Symphonic Dimensions - Otto M. Schwarz

Symphonic Dimensions is a powerful opening piece with a continually recurring motif. Beginning with a festive fanfare in which the leitmotif is heard for the first time, it continues in a buoyant 12/8 meter. The themes alternate again and again, in various instrumentations, and end in an epic finale. Symphonic Dimensions can equally be played at the end of a concert as a rousing finale.

Symphonic Study - Gordon Jacob

Symphonic Suite - Leighton Lucas

Symphonic Suite from Star Wars: The Force Awakens - John Williams

Utilizing the distinctive Jedi Steps theme featured at the end of the film, combined with the rousing Finale from the end credits, Stephen Bulla authentically recreates the beauty and power of this amazing film score. Courtesy of Mr. Williams himself, an alternate "concert ending" is provided in addition to the quiet ending as heard at the end of the film.

Symphonies pour les Soupers du Roi - Michel-Richard Delalande

Symphony 40 - Jirka Kadlec

Symphony from The Fairy Queen - Henry Purchell

Henry Purcell (1658 1695) is generally considered as one of the greatest English composers. He incorporated Italian and French stylistic elements into his compositions and made uniquely English baroque music. He has a rich production as composer, with works for orchestra, church, scene and vocal. In 1692, three years before his dead, he composed music to The Fairy Queen, who is a masque or semi opera who is a revised version of William Shakespeare's wedding comedy A Midsummer Night's Dream. This arrangement of Symphony is the overture to act number four.

Symphony in Two Movements - Edward Gregson

Symphony No. 5 - Ludwig van Beethoven

Symphony No. 9 - Antonín Dvorák

  View Music