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  • £85.00

    The Alchymist's Journal (Brass Band - Score and Parts) - Hesketh, Kenneth

    The Alchymist's Journal (Variants for Brass Band) was commissioned by Faber Music Band Consultant Paul Hindmarsh in 2001, with the support of the Brass Band Heritage Trust, as a substantial concert/contest challenge that would be within the compass of the country's most able youth and first section bands. It received its first performance in January 2002, by Black Dyke Band under Nicholas Childs, as part of the Royal Northern College of Music Festival of Brass.Since its original publication, composer Kenneth Hesketh has made a number of revisions to the work. Most of these were included in the recording made by Foden's Band conducted by Bramwell Tovey. This definitive new edition, including all the composer's revisions, has been specially prepared for the 2015 National Brass Band Championships of Great Britain and is the text that all bands performing were required to use.Suitable for 1st Section Bands and aboveDuration: 12 minutes

    Estimated dispatch 7-14 working days
  • £54.99

    The Simpsons (Brass Band - Score and Parts)

    Homer Simpson and his yellow friends and family have become one of the world's most loved TV cartoon series of all time. Homer and the gang have also finally made it to the big screen. Here's a hot arrangement of one of the most recognizable theme songs ever. Paul Lavender makes sure all the fun and entertainment of the series is recreated by your brass band!Duration: 1:30

    Estimated dispatch 7-14 working days
  • £68.99

    The Spirit of Christmas Brass Band (Score & Parts)

    The Spirit of Christmas is a medley of charming Christmas carols, all with an international character. The medley consists of the following five carols: Away in a Manger - The First Noel - It Came Upon the Midnight Clear - O Come, All Ye Faithful and Hark! The Herald Angels Sing. A four-part choir part in English has been added which can be used ad lib. or you can also opt for singing the melody line only, for example with a soloist and/or the congregation. The arrangement is not too high pitched so that the work can also be used in combination with a children's or High School choir. 04:00

    Estimated dispatch 7-14 working days

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  • £12.00

    Vienna Nights - Study Score - Wilby, Philip

    The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.

    Estimated dispatch 7-14 working days
  • £34.95

    Aristotle's Air - Christopher Bond

    The Ancient Greeks believed that there were four elements that everything was made up of: earth, water, air and fire. This theory was suggested around 450 BC, and was later supported and added to by Aristotle. The idea that these four elements - earth, water, air and fire - made up all matter was the cornerstone of philosophy, science, and medicine for two thousand years. Air was considered a 'pure' element, but in fact the air that's all around us is made up of a variety of gasses. Of course, in music, air has a different meaning; a beautiful song-like melody or tune and Aristotle's Air is just that. The work was commissioned by and written for The Cory Band as part of their winning 2015 Brass in Concert programme 'The Four Elements of the Universe', being premiered at the contest at The Sage, Gateshead, on 15th November 2015. The work was awarded the Cyril Beere Memorial Trophy for the Best New Composition or Arrangement.

    Estimated dispatch 5-10 working days
  • £34.95

    Goodbye Old Friend - Christopher Bond

    Walt Disney was just twenty-five years old when he created Oswald the Lucky Rabbit, and the pair gained huge success, but that success was short-lived. In 1928, Disney travelled to New York City in hopes of negotiating a more profitable contract for the Oswald cartoons with his producer, Charles Mintz. Unknown to Disney, Mintz had been working behind his back to counter his own financial problems by stealing many of Disney's animators and staff. Walt Disney was devastated and decided to let Oswald go, and in doing so, lose all the rights to the rabbit he had created and nurtured so dearly. 'Goodbye Old Friend' is a beautiful slow-melody for euphonium and baritone, communicating the profound loss Disney felt in losing his producer, staff, and most of all, Oswald the Lucky Rabbit.

    Estimated dispatch 5-10 working days
  • £79.95

    Neverland - Christopher Bond

    "All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."

    Estimated dispatch 5-10 working days
  • £34.00

    Meditation: It is Well With My Soul

    ABOUT THIS PIECE: Cantatio are pleased to release this hymn meditation on the much-loved hymn by Adam D J Taylor. Commissioned by the world famous Wingates Band, this arrangement became a centrepiece of the band's online presence during the COVID pandemic. Story time... Horatio Spafford was a successful attorney and real estate investor who lost a fortune in the great Chicago fire of 1871. Around the same time, his beloved four-year-old son died of scarlet fever. Thinking a vacation would do his family some good, he sent his wife and four daughters on a ship to England, planning to join them after he finished some pressing business at home. However, while crossing the Atlantic Ocean, the ship was involved in a terrible collision and sunk. More than 200 people lost their lives, including all four of Horatio Spafford's precious daughters. His wife, Anna, survived the tragedy. Upon arriving in England, she sent a telegram to her husband that began: "Saved alone. What shall I do?" Horatio immediately set sail for England. At one point during his voyage, the captain of the ship, aware of the tragedy that had struck the Spafford family, summoned Horatio to tell him that they were now passing over the spot where the shipwreck had occurred. As Horatio thought about his daughters, words of comfort and hope filled his heart and mind. He wrote them down, and they have since become a well-beloved hymn: When peace like a river, attendeth my way, When sorrows like sea billows roll-- Whatever my lot, thou hast taught me to say It is well, it is well with my soul. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 - 3 LISTEN: DURATION: c. 7-minutes, 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £45.00

    The Lord Bless You and Keep You

    ABOUT THIS PIECE: A moment of heartfelt reflection for your next programme in this beautiful arrangement of The Lord Bless You and Keep You. Composed by John Rutter, this beloved work has become a staple of the choral repertoire. Frequently performed at weddings, memorials, and other special occasions, the piece resonates deeply with audiences of all backgrounds. This particular arrangement holds a unique significance. Commissioned by the late Brian Halliwell for the Pemberton Old Wigan DW Band in memory of his mother, Elsie Halliwell, it has been meticulously crafted to showcase the rich sonorities of the brass band. The Halliwell family's generosity in sharing this arrangement ensures that its heartfelt message can continue to touch the hearts of many. Perfect for concerts, services, hymn contests, and moments of quiet contemplation, The Lord Bless You and Keep You is a poignant addition to any library, offering a deeply moving musical experience for performers and listeners alike. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: DURATION: c. 4-minutes, 20-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £40.00

    One Night Only (From Dreamgirls)

    ABOUT THIS PIECE: Looking for a show-stopper for your next concert? Look no further than this electrifying arrangement of One Night Only from the hit musical Dreamgirls. With music by Henry Krieger and lyrics by Tom Eyen, this iconic number serves as a pivotal moment in the show, performed in two contrasting styles: a soulful ballad by Effie White and an upbeat dance version by Deena Jones & the Dreams. This arrangement expertly captures the essence of both renditions, bringing their energy and passion to the brass band stage. One Night Only delivers all the excitement and glamour of the original, leaving audiences tapping their feet and humming the unforgettable melody long after the final note. A must-have addition for bands seeking a dynamic and memorable highlight for their next programme! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: DURATION: 4-minutes, 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days