Little Suite No.1 (Arnold) (Brass Band - Score only) - Arnold, Malcolm

Recorded on Polyphonic QPRL225D Masters of Space and Time

Little Suite No.2 (Arnold) (Brass Band - Score and Parts) - Arnold, Malcolm

Movements include: Round; Cavatina; Galop

Little Suite No.2 (Arnold) (Brass Band - Score only) - Arnold, Malcolm

Movements include: Round; Cavatina; Galop.

LITTLE TOWN (Flugelhorn Solo with Brass Band) - Freeh, Mark

Not the famous arrangement used in the UK, but beautiful none the less. Grade: Easy.

  View Music

LITTLE VILLAGE (Brass Band Marchcard) - Heri, Urs

Grade: easy

  View Music

LIVE AND LET DIE (Soprano Cornet/Brass Band) - McCartney, Paul - Farr, Ray

Living Legend (Cornet Solo with Brass Band - Score and Parts) - Wiffin, Rob

This short, lyrical solo was named for a musician friend who was proud of having been described as a living legend. Although not obviously technically demanding it requires good control and careful phrasing as well as sensitive accompaniment from the band.- Rob WiffinDuration: 3.30

  View Music

Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell

The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.

Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell

The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.

Lobt Gott, ihr Christen alle gleich Brass Band (Score & Parts)

04:00