RAINBOW WAVES

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Rainforest (Eb Horn Solo with Brass Band - Score and Parts) - Graham, Peter

Solo for Tenor Horn Eb. The Second movement from Windows of the World.

RAINY DAY IN RIO (Bass Trombone/Brass Band) - Richards, Goff

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RAINY DAYS AND MONDAYS (Baritone/Euphonium Solo with Brass Band) - Fernie, Alan

Grade: Medium.

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RAINY DAYS AND MONDAYS (Eb Horn Solo with Brass Band) - Jenkins, Christian

Grade: Easy/Medium.

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Ramajana Suite (Brass Band - Score and Parts) - Goorhuis, Rob

Duration: 11.00

Rank and File (Brass Band - Score and Parts)

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RATAOUILLE (Highlights) (Brass Band) - Giacchino, Michael - Moss, John

Heres the latest blockbuster animated movie from the geniuses at Disney and Pixar. With music by Michael Giacchino (The Incredibles), this entertaining and action-packed medley for Brass Band is sure to be an audience favourite. Grade: Intermediate Duration: 6:0

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Raveling, Unraveling (Brass Band - Score and Parts) - Sparke, Philip

Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunning closing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.Duration: 16:30

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Raveling, Unraveling (Brass Band - Score only) - Sparke, Philip

Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunning closing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.Duration: 16:30

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