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£35.00In Pitch Black - Lucy Pankhurst
An extremely emotional and poignant work for brass band composed by Lucy Pankhurst, in memory and tribute to those affected by the Pretoria Pit disaster in Lancashire on 21st December 1910. The piece is chilling in its depiction of the tragic story, sensitively conveying the atmosphere and emotions as perceived before, during and after the event. Through its use of playing techniques, effects, sound combinations and even silences, In Pitch Black offers a powerfully reflective piece.Pritoria Pit DisasterLancashire's worst pit disaster and Britain's third largest loss of life from a single mining accident happened at the No. 3 Bank Pit belonging to the Hulton Colliery Company, just 4 days before Christmas 1910. The pit known as the 'Pretoria Pit' was situated on Hulton Parkland on the border of Atherton and Westhoughton. An explosion occurred at 7.50 am on Wednesday, 21 December 1910, resulting in the death of 344 men and boys, including many members of The Wingates Band.The Writing ExperienceDuring Lucy's research for this work, she acknowledges that she found the harsh reality from the shocking images and historical accounts of the event most disturbing, and is not embarrassed to disclose that it was wholly a very emotional experience in creating the composition. Consequently, she chose to create something to illustrate the true emotion of the situation. She wanted to pay tribute to the lives lost and the devastation which remained in their absence, by creating a piece of music which begins in darkness; desolate and claustrophobic, whilst still leaving the audience feeling uplifted and thoughtful in the final bars.The significance and musical appreciation for the creation of In Pitch Black was formally recognised by BASCA in 2011, when Lucy Pankhurst won the internationally acclaimed British Composer Award (the first time a brass band work had received the award, and the first time a female composer had won the category).Full programme notes are included in the product images.Look and Listen (performance courtesy of Manchester University Brass Band):
In Stock: Estimated dispatch 3-5 working days
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£271.60Aubade - Dawn Songs of the Fabulous Birds - Torstein Aagaard-Nilsen
Commissioned by The Norwegian Band Federation for The European Brass Band Championship 2003, in Bergen, Norway (Third edition) I remember as a kid the very early morning wake-up ceremonies caused by Seagulls having a "party" outside our home. Very few would describe it as beautiful, particularly not at 4:30 in the morning... But by listening carefully to birds I was fascinated by their diversity and musical language: they dont sing tunes or long phrases, they rather make sounds and signals, based on short motives. Aubade is based on musical pictures of the imaginary birds: the creatures with wings that exists only in myths and legends. The whole story starts with aBaritone-cadenza that evoke all the sleeping creatures. Very soon they all start to sing their songs in one way or another. The composition has a burlesque scherzo-character including slow espressive intersections. Traditional elements like melody and harmony is combined with extensive sounds and textural effects created by use of multiple muting, singing and playing at the same time. I am not too concerned about having a program for the piece. I just know that by thinking of the unheard dragon-songs, griffin-songs, the sound of the dodo, my creativity was stimultated. As a piece of music, Aubade follows its own rules based on well-known elements like melodies, arpeggio-figures, harmonies, rhythms, variations and recapitulation of ideas. - Torstein Aagaard-Nilsen
Estimated dispatch 5-14 working days
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£149.40Viking Saga - Ray Farr
"Viking Saga" was inspired by my conducting engagements in Norway in the 1980s. Among them was a visit to the Flekkefjord Pike Korps who asked me to write a piece for them. I had just written "Adventures in Brass" which was very popular, particularly with younger bands, so I decided to pursue the creative energy. My teacher, at that time, was Professor Edward Gregson who encouraged me to develop my ideas into a full-scale work. The piece received a few performances in this version but neither I, nor my teacher, were satisfied so the manuscripts lay dormant. In the summer of 2002 a band from Switzerland- Cordula Brass Baden and Christoph Moor, who had played the piece under mydirection in the Swiss National Youth Band, commissioned me to finish the work and make the changes that, I felt, were needed. In 2016 the Tonsberg Wind Band, from Norway, commissioned a wind band version for their performance in the Norwegian Championships held in Trondheim 2017.
Estimated dispatch 5-14 working days
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£65.40Interlude - Andrew Pearce
As a young man, Andrew Pearce had fond memories of playing Cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.
Estimated dispatch 5-14 working days
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£84.99Christmas Brass - Richard Peaslee
Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly.In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-likeclosing passage.In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending.Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style.In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba.Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending.Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion
Estimated dispatch 5-14 working days
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£30.00Hot Gospel - Various
Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.
In Stock: Estimated dispatch 3-5 working days
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£30.00Four Moods - Tim Paton
An original composition by Tim Paton, re-crafted from his quartet into a full brass version. Tim wrote this piece at the RNCM, initially for the college trombone quartet. It was subsequently featured on a radio broadcast and, by popular demand, he later created this full brass band version. It is also available for concert band.Four Moods is just that - made up of 4 sections, each presenting a different style and emotion. The piece opens grandly with Nobility and is shortly followed by Sentiment, a smooth and sweet movement. The third element - Humour - takes the melody just heard in the previous Sentiment, and makes fun of it in an amusing style which utilises 'rude' trombone glissandi. The whole piece is then brought to a memorable closing with the final section - Hot 'n' Cool, featuring a jazz/big band style.Good key players make this piece playable by most bands.
In Stock: Estimated dispatch 3-5 working days
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£22.99Still, Still, Still Trad arr. Joseph Knight
This is a great little Christmas number that is easy to get together. It starts with a simple quartet setting of the carol, it then moves into the full band playing the piece. Then there is a minor, slightly Russian setting of the music, before it moves into a 3/4 waltz setting back in the tonic key. It then moves back 4/4 for the final setting of the carol with a full final verse before moving back to a quartet for the ending.
Estimated dispatch 5-9 working days
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£40.00
Millennium Bridge - Nigel Hess
Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and on to St. Paul's Cathedral with its bells ringing out over the great city. This piece is the first movement of Nigel Hess's New London Pictures, which represents elements of London in the 21st Century.Brass Band Grades 4/5: Premier Youth and 2nd SectionDuration: 4 minutes.
In Stock: Estimated dispatch 1-3 working days
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£29.95Cause and Effect - Paul Lovatt-Cooper
Cause and Effect is a short energetic concert piece for brass band for 4 percussion soloists circa 145 soloist grade 4
Estimated dispatch 5-7 working days
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