Dream Children (Brass Band - Score & Parts) - Elgar, Edward - Harris, Haydn

Classic Brass No.3

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Dream Children (Brass Band - Score only) - Elgar, Edward - Harris, Haydn

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Dreaming (Brass Band - Score and Parts) - Bernaerts, Frank

Duration: 02:30

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Dreaming (Brass Band - Score and Parts) - De Haan, Jacob

Duration: 2:50

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Dreaming Cornets (Cornet Trio with Brass Band - Score and Parts) - Marthaler & Walter - Smith, Sandy

Duration: 2.45

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Dreams (Brass Band - Score and Parts)

This composition by Bertrand Moren presents various dreams which could have an effect on a dreamer's life. Its very high level of difficulty provides a great challenge for the conductor and musicians. You will be taken through a living Nightmare, with spine-chilling passages as dissonant chords alternate with aggressive percussion. Daydream is a patchwork of solos with all the brass band soloists playing serene and soft melodic lines with a virtuosic trombone cadenza. Finally, Visions portrays visions of insanity reflected by violent and discordant descending motifs leading to visions of joy presented in a sparkling and cheerful finale. 15:00

Dreams and Aspirations (Brass Band - Score and Parts)

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DREAMS AND DANCES (Flugel Horn Solo with Brass Band) - Harper, Philip

Dreams and Dances is a substantial seven minute solo for one of the most characteristic of the brass band's instruments. It begins slowly and dreamily, with a flugel line encompassing both lyrical and florid styles, before moving via a short cadenza to a set of dances in a quick 6/8 time. The solo part would be a challenge for any player, but the accompaniment parts should he manageable by all.

Dreamscape (Brass Band - Score and Parts)

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Dreamsong (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim, Norway. After a short introduction, the soloist introduces a rather nostalgic melody, accompanied by the lower brass parts. A fast central section is then played by the band, which leads to a climax. Eventually, the main melody played by the solo cornet and flugel horn returns, overlaid with an ornamented counter-melody from the soloist, who then closes the piece with a short cadenza.Duration: 4.30

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