BY THE SLEEPY LAGOON (Brass Band) - Coates, Eric - Smith, Sandy

Easy

  View Music

Bye Bye President (Brass Band - Score and Parts) - Walter, Christoph - Smith, Sandy

Marchcard sizeDuration: 4.00

  View Music

Bygone Days (Brass Band - Score and Parts)

-

C.A. Funk (Brass Band - Score and Parts) - Fernie, Alan

Slightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)

  View Music

C'est La Vie (Brass Band - Score and Parts) - Ocean, Johny

Performed by Khaled. Duration: 03:45

  View Music

Ca' the Yowes (Brass Band - Score and Parts) - Fernie, Alan

Drive the Ewes to the Hills

  View Music

CABARET (Selection from the musical) (Brass Band) - Ebb & Kander - Fernie, Alan

Medium

  View Music

CABARET CONCERTO (Piano Solo with Brass Band - Score and Parts) - Ellerby, Martin

Includes: Harmony in Green and Rose; Variations in Pink and Grey; Nocturne in Blue and Silver; An Orange Note; Arrangement in White and Black (Cornet Solo); Caprice in Purple and Gold; symphony in White; Harmony in Blue. Duration: 20:00. Recorded on Polyphonic QPRL231D TERRA AUSTRALIS

Caelum Corona (Crown of Heaven) (Brass Band - Score and Parts) - Bulla, Stephen

Stephen Bulla's 'Caelum Corona' ('Crown of Heaven') portrays, in sound, a Christian's walk in faith, intended metaphorically via a musical narrative reminiscent of the early church pilgrims, their struggles and triumphs. The composer initially evokes the atmosphere of Rome at the time of St. Paul and other martyrs, thus the Latin title. Bulla marks his imaginative tone poem with dark, brooding music in the first two of three parts, in each of which he has embedded an appropriate hymn or song reference as thematic material.

Caelum Corona (Crown of Heaven) (Brass Band - Score only) - Bulla, Stephen

Stephen Bulla's 'Caelum Corona' ('Crown of Heaven') portrays, in sound, a Christian's walk in faith, intended metaphorically via a musical narrative reminiscent of the early church pilgrims, their struggles and triumphs. The composer initially evokes the atmosphere of Rome at the time of St. Paul and other martyrs, thus the Latin title. Bulla marks his imaginative tone poem with dark, brooding music in the first two of three parts, in each of which he has embedded an appropriate hymn or song reference as thematic material.