Studio Music, page 414 |

£26.50

My Little Snowdrop (Brass Band - Score and Parts)

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Estimated dispatch 7-14 working days
£24.95

My Love Is Like A Red, Red Rose - Euphonium Solo (Brass Band - Score and Parts) - Downie, Kenneth

An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.
Estimated dispatch 7-14 working days
£12.50

My Love Is Like A Red, Red Rose - Euphonium Solo (Brass Band - Score Only) - Downie, Kenneth

An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.
Estimated dispatch 7-14 working days
£26.50

My Old Friend John (Brass Band - Score and Parts)

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Estimated dispatch 7-14 working days
£33.00

My Old Kentucky Home (fantasia) (Brass Band - Score and Parts)

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Estimated dispatch 7-14 working days
£26.50

My Old Kentucky Home (Solo cornet/Brass Band)

Cornet solo with brass band
Estimated dispatch 7-14 working days
£26.50

My Pretty Jane (Brass Band - Score and Parts)

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Estimated dispatch 7-14 working days
£26.50

My Pretty Jane (Solo Cornet/Brass Band) - Hartmann, John

Cornet Solo with brass band
Estimated dispatch 7-14 working days
£26.50

My Pretty Jane (solo) (Brass Band - Score and Parts)

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Estimated dispatch 7-14 working days
£59.95

My Strength, My Tower - Rhapsodic Variations (Brass Band - Score and Parts) - Goffin, Dean

This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days