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£55.00Perfect Fool, The - Gustav Holst arr. Phillip Littlemore
The music for The Perfect Fool is taken from the comic opera by Gustav Holst, written between 1918 and 1922. The opera received its premiere at Covent Garden, London on 14th May 1923. This arrangement consists of the three dances from the ballet which starts the work: Dance of Spirits of Earth, Dance of Spirits of Water and Dance of Spirits of Fire.Duration: 9'30"Difficulty: 1st Section and above
Estimated dispatch 5-7 working days
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£55.00Second Suite in F - Gustav Holst arr. Phillip Littlemore
Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert, restoring it to the original key of F and including sectioned omitted from the 1923 arrangement.Duration: c. 12 minutesDifficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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£35.00And The Glory Of The Lord - Messiah
Handel's Messiah was composed in 1741, receiving it's premiere in Dublin a year later. And The Glory, The Glory Of The Lord is the fourth movement of the oratorio, and the first in which the choir sings. This arrangement, for chorus and brass band, works with all the major editions of the vocal score.Duration: 3'30"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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£35.00Hallelujah Chorus - Messiah
Handel's Messiah was composed in 1741, receiving it's premiere in Dublin a year later. Written in three parts, the Hallelujah Chorus concludes the second part, and is often performed separately from the main oratorio, and especially around Christmas. This arrangement, for chorus and brass band, works with all the major editions of vocal score.Duration: 3'30"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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£30.00Dance of the Sugar Plum Fairies - Pyotr Tchaikovsky arr. Phillip Littlemore
Dance of the he Sugar Plum Fairy needs no introduction as it is one of the most recognisable pieces of music. Tchaikovsky began writing his ballet The Nutcracker in 1891. It received its premiere in St. Petersburg, the following year. The Sugar Plum Fairy is the ruler of the Land of Sweets although she only dances in Act 2 of the work.This arrangement, retitled The Dance of the Sugar Plum Fairies, has the slightest of twists in that it features the four members of the bass section. There is no need for the players to dress as ballet dancers, but it does add to the spectacle!Duration: 3'00"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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£30.00Skin Deep - Louis Bellson arr. Phillip Littlemore
Louie Bellson was an American jazz drummer, composer, arranger, bandleader, and jazz educator. He was credited with pioneering the use of two bass drums and worked with Benny Goodman, Tommy Dorsey, Harry James and Duke Ellington. Skin Deep was the title track of his 1954 solo album, and is a great swing number. There are several drum solo passages, with the last one being as long as the drummer likes, although band directors might want to consider curtailing the more exuberant kit players!Duration: 4'00"Difficulty: 2nd Section and above (band accompaniment)
Estimated dispatch 5-7 working days
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£35.00Zadok The Priest - G. F. Handel arr. Phillip Littlemore
Handel's coronation anthem Zadok the Priest was composed for the coronation of George II in 1727, and has been sung at every subsequent British coronation. Handel used texts from the King James Bible, which are derived from the biblical account of the anointing of Solomon.Duration: c.6'00"Difficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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Off Duty - John Dankworth - Len Jenkins
The late John Dankworth (1927-2010) made a string of recordings in the 1960s that have since come to be regarded as some of the finest British jazz of their time. Amongst these is his composition 'Off Duty' which was recorded in the 1960s when the influence of pop and rock on jazz was at its height and instruments such as the bass guitar were beginning to be incorporated into jazz's vocabulary. At this time and almost subconsciously, a Dankworth 'pop' style also evolved. This was a balanced marriage between jazz and pop which is here demonstrated in 'Off Duty' thanks to the ingenious and original orchestration by John Dankworth, and the faithful arrangement for Brass Band by one of his fans, Len Jenkins. The title is interesting as John loved to play with words. 'Off Duty' could mean relaxing away from work, but could also carry the implication of something not attracting taxation.... a sort of 'duty-free'. About the same time, the Dave Brubeck Quartet produced the seminal 'Take Five'... so could this be John's take on that title, suggesting a short break? Which meaning fits best for you? The piece would best suit the capabilities of a brass band playing at the standard of Third Section or above.
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£45.60Bleak Forest - Andreas Ziegelbäck
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they? Andreas Ziegelback studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitat, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelback's interest in composing. In 2021, Andreas Ziegelback completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.
Estimated dispatch 5-14 working days
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£84.99Snow Island - Thierry Deleruyelle
The Swiss canton of Valais is home to a number of wind and brass bands that regularly stand on the podium in Swiss and European competitions. For the general public, the Valais is above all a unique place, between the Rhone Glacier and Lake Geneva, where life is pleasant. The brass players of the five music associations of the villages of Crans-Montana - an internationally renowned "snow island" - were awarded the organisation of the 224 cantonal festival, for which this work was commissioned.
Estimated dispatch 5-14 working days
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