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£12.99
Cowboy Suite Score Only
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West, the domain of cowboys, indians, trappers and other fortune hunters. Around 1890 the west coast of America was reached, which in effect meant the end of the Wild West. Its stories, however, survived and have been a source of inspiration for many books, films, and, of course, music. Some characters, such as Jesse James, Billy the Kid, and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools, among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars, fiddles, and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part, the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up, i.e. driven together, spectacular things happen. 04:45
Estimated dispatch 7-14 working days
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£137.99
Klezmer Discovery Brass Band (Score & Parts)
The Yiddish word 'Klezmer' has been derived from the Old Hebrew words 'Kley' (tool, instrument) and 'Zemer' (song, singing, making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music, Klezmer music has succeeded in preserving its distinctive Jewish character. 'Klezmer Discovery' is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of a number of motives from different traditional melodies (a Mitzve Tenzel and L'cha Dodi), followed by a melody in 3/8th time (Kandel's Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently, 'Der Terk in Amerika', a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast, cheerful dance melodies (bulgars) form the finale of 'Klezmer Discovery' (Lebedyk un Freylekh, Lomir sich iberbetn and Sherele). 12:00
Estimated dispatch 7-14 working days
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£104.99Lake of the Moon (Brass Band - Score and Parts) - Houben, Kevin
3rd Section Test Piece 2016 National Finals of the British Brass Band Championship.The travels of the Aztec people as they headed south through North America looking for a new home, acted as the inspiration for Lake of the Moon. The composition contains small fragments of Oriental music and South American rhythms and occasionally, Russian Cossacks seem to raise their heads. The journey from North to South is not without danger, which is represented by threatening sounds within the music. In the Adagio divoto the composer takes us along to the Texcoco Lake, which the Aztecs called the lake of the moon. Bring a little bit of South American history to your concert with Lake of the Moon.Duration: 11:15
Estimated dispatch 7-14 working days
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£42.95MYTHIC TREVITHICK! (Brass Band) - Richards, Goff
Composed to mark the 200th anniversary of Richard Trevithick's momentous first journey in his steam locomotive. This event took place in the cornish town of Camborne, and it was 200 years later in 2001 that composer Goff Richards conducted massed local bands in the first performance of MYTHIC TREVITHICK! Following work in South America, Trevithick returned to his native Cornwall and, it is reputed, all the church bells rang out to greet him, an effect captured in the final bars of the piece. Duration: 4' 00' Recorded on Polyphonic QPRL222D And the Band Played On
Estimated dispatch 7-14 working days
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£64.95
SOUTH LOOP (on the CTA) (Flugel Horn/Brass Band) - Davoren, Tom
Tom Davoren composed South Loop in 2015 following an annual visit to the city of Chicago,in the Midwest region of the United States of America. It takes its name from a section of the "L", the famous elevated railway which is the lifeblood of the city and its suburbs. The piece tries to capture some of the bustling energy of this Chicago landmark and the 750,000 commuters who use it each day.
Estimated dispatch 7-14 working days
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£109.99
The Power of the Megatsunami Brass Band (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
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£109.99
The Road to the West Brass Band (Score & Parts)
As he did before in the often played and commonly appreciated 'Lord Tullamore', in which he poetically depicted the landscape and the cultural elements of a small Irish village, in his composition 'The Road to the West' Carl Wittrock has sketched pioneer existence in America in a cinematic manner.In 'The Road to the West' the composer has tried to capture images of pioneer life during the period dating from 1850 to 1890, the days of the so-called Wild West.In those days, the Wild West used to be the territory west of civilization, the domain of cowboys, trappers, and other fortune hunters. In short, ample ingredients for a captivating story.In the first scene a lonely adventurer struggles against nature and the elements. After an exciting adventure he passes through 'the Plains', where majestic views alternated by colossal mountain ranges display an almost unimaginable beauty.After weeks of isolation civilization is reached again. 'The Saloon' is the perfect meeting place - here news is exchanged and hilarious scenes regularly take place. 08:00
Estimated dispatch 7-14 working days
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£53.50
Theme from JAG (Brass Band - Score and Parts)
The television series JAG (Judge Advocate General), which was first broadcast in America in 1995, has become internationally known over the years. In Europe, too, people have become acquainted with the legal wing of navy officers and the intrigues surrounding Commander Harmon "Harm" Rabb (David James Elliott) and his partner Lieutenant Colonel Sarah "Mac" MacKenzie (Catherine Bell). Both inside and outside the courtroom they fight with one major aim: winning! In their personal relationships, there's a good deal of tension too. The theme tune to this television series, full of action and adventure, has been arranged for brass band by Roland Kernen. 02:00
Estimated dispatch 7-14 working days
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£88.00Bass Trombone Concerto - Christopher Brubeck
Grammy-nominated composer Chris Brubeck continues to distinguish himself as an innovative performer and composer who is clearly tuned into the pulse of contemporary music. Respected music critic for The Chicago Tribune, John von Rhein called Chris: "a composer with a real flair for lyrical melody--a 21st Century Lenny Bernstein." In addition to creating an impressive body of work, including several band pieces, chamber pieces, 3 concertos for trombone, a trombone quartet, and several concertos for stringed instruments, Chris maintains a demanding touring and recording schedule playing bass and trombone with his two groups: the Brubeck Brothers Quartet, with brother Dan on drums, Chuck Lamb on piano and Mike DeMicco on guitar (www.brubeckbrothers.com); and Triple Play, an acoustic jazz-funk-blues-Americana trio with Joel Brown on guitar and Peter Madcat Ruth on harmonica and Chris on bass, trombone and piano (www.chrisbrubeckstripleplay.com.) Additionally, Chris performs as a soloist playing his trombone concertos with orchestras and has served as Artist in Residence with orchestras and colleges in America, coaching, lecturing, and performing with students and faculty. Once a year he tours England with the group "Brubecks play Brubeck" along with brothers Darius (on piano) and Dan as well as British saxophonist Dave O'Higgins. Chris had been a long-standing member of the Dave Brubeck Quartet, writing arrangements and touring and recording with his father's group for over 20 years.
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£30.00Flanfayre - Stephen Deazley
I was asked by Music for Youth to write a flexibly scored fanfare for the school proms at the Royal Albert Hall and at their National Festival in Birmingham in 2013. At its first performance at the National Festival, over 200 young brass players performed Flanfayre in Birmingham Town Hall, directed by Roger Argente, members of Superbrass and myself. The score is a progressive romp through some increasingly dance-like grooves, borrowing some of its swing from South America, from marches and big band, moving from a really quite straight opening to a "let-go" moment at the end. It is more like a flan full of different flavours, than a fanfare, hence the title. I set myself a challenge to write 100 bars but ended up with 102, which, after the introduction, can be broken down into 10 easily discernible sections each with their own mini-musical narrative. If you have time feel free to teach the audience the clapping groove. I also modelled the slow moving melody of the final section on the following words; "nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a cheesy flan". Feel free to incorporate these too, and perform only under the strict instruction that you have fun ! - Programme Note copyright of Stephen Deazley
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