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£25.00Ariel
DescriptionAll hail, great master! Grave sir, hail! I comeTo answer thy best pleasure, be 't to fly,To swim, to dive into the fire, to rideOn the curled cloud. To thy strong bidding, taskAriel and all his quality.- William Shakespeare: The Tempest, Act 1, Scene 2Ariel was written for the Hammonds Band to open their programme at the 2019 Brass in Concert Championships at The Sage Concert Hall in Gateshead, where it received its premiere. The title is taken from the character in Shakespeare's play 'The Tempest'. Ariel is an immensely powerful "air spirit" or demon bound to serve Prospero, the exiled Duke of Milan, after being released by Prospero from imprisonment in a tree. In the play Ariel's magical abilities are used to help Prospero revenge himself on his enemies and reclaim his dukedom, whereupon Ariel finally regains his freedom.You can hear an audio preview and follow the score below:Performance notes:The cornets and horns are split into two "choirs" to be placed left and right of the band. It may be possible for the choirs to play their opening flourish offstage, and the optional repeated sections in the opening are to accommodate stage movement if required. Trombones form a third "choir" which should ideally stand centrally between basses and percussion, and the euphoniums and baritones should sit in front of the basses. The work requires four percussionists, although if four are not available the 2nd part may be omitted.Percussion 1: Kit - bass drum, snare, 3 x toms, hi-hat, suspended cymbal - and 3 x temple blocksPercussion 2: Tam tam and orchestral bass drum.Percussion 3: Glockenspiel and timpaniPercussion 4: Tubular bellsSoprano, solo cornets and 3rd cornets require cup mutes. Solo trombone requires a cup mute, second trombone requires a metal straight mute.
Estimated dispatch 7-14 working days
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£39.86Nocturne for Brass Band & Percussion: The Lady with the Lamp - Andy Wareham
VIEW SCORE PDF Nocturne for Brass Band & Percussion: The Lady with the Lamp was composed for the BrookWright International Brass Band Composer Competition 2020, the work later going on to be a finalist in the competition. The music celebrates the life and achievements of Florence Nightingale on the 200th anniversary of her birth. The work is structured in ternary form and is designed to be an engaging concert piece, accessible to both lower and upper section bands. Minimal percussion has been used and ossia passages have been added to accommodate all levels. The music imagines Miss Nightingale walking the wards at night with the contrasting sections representing her devotion to the care of others, the struggles and sacrifice of her service, and the lasting effect of her renowned achievements that are still felt to this day. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium 1&2 Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£34.95Lady of the Lake - Christopher Bond
A remote Carmarthenshire lake shrouded in Welsh legend has been named as one of the 1,000 must-see sights across the globe by an influential travel bible. Llyn y Fan Fach, 12km southeast of Llandovery in the Brecon Beacons, is the only spot in Wales to make the list, which was put together by Lonely Planet. "This isolated drop of blue, beneath a cirque of raw Welsh hills, is enchanting - and enchanted," Lonely Planet's 1,000 Ultimate Sights tells readers. The story goes that in the 13th Century, a farmer grazing cattle on the nearby slopes spotted the most beautiful woman he'd ever seen. She was a fairy maiden, who agreed to marry him on one proviso - he must not hit her more than twice. In time, the inevitable happened - three strikes, and the otherworldly wife disappeared back into the lake, taking her magic cows with her. This work, for flugel horn and brass band, is reflective in nature, portraying the dismay of the man in losing his wife for his own selfishness. The work was written for and premiered by Rob Nesbitt & City of Cardiff (Melingriffith) Band, at the 2019 Welsh Open Entertainment Contest in Porthcawl, Wales.
Estimated dispatch 5-10 working days
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£124.95The 39th Parallel (Brass Band - Score and Parts) - Graham, Peter
Within The 39th Parallel (South) lies the New Zealand district of Whanganui and at its heart the Whanganui river - Te Awa Tupua.This work is cast in two parts:Part 1, a musical evocation of the course of the river from Mount Tongariro to the sea, is constructed according to golden ratio proportions (the fundamental mathematical principle governing nature). Running in parallel a sequence of metrical modulations finds the tempo of the music increase incrementally over the course of the movement.Part 2, Apakura, ("Lament" in the Maori language) develops a theme previously hinted at in Part 1 but now fully realised. This "Home" theme is an elegy to the late Kevin Jarrett, a towering figure in the New Zealand music scene who for many years lived and worked in the town of Whanganui. The elegy includes references to music which formed a significant part of Kevin Jarrett's musical experiences both as a New Zealand Army Band musician (echoes of the Urbach march Through Bolts and Bars) and through his long association with the National Band of New Zealand (hints of fellow countryman Sir Dean Goffin's classic Rhapsody in Brass). The work concludes with a reprise of the Home theme.The 39th Parallel was commissioned by the Brass Band Association of New Zealand, in memory of the late Kevin Jarrett, with funds primarily provided by WNG Loan Finance & Investment Co; McDonnell Coleman Trust; Brass Whanganui; Riki & Rhys McDonnell; Jonathan Wallace; Graham Hickman; Ian & Denise Levien; and the New Zealand Army Band.- Peter Graham
Estimated dispatch 7-14 working days
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£94.95An Age of Kings (Mezzo-Soprano Solo with Brass Band and optional choir - Score and Parts) - Gregson, Edward
The origins of this work date back to 1988, when I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for the throne, and they portray one of the most turbulent periods in the history of the British monarchy.Much of the music used in these productions was adapted into two large symphonic suites for wind band - The Sword and the Crown (1991) and The Kings Go Forth (1996). An Age of Kings is a new version for brass band incorporating music from both the symphonic suites for wind band. It was specially composed for a recording made by the Black Dyke Band, conducted by Nicholas Childs, in 2004.An Age of Kings is music on a large-scale canvas, scored for augmented brass band, with the addition of harp, piano, mezzo-soprano solo, male chorus, as well as two off-stage trumpets. The music is also organized on a large-scale structure, in three movements, which play without a break - "Church and State", "At the Welsh Court", and "Battle Music and Hymn of Thanksgiving".The first movement, "Church and State", opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but with the English army music returning in counterpoint. A brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). However, the mood changes dramatically once again, with the horrors of war being portrayed in the darkly-drawn Dies Irae and Dance of Death, leading to the final section of the first movement, a funeral march for Henry VI.The second movement, "At the Welsh Court", takes music from the Welsh Court in Henry IV part 1 with a simple Welsh folk tune sung by mezzo-soprano to the inevitable accompaniment of a harp. This love song is interrupted by distant fanfares, forewarning of battles to come. However, the folk song returns with variation in the musical fabric. The movement ends as it began with off-stage horn and gentle percussion.The final movement, "Battle Music and Hymn of Thanksgiving", starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonDuration - 22'00"Optional TTBB available separately.
