Vivo Per Lei (Brass Band - Score and Parts) - Stalman, Wim

A passionate desire for Andrea Bocelli's voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful, as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action, every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.Duration: 4:30

Vivo Per Lei (Cornet and Euphonium Duet with Brass Band - Score and Parts) - Mengali & Zelli - Fernie, Alan

Duration: 4.30

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Vizcaya (Brass Band - Score and Parts) - Vinter, Gilbert

This work makes use of three Basque melodies. The final section, Fete Basque, may be played seperately as a concert item with an approximate duration of 4.30Suitable for 3rd Section bands and aboveRecorded on Polyphonic QPRL058D SPECTRUM: The Music of Gilbert Vinter Vol.1

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Vizcaya (Brass Band - Score only) - Vinter, Gilbert

This work makes use of three Basque melodies. The final section, Fete Basque, may be played separately as a concert item with an approximate duration of 4.30Suitable for 3rd Section bands and aboveRecorded on Polyphonic QPRL058D SPECTRUM: The Music of Gilbert Vinter Vol.1

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VLTAVA (Die Moldau) - Smetana, Bedrich

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VOCALISE

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VOCALISE Op.34 No.14 (Eb Horn Solo with Brass Band) - Rachmaninoff, Sergei - Smith, Sandy

Grade: Easy/Medium.

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Voices (Brass Band - Score and Parts) - Vangelis

Duration: 4.00

Voices of Youth (Brass Band - Score and Parts) - Gregson, Edward

The suite Voices of Youth is one of Gregson's earliest brass band compositions, written while he was still a student at the Royal Academy of Music in London. Voices of Youth was commissioned by the National Youth Brass Band of Great Britain and was premiered by them under the baton of Geoffrey Brand.The work has three movements:Nobility of Youth (Duration: 4.00)Sadness and Tenderness (Duration: 2.30)Gaiety (Duration: 2.45)In Nobility of Youth there are the rich sonorities beloved of Salvationist composers such as Eric Ball and, particularly, Ray Steadman Allen, whose music he admired. The modal contour of the melodies here and at the climax of the slow movement Sadness and Tenderness reveal lessons well learned from Holst and Vaughan Williams. Gaiety is probably the most interesting amalgam of all. Beginning in the harmonic world of Gilbert Vinter - whose influence Gregson readily acknowledges at this time - the music is transformed into a bravura waltz of which Percy Grainger might have been proud. It then veers off via a contrapuntal episode of academic correctness, into a coda that takes us into more adventurous harmonic realms.Duration: 10.00

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VOLARE

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