Results
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£34.95Song of the Night Sky (Cornet Solo)
Cornet Solo with Brass BandOrpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea.And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster.The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in.His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies.Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.
Estimated dispatch 7-14 working days
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£34.95
Sprites and Flares (Brass Band - Score and Parts)
Sprites and Flares (2015), refers to the uncertain activities of sprites (upper atmospheric lightening) and solar flares (solar activity from the sun which cannot penetrate the earth's atmosphere) and uses these two ideas as a basis for the kind of musical material heard within the work - dramatic, swirling motifs, often of a virtuosic nature.The work's dramatic opening ensures the first thirty seconds are high in energy and full of impact. Following this, the music dies down and presents an ethereal atmospheric section, perhaps reflecting the calm before the storm. Before long, the music takes a turn for dramatic, fast, virtuosic playing, all reflecting the theme of the work, and indeed remains in this style through to the close, gaining momentum and becoming ever- more triumphant as the work reaches its close. A huge ending is heard, full of excitement and drama, but more importantly grandeur and rich harmonic-chords.The work was commissioned by and written for Leyland Band and its conductor, Thomas Wyss, as the finale to its 2015 Brass in Concert programme, premiered at The Sage, Gateshead, on 15th November 2015.
Estimated dispatch 7-14 working days
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£34.95
The Fire and the Phoenix (Trombone Solo)
Trombone Solo with Brass BandThe Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers.Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody.Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again.A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.
Estimated dispatch 7-14 working days
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£34.95
The Puffing Devil (Vocal Solo)
For Children's Choir and Brass BandThe Puffing Devil (2013) was commissioned by Camborne Trevithick Day Committee on the occasion of Camborne's 30th Trevithick Day celebration. The premiere performance of the work, written for brass band and children's choir, saw a massed performance by six brass bands and children from nine local schools. With the intention of being an educational work as well as a musical work, The Puffing Devil reflects the story of Richard Trevithick both in the lyrics and the musical material. A mysterious opening sees running semiquavers in the euphoniums as the flugel horn introduces the work with a solo, before the entry of the horns playing rhythmic quavers. The addition of the voices at the outset is for effect - working with the instruments to create the sound of a steam engine gathering pace simply to the words 'Trevithick'. Once a steady tempo is reached, themes are introduced and sung by the choir, where the vocal writing is a very simple singular-melody; easy for any primary school aged children to learn. An ending of grandeur in a majestic nature is presented, to create a big finish to a feel-good educational work.
Estimated dispatch 7-14 working days
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£29.50A Kit of Fun
Drummers are now an integral part of the modern brass band that they accompany. However, there are not too many chances for your drummer to take the limelight. All that can now change with this light-hearted new release. A light swing piece in style, this entertaining work offers drummers the chance to show off their skills and more importantly, is accessible to players of many levels. Whilst a drum part is clearly written out, the soloist is advised to 'ad lib' throughout, allowing the player to make their part as easy or as complex as they wish. This is great showcase item that is just something different from the norm and suits all concert programmes.
Estimated dispatch 7-14 working days
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£94.95Chaucer's Tunes (Score and Parts)
Chaucer's Tunes (two sections of which began life as the theme music for a BBC radio series The Road to Canterbury) consists of six interconnected sections. These can equally well be played either as one complete continuous movement or as independent individual pieces. Includes: Intrada; Fantasia: Alma redemptoris mater; Intermezzo: The Wife of Bath; Carol: Es ist ein' Ros' entsprungen; Chase: Chauntecleer and the Fox; Finale.
Estimated dispatch 7-14 working days
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£44.95Chaucer's Tunes (Score Only)
Chaucer's Tunes (two sections of which began life as the theme music for a BBC radio series The Road to Canterbury) consists of six interconnected sections. These can equally well be played either as one complete continuous movement or as independent individual pieces. Includes: Intrada; Fantasia: Alma redemptoris mater; Intermezzo: The Wife of Bath; Carol: Es ist ein' Ros' entsprungen; Chase: Chauntecleer and the Fox; Finale.
Estimated dispatch 7-14 working days
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£10.00Concertino for Brass Band - Study Score
This music, in its original four movement form called 'Concerto for Brass Band', was commissioned by Brass Band Treize Etoiles from Switzerland as an own-choice test piece. For its use as the test piece for the Championship Section of the 2008 National Brass Band Championships of Great Britain it was specially published without the second movement Scherzo (available separately) as 'Concertino for Brass Band'.
Estimated dispatch 7-14 working days
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£74.95Eden (Score and Parts)
This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days
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£29.50Eden (Score Only)
This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days