Wild Wild West

Cowboy FantasyIncludes: Skip to my Lou; Black-Eyed Susan; Home on the Range; The Blue-Tailed Fly; The Red River Valley; On Top of Old Smokey; The Streets of Laredo; Big Rock Candy Mountain; The Yellow Rose of Texas.

William Tell (Ballet Music) (Brass Band - Score and Parts)

William Tell Overture

The overture to Rossini's opera William Tell, arranged for 10 piece brass ensemble and percussion by Corsin Tuor.

William Tell Overture (Score Only)

The overture to Rossini's opera William Tell, arranged for 10 piece brass ensemble and percussion by Corsin Tuor.

Willy Wonka (Selections from)

Wings

Wings (Claribel)

This set is march card sizedThe official Regimental March of The Royal Engineers

Wings Over the Navy

This set is march card sized

Winter from the Four Season (Trombone Solo)

In 1723 Antonio Vivaldi (1678 - 1741) composed four concerti for violin and small orchestra entitled The Four Seasons. Winter is the fourth of these. Each concerto is comprised of three movements and paints sound pictures of the particular season. In this one we hear music describing harsh winter winds and icy snows, enough to make teeth chatter, in the first movement, a cosy scene by the fireside watching the falling rain (second movement) and the harsh winds, ice and snow return in movement 3.This arrangement was prepared at the request of Brett Baker and has been recorded by him accompanied by Brass Band Of The Western Reserve, musical director Dr Keith M Wilkinson, on the CD Slides Rule!

Winter Wonderland (Brass Band - Score and Parts)

This endearingly popular seasonal song has long been a Christmas favourite, even though the lyrics don't mention 'Christmas' at all. The words were by Dick Smith (1901-1935) and the music by Felix Bernard (1897-1944). The inspiration was reportedly a visit by Smith to Honesdale's (his hometown) Central Park when it was covered in snow.The first recording was made by Richard Himber's Ritz-Carlton Orchestra in 1934. The same year Guy Lombardo and his band, The Royal Canadians, took the song to number 2 in the US Billboard Chart, where it stayed for 9 weeks. It has since been recorded by over 150 artists, the most successful versions being by Perry Como and the Andrews Sisters, both released in 1946.