My Pretty Jane (solo) (Brass Band - Score and Parts)

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MY SOUL THERE IS A COUNTRY - Monteverdi, Claudio

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My Strength, My Tower - Rhapsodic Variations (Brass Band - Score and Parts) - Goffin, Dean

This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).

My Strength, My Tower - Rhapsodic Variations (Brass Band - Score only) - Goffin, Dean

This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).

My Syrian Maid (Brass Band - Score and Parts)

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My Way (Brass Band - Score and Parts) - Oud, Thijs

The evergreen My Way, originally a French chanson (Comme d'Habitude), was written by Jacques Revaux and Gillies Thibault and first released by Claude Francois in 1967. Paul Anka wrote the English lyrics which were used by Frank Sinatra who made it in to the American charts with his world famous interpretation in 1969. Since then the song has been covered by a variety of pop stars, including Elvis Presley. This arrangement is based on the Elvis version and within it the chorus appears in a swinging blues style. This popular song will be ideal for that spectacular ending to your concert.Duration: 3:45

MY WAY (Brass Band) - Francois & Revaux - Fernie, Alan

Medium

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MY WAY (Brass Band) - Francois & Revaux - Smith, Sandy

Medium

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My Way (Flexible Solo with Brass Band - Score and Parts) - Francois & Revaux - Kadlec & Moren

Solo for Cornet, Eb Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.45

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Myfanwy (Brass Band - Score and Parts) - Downie, Kenneth

This is a setting for brass band of one of the loveliest melodies to come from Wales. The composer was Joseph Parry while the original lyrics were written by Richard Davies and tell a poignant story of unrequited love. Nowadays the tune is often associated with other, sacred words.