Estimated dispatch 7-14 working days
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£44.95Reflections (Flugel and Tenor Horn Duet with Brass Band - Score and Parts) - Graham, Peter
Duet for Flugel and Tenor Horn or Two Bb Cornets from War of the Worlds SuiteEach movement of War of the Worlds is available separately allowing for a variety of "mini-suite" combinations eg: Movements 1,2 and 5 or 3,4 and 5 etc. For movements 1, 4 and 5 see the BB Concert Music tab. Complete suite also available.Reflections is the second movement of the suite War of the Worlds which was commissioned by the Senzoku Gakuen College of Music Saxophone Orchestra and first performed by them in the Maeda Hall, Japan on June 29 2012, the composer conducting. The music is dedicated to Professor Shin-ichi Iwamoto. The transcription for brass band was first performed by the Brighouse & Rastrick Band, conductor David King, in the Bridgewater Hall Manchester on September 8 2012.The suite takes inspiration from the 1953 film script adaptation of the famous HG Wells novel and key scenes from the film are set as individual movements: Reflections - here mankind contemplates a life forever changed as the invaders progress their colonisation of Planet Earth.
Estimated dispatch 7-14 working days
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£42.95WATCHING THE WHEAT (Flugel Horn Solo with Brass Band) - Davoren, Tom
Instrumentation: Score; Flugelhorn; Solo E flat Horn; 1st E flat Horn; 2nd E flat Horn; 1 st B flat Baritone; 2nd B flat Baritone; 1st B flat Trombone; 2nd B flat Trombone; Bass Trombone; B flat Euphonium; E flat Bass; B flat Bass; Timpani; Percussion 1; Percussion 2; Percussion 3. Cornets are tacet throughout.
Estimated dispatch 7-14 working days
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£15.00Auld Lang Syne - Traditional
This classic melody for celebrating the bringing in of each new year, has been scored here by Helen Douthwaite with a reduced-sized brass group in mind.Originally aimed at providing her own training band with relevant repertoire to learn, Helen has created a happily versatile piece which can be welcomed by beginner and more advanced groups alike.The set comes with score and parts for:Cornet 1Cornet 2Eb Tenor HornEuphonium/BaritoneTrombone 1Trombone 2Snare Drum
In Stock: Estimated dispatch 3-5 working days
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£30.00Three Pieces from Czechoslovakia - Leos Janacek
This is the music of Leos Janacek (1854-1928) - exciting, powerful, emotive, impassioned, unpredictable, and many other definitions all rolled into one! Janacek was little known in Britain until the 1960's, when the conductor Charles Macherras introduced his unique music and opera to the western audience. His orchestral Sinfonietta was an instant hit. Janacek has since been one of the featured composers in the 'Proms'.The three pieces which I have arranged for brass band are INTRODUCTION, ORGAN SOLO and INTRADA from Janacek's Glagolitic Mass. They work equally well together or on their own, as they each have their own identity. They can be purchased together or separately.1. INTRODUCTIONA great 'starter' for the first or second half of a concert. 2. ORGAN SOLOThis is a 'must' if you want to impress your audience - every section of the band is incredibly busy, (although they can be assured that they do have time to breath)! 3. INTRADAThis piece, (and no.1 "Introduction"), both contain that 'fanfare' like quality which Janacek is famous for in his Sinfonietta.
In Stock: Estimated dispatch 3-5 working days
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£35.00Pomp & Circumstance March No.4 - Edward Elgar arr. Phillip Littlemore
Pomp & Circumstance March No. 4 was completed in June 1907, shortly after his fiftieth birthday. Like the first, it contains an equally impressive 'big tune' in the trio section, but it also matches No.1 in that it has a lively, rhythmic march element to envelope it.Unlike No.1 though, Elgar cleverly superimposes one on top of the other for the final, extended coda. Several attempts have been made to fit words to the main tune, the first of which were by the composer's wife, Alice, for her song The King's Way to celebrate the opening of a road in London. The music was then set to Alfred Noye's Song of Victory before a later attempt to make a patriotic Song of Liberty for World War II by the author A P Herbert.Duration: 4'50"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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