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  • £49.95

    RHAPSODY (B flat Baritone and Brass Band) - Sparke, Philip

    B flat Baritone and Brass Band. Also available with piano accompaniment.

    Estimated dispatch 7-14 working days
  • £30.00

    O.B.1. Fanfare - Tom Watson

    Tom Watson was born into a musical family in Hertfordshire, England and showed a flare for playing the trumpet from the age of just 4. Taught by his father James Watson, the prolific international soloist, conductor, educator and session trumpeter, Tom studied at the Royal Academy of Music, where he gained a first class honours degree. Whilst still at college, Tom embarked on a varied professional freelance-playing career and was guest principal trumpet with the Mahler Chamber Orchestra performing under Claudio Abbado, Daniel Harding, and Sir Neville Marriner. Tom can be regularly found performing and recording with the London Symphony Orchestra, The BBC National Orchestra of Wales and many of the UK's finest orchestras. Commercially, Tom has played in sessions or concerts for artists such as Sir Elton John, Sir Paul McCartney, Sir Tom Jones, Dame Shirley Bassey, Ozzy Osbourne, Phil Collins, Eric Clapton, Joe Cocker, Jarvis Cocker, Pete Doherty, Nick Cave, Karl Jenkins and Victoria Wood. Some of his film session work has included recording the scores for Brave, Eragon and Stormbreaker. Tom also works as a musical director, arranging and conducting various projects such as Tony Christie's album Made in Sheffield and for renowned harpist Catrin Finch. Tom also runs his own independent recording and production company Pro Audio, part of Prozone Music, which Tom owns and runs alongside his brother William. The O.B.1. Fanfare was written for the Harper Ensemble, a brass ensemble comprising of Tom's contemporaries from his time at the Royal Academy of Music. It was written for the Leicester Square UK premiere of the film "Ali" starring Will Smith. Composed as a salute to Hollywood and the big screen, this fine pastiche of film scoring is an ideal fanfare and concert opener.

  • £77.00

    General Series Brass Band Journal, Numbers 2238 - 2241, December 2023

    2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.

    Estimated dispatch 7-14 working days
  • £55.00

    Triumph Series Brass Band Journal, Numbers 1347 - 1350, March 2023

    1347: Intrada on 'St Magnus' (Ruben Schmidt)This is an energetic intrada based on the tune St. Magnus with the composer keeping the words The head that once was crowned with thorns (S.A.S.B. 22) in mind.1348: March - In every corner sing (Alan Williams)This is a bright march requiring plenty of vigour and imagination. Featuring and taking its title from Let all the world in every corner sing: My God and King! (S.A.S.B. 41), this bright melody is contrasted with the tune Lydia associating the words There is a name I love to hear, I love to sing its worth (S.A.S.B. 94).1349: I need thee (Craig Woodland)An expressive arrangement of the traditional hymn I need thee every hour (S.A.S.B. 707)1350: March - The great commission (Paul Sharman)This march was written for the Norwegian Christian brass band, Egersund Missionary Band, and is derived from the tune Onward, Christian soldiers (T.B. 188) as well as a brief fragment of the Norwegian National Anthem and the melody Die Sach is dein (The work is thine).

    Estimated dispatch 7-14 working days
  • £38.95

    Unity Series Band Journal - Numbers 486 - 489, February 2020

    486: March - Love Divine (Ian Clarke)This lively march features Charles Wesley's song, Love divine, all loves excelling (S.A.S.B. 262) set to the tune Stainer (T.B. 349) and Charles Gabriel's I stand amazed in the presence (S.A.S.B. 466).487: Song Arrangement - The potter's hand (Daniel Elson)A simple but effective arrangement of Dalene Zschech's popular worship song The potter's hand (S.A.S.B. 355).488: Ma-(cha-cha)-jesty (Gary Rose)The cha-cha-ch is a dance that originates from Cuba. It is danced to the music of the same name, introduced by Cuban composer and violinist Enrique Jorrin in the early 1950s. This work combines the cha-cha syle with the well-known song Majesty (S.A.S.B. 382).489: The old rugged cross (Andreas Holmlund)A flowing two-verse arrangement of George Bennard's much-loved song.

    Estimated dispatch 7-14 working days
  • £91.99

    A Bandsman's Overture (Brass Band - Score and Parts) - Sparke, Philip

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012. It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with the four notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section. This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets.Duration: 6:00

    Estimated dispatch 7-14 working days

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  • £91.99

    A Bandsman's Overture - Philip Sparke

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012.It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with thefour notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section.This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets.

    Estimated dispatch 5-14 working days

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  • £38.95

    Unity Series Band Journal - Numbers 522 - 525, October 2023

    522: Festival March - The Rescuers (Andrew Hedley)This exciting and bright festival march comes from a new contributor to the band journals. Andrew Hedley is a bandsman at Chester-le-Street Corps and a member of the Euphonium Section of the International Staff Band. This work contains inventive harmonic and melodic patterns and we hope this will be the first of many works from this composer to be seen in our journals.523: Moses and Pharaoh (Ralph Pearce)This piece owes its creation to the playing of the Montclair Citadel Young Peoples' Band in the Sunday School assembly every weekend. The song Pharaoh, Pharaoh is extremely popular and is sung with gusto and much movement. The presentation of this song derives for an accompaniment written for the band to play along with the singing. To widen its use, the spiritual Go down, Moses (STTL Vol.7, Part 2) was added to make the present composition. This music should have drive throughout and be played with a sense of fun.524: Lord, to thee (Alan Williams)This is a setting of the tune Hendon (T.B. 249). The piece uses the first verse of Frances Ridley Havergal's commonly associated text 'Take my life and let it be consecrated, Lord, to thee' (S.A.S.B. 623), and from there it takes its title.525: Song Arrangement - This is why (Noel Jones)This music is based on the tune This is why (T.B. 353) by Elisha Albright Hoffman and this two-verse arrangement reflects the great song of testimony Would you know why I love Jesus (S.A.S.B. 912). An associated scripture reference is found in Mark 10:45 'For even the Son of Man did not come to be served, but to serve, and to give his life as a ransom for many'. The motif 'Would you know' occurs in the opening bars and is repeated throughout the piece, along with fragments of the first verse. The chorus confirms the hoy that Christians experience knowing that Christ's sacrifice has bought forgiveness for our wrongdoings.

    Estimated dispatch 7-14 working days
  • £38.95

    Unity Series Band Journal - Numbers 506 - 509, June 2022

    506: Lord of all hopefulness (Gary Rose)The hymn Lord of all hopefulness, Lord of all Joy (S.A.S.B. 772) and its associate tune, Slane, creates a reflective work beautifