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£104.99Cantabile - Philip Harper
"As long as we live there is never enough singing." - Martin Luther Philip Harper composed this piece in response to his personal concern about the direction of new music for brass band. His goal with this 5 movementCantabile, was to compose a piece which fully complied with all that is asked of a top-level test in the 21st Century, but also to reconnect with more traditional values such as lyricism in melody and richness of blendedbrass sound. Each of the 5 parts seek to capture this idea.
Estimated dispatch 5-14 working days
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£121.20Circius - Torstein Aagaard-Nilsen
The work is important for me because it was my first piece to be performed outside Norway. Black Dyke Band/David King performed it and did a recording of it in 1991. In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) he decribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation Im afraid). The fast sections reflects the mighty winds from the north. In the middle section, I borrowed afolksong-like tune (by C. Elling, a Norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.
Estimated dispatch 5-14 working days
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£99.50Peregrination - Ingebjørg Vilhelmsen
Peregrination is about embarking on a long journey by foot, and all the impressions and experiences this journey entails. A source of inspiration has been the character Frodo Baggins from The Lord of the Rings trilogy by J.R.R. Tolkien in which Frodo embarks for the long journey to Mount Doom. The work was commissioned by Oslofjord Brass for the Siddis Brass contest in 2017.
Estimated dispatch 5-14 working days
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£154.99A Brussels Requiem - Bert Appermont
The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally, the attacks in Paris and Nice led to great public indignation, fear and disbelief.What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont's intention was to voice certain emotions that these acts of terror have caused: particularly fear, grief, anger, and helplessness. He uses the French children's song Au Claire de la Lune as a connecting thread throughout the work.This piece is also about hope and faith in another world, andis meant to pay homage to all victims, resulting in a dignified remembrance. The musical development is presented in four through-composed parts, titled Innocence, In Cold Blood, In Memoriam - We Shall Rise Again and A New Day.This work was commissioned by the Brassband Obersterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.
Estimated dispatch 5-14 working days
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£125.00New London Pictures - Nigel Hess
New London Pictures represents elements of London in the 21st Century. The Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames,starting at the imposing Tate Modern, crossing the busy river, and onwards to St. Paul's Cathedral with its bells ringing out over the great city. London Eye is an incredibly large ferris wheel situated onthe South Bank of the River Thames. This movement depicts a 'flight' on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction oftheview. As with all modern cities, London is over-crowded with motor vehicles. London is the first major city in Europe to adopt a Congestion Charge, and this piece (with its stop and go traffic lights) is both racyand comical. Here are Londoners attempting to go about their business in the face of overwhelming odds.....Brass Band Grades 4/5: Premier Youth and 2nd Section Duration: 15 minutes
Estimated dispatch 5-14 working days
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£53.50Big Fun on the Bass Drum - William Vean
Beating a drum is fun. Beating a big drum is even more fun. Being a soloist and beating a bass drum is best of all. In 'Big Fun on the Bass Drum' the dream of every starter percussionist is realized. He/she is soloist and is allowed to really beat the drum hard without the conductor putting a stop to it, but beware: a new skin is rather expensive. 'Big Fun on the Bass Drum' is not only about hitting as hard as you can, though. A lot of attention is paid to playing the bass drum very softly. And what is more, the composer has found room to offer the soloist a real cadenza - at this point in the composition he/she can either play the partprescribed or give the audience an improvisation of his/her own.
Estimated dispatch 5-14 working days
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£74.99Variations on Shalom Chaverim - Andreas Ludwig Schulte
Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean "Goodbye, friends, goodbye and see you again!". The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement 'Variations on Shalom Chaverim'. The composer himself says about the song, 'Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add 'blue notes' in the harmonies, this can be sensed immediately.'Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. 'Variations on Shalom Chaverim' ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: 'L'hitra'ot, Shalom' (See you again, and farewell!).
Estimated dispatch 5-14 working days
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£102.60Prinsessen pa (fj)erten - Haakon Esplo
In this little suite in three movements, your young musicians really can be creative and have fun.Of course, a story must be written about the unfortunate princess who ate pea soup and got to let a small fart. Maybe one or more should dress up and play the princess and other roles? And who will be the lucky one who gets the honourable assignment to be a soloist on a fart cushion - probably for the first time in the history of your band? Maybe all the musicians should have one each?Think what a great finale at the last movement that could be.Good luck!
Estimated dispatch 5-14 working days
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£102.60Run Away - Hans Offerdal
This piece is about running away. First there is restlessness, then the escape begins. But what are we running away from? That is for you to find out!Playing time: appx. 4:30 To the conductor:There are challenges in the use of dynamics and rhythm. It is important that energy and pace is upheld all the way up until the next to last page. Dissonances are present several places, but the voice leading is diatonic within the given scale.The whole piece is based on one single scale: F melodic minor with lowered second degree. It is notated as a concert F major scale with two accidentals. Feel free to use it during warm-ups!
Estimated dispatch 5-14 working days
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£102.60Stjernen og Rosa - John Philip Haqnnevik
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist.After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style.An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics.Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the latin text for Adeste Fideles:Stella duce, Magi, Christum adorantesThe Rose is of course from the lyrics in the chorale Lo, how a Rose.
Estimated dispatch 5-14 working days
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