Results
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£50.90WINNETOU (Brass Band) - Bottcher, Martin - Fernie, Alan
Chief of the Apaches Theme. Grade: Medium/Easy. Duration: 3:10
Estimated dispatch 7-14 working days
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£37.95Music from the Elizabethan Court (Brass Band - Score only) - Howarth, Elgar
Contains:The Earle of Oxford's March (William Byrd)Pavane (John Bull)Galliard (John Bull)The King's Hunting Jigg (John Bull)Duration: 10.00
Estimated dispatch 7-14 working days
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£74.95Music from the Elizabethan Court (Brass Band - Score and Parts) - Howarth, Elgar
Contains:The Earle of Oxford's March (William Byrd)Pavane (John Bull)Galliard (John Bull)The King's Hunting Jigg (John Bull)Duration: 10.00
Estimated dispatch 7-14 working days
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£57.50
Scherzo from Symphony No.10 - Dimitri Shostakovich
The Scherzo is the 2nd movement from Shostakovich's 10th Symphony; a short, brutally fierce movement which is constantly loud and uses some of Shostakovich's most violent musical language. This arangement for Brass Band is a wonderful way to celebrate the centenary of Shostakovich's birth.
Estimated dispatch 5-14 working days
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£42.60The Spirit of the Season (10 Piece Brass Ensemble - Score and Parts)
Includes: Just a Closer Walk; I'm On My Way; Deep River; Down by the Riverside; When the Saints
Estimated dispatch 7-14 working days
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£42.60Christmas Carols (10 Piece Brass Ensemble)
Medley includes: Hark! The Herald Angel's Sing; Christmas Lullaby; Joy To The World.
Estimated dispatch 7-14 working days
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£84.95Concerto No.10 for Brass Band
Estimated dispatch 7-14 working days
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£10.00
INFINITY (Brass Band Study Score) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£10.00
VISIONS OF GERONTIUS (Brass Band Study Score) - Kenneth Downie
Estimated dispatch 7-14 working days
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£10.00
Infinity (Brass Band - Study Score) - Redhead, Robert
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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