - Paul Lincke

Groov'in Cuba - Jérôme Naulais

Groove Machine - Otto M. Schwarz

Groove Machine by Otto M. Schwarz was commissioned by Brassband Oberosterreich. This bonus track has been recorded by the Brassband Oberosterreich under the musical direction of conductor Hannes Buchegger. A version for concert band is also available.

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Groovy Tune - Svein Fjermestad

Grosser Festmarsch - Richard Wagner

Grosser Gott, wir loben Dich - Ignaz Franz

Grosser Gott, wir loben Dich (+ Organ optional) - Ignaz Franz