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£53.50Heritage (Brass Band - Score and Parts) - Sparke, Philip
Philip Sparke wrote Heritage as a grand concert march in the tradition of Elgar and Walton. After a brief introduction, the march's long main theme is presented: first in subdued tones, then taken up by the full band, adding a tenor counter melody. The following bridge passage leads to a change of key and the traditional trio section. A repeat of previous motifs leads to a return of the main theme, followed by a short closing coda.Duration: 4.45
Estimated dispatch 7-14 working days
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£69.60Impresario (Brass Band - Score and Parts) - Schwarz, Otto M.
Impresario is a solemn concert march by Otto M. Schwarz, equally suitable as a work to open a concert or indeed as a finale. The main theme of the first section is processed in different harmonic and rhythmic variations and finally leads to a trio with numerous technical refinements and a catchy melody. This somewhat out-of-the-ordinary concert march in Otto M. Schwarz' well-known style ends with a frenzied finale.Duration: 3.45
Estimated dispatch 7-14 working days
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£44.95Trombone Concerto (Trombone Solo with Brass Band - Score only) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£87.95
Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£134.99Alpina Brass (Brass Band - Score and Parts) - Van der Roost, Jan
Alpina Brass was the test piece for the first division of the Ftes Cantonales on 8 and 9 June 2019 in Naters, Switzerland. It consists of three movements, and features a variety of aspects, as is common for a competition work. However, as a whole, it has been written in such a way that it can perfectly serve as a concert work as well. It is a challenging piece for every section and offers colourful and melodic as well as spectacular rhythmic sequences and a most impressive ending!Duration: 11.00
Estimated dispatch 7-14 working days
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£50.00Rhapsody (Cornet Solo with Brass Band - Score and Parts) - Skinner, Colin
A feature for cornet/trumpet with brass band. This work opens with a fanfare to introduce a bright march. There follows a gentle waltz like section before a return to the opening theme. A short solo cadenza and fanfare to finish. Duration: 7:00
Estimated dispatch 7-14 working days
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£87.99Second to None (Brass Band - Score and Parts) - Sparke, Philip
Second to None is a perfectly suitable title for this work, though it actually refers to "Nulli Secundus", the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp's own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!Duration: 6:15
Estimated dispatch 7-14 working days
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£38.00Flanfayre (Brass Band - Score and Parts) - Deazley, Stephen
"I was asked by Music for Youth to write a flexibly scored fanfare for the School Proms at the Royal Albert Hall and the National Festival in Birmingham in 2013. At its first performance, over 200 young brass players performed "Flanfayre" in Birmingham Town Hall, directed by Roger Argente, members of Superbrass and myself. The score is a progressive romp through some increasingly dance-like grooves, borrowing some of its swing from South America, from marches and big band, moving from a really quite straight opening to a "let-go" moment at the end. It is more like a flan full of different flavours, than a fanfare, hence the title. I set myself a challenge to write 100 bars but ended up with 102, which, after the introduction, can be broken down into 10 easily discernible sections each with their own mini-musical narrative. Feel free to teach the audience the clapping groove and perform only under the strict instruction that you have fun !" - Stephen Deazley. Duration: 4.00. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
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£69.99Prelude and Chorale (Brass Band - Score and Parts) - Roels, Stijn
Prelude and Chorale is a scintillating, dynamic opening piece based on the brilliant finale from the earlier concert work Aureus. The latter work is built around a magnificent hymn, which also forms the common thread running through this overture.As the title suggests, the work begins with a modern 'prelude': a prologue to the actual hymn. The beginning of the hymn, especially, serves as the source of the thematic material. The hymn melody itself is immediately embellished by a counter-melody and supported by a rhythm section of bass and drums. This all leads to an energetic passage in which the proverbial stops are pulled out once more.Duration: 3:00
Estimated dispatch 7-14 working days
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£87.99Centennial Salute (Brass Band - Score and Parts) - Sparke, Philip
Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.Duration: 7:30
Estimated dispatch 7-14 working days
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