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  • £29.95

    Fall of Icarus, The - Jonathan Bates

    DURATION: 4 minutes. DIFFICULTY: 2nd+. The Fall of Icarus was composed for the Lions Youth Brass Band as the finale to their runers-up set at the 2018 National Youth Brass Band Championships of Great Britain. The music is inspired by the steady rise towards the sun of the Greek mythological character Icarus, as his impending fate becomes closer and closer. This work was designed as a more widely accesible alternative to the much loved March from the Pines of Rome by Respighi.

    In Stock: Estimated dispatch 1-3 working days
  • £29.95

    Maybury Hill Lullaby - Jonathan Bates

    DURATION: 4 minutes. DIFFICULTY: 2nd+. 'Maybury Hill Lullaby' was composed for the City of Bradford Brass Band as part of a programme of music based around both the original H.G Wells novel and 1978 adaption by Jeff Wayne of The War of the Worlds. . During the previous day, the first of the missiles from Mars had crashed into Earth and the creature within had gone about invoking chaos and destruction upon all human life nearby. 'The Narrator' (an unnamed character throughout) escapes the scene to his home on Maybury Hill, Woking and falls into a deep, haunted sleep, recalling the horrors he had witnessed before his eyes.

    In Stock: Estimated dispatch 1-3 working days
  • £34.95

    Red Hills of Georgia, The - Jonathan Bates

    DURATION: 4 minutes. DIFFICULTY: Championship. The title of this work comes from a line in Martin Luther King Jnr's famous 'I Have a Dream ' speech, portraying the vast expanses of the plains of Georgia and the notable red hue to the surrounding mountains. This piece is very much influenced by the music of American wind band composers Samuel Hazo and Richard Saucedo, both of which are regularly inspired by the scenery of 'the big country'. This piece was composed for Jaren Hornmusikkforening as part of their programme for the 2018 SIDDIS Championships held in Stavanger, Norway. .

    In Stock: Estimated dispatch 1-3 working days
  • £50.00

    The Dreaded Groove and Hook - Simon Dobson

    The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round theband, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses. The piece was commissioned by JasonKatsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass In Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has now been recorded by the same bandandconductor on the CD entitled Penlee.Brass Band Grade 5: 1st SectionDuration: 4 minutes

    Estimated dispatch 5-14 working days
  • £59.95

    Citius, Altius, Fortius

    Around the world in 4 minutes

    Estimated dispatch 7-14 working days
  • £30.00

    Hot Gospel - Various

    Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.

    In Stock: Estimated dispatch 3-5 working days
  • £50.00

    Sweeney Todd Suite - Malcolm Arnold

    Malcolm Arnold's ballet, Sweeney Todd, was first staged in 1959 by The Royal Ballet Company with choreography by John Cranko. The music was later adapted as a concert work and it is from this version that this brass band arrangement, by Phillip Littlemore, is made. The original concert suite lasts some 20 minutes, but this version has been shortened to a more manageable eight minutes.The first performance of this arrangement was given on the 22nd October 2006 at the Malcolm Arnold Festival, Derngate, Northampton by the Rushden Windmill Band conducted by Richard Graves.Brass Band Grade 4: Advanced Youth and 3rd Section.Duration 8 minutes.

    In Stock: Estimated dispatch 1-3 working days
  • £50.00

    Sweeney Todd - Malcolm Arnold

    Malcolm Arnold's ballet, Sweeney Todd, was first staged in 1959 by The Royal Ballet Company with choreography by John Cranko. The music was later adapted as a concert work and it is from this versionthat this brass band arrangement is made. The original concert suite lasts some 20 minutes, but this version has been shortened to a more manageable eight minutes. The first performance of this arrangement was given on the22nd October 2006 at the Malcolm Arnold Festival, Derngate, Northampton by the Rushden Windmill Band conducted by Richard Graves. Brass Band Grade 4: Advanced Youth and 3rd Section. Duration 8 minutes.

    Estimated dispatch 5-14 working days
  • £290.99

    Hymn of the Highlands (Complete Edition) (Brass Band - Score and Parts) - Sparke, Philip

    Hymn of the Highlands was commissioned by David King and the Yorkshire Building Society Band for first performance at the 2002 European Brass Band Championships Gala Concert in Brussels. The complete suite lasts approximately 35 minutes however it is possible that pieces of different lengths can be constructed to feature particular soloists or fit different programming constraints.Includes:Ardross Castle, Duration: 7:00Summer Isles (Euphonium solo), Duration: 4:00Flowerdale (Soprano Cornet solo), Duration: 4:30Strathcarron (Sword Dance), Duration: 5:30Lairg Muir (Cornet solo), Duration: 4:30Alladale (Flugel Horn, Horn and Baritone trio), Duration: 4:15Dundonnell (Finale), Duration: 5:45Duration: 35:00

    Estimated dispatch 7-14 working days
  • £89.95

    Songs of Ascent - Jonathan Bates

    DURATION: 14 minutes. DIFFICULTY: Championship. 'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. In my view, the festival itself is the leading showcase for original contemporary music for the medium (in a concert setting) in the world and therefore an ideal place to explore new ideas and sounds, which was a notion fundamental to the construction of this work. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material. Following an extended opening for four individual tuba lines, there are a number of solos for members of the band off stage, with bleak and deep accompaniment lines, reflecting the words of Psalm 130. Amongst these 'songs of ascents', the most common and strong themes are repentance and redemption; with the central core of this work emerging 'from the depths' to reveal one of very few calming and reflective passages of the work utilising the tune of 'Guide Me O Thy Great Redeemer' in a new setting, featuring the Solo Horn and Bass Trombone, before returning to the ethereal and dark timbres that form much of the music up to this point. In terms of compositional technique, this work is solely based on a set of 4 9-note scales in their various unique transpositions (below). Each of these scales provide a set of 2 whole tone scales, 6 minor triads, 6 major triads and is built on 9 augmented triads. Whilst most of the music in this work is based melodically on the set of notes (heard right at the outset in the motif in the tuba line), the central section delves into the harmonic capabilities of these 'modes', using a number of the 7 'keys' which can be derived from the minor & major chords derived in each scale. All 4 scales are used independantly to each other, with whole sections of the work focussing on each mode. 'Songs of Ascent' was selected as the set work for the Championship Section at the Butlin's Mineworker's Championships in 2020.

    In Stock: Estimated dispatch 1-3 working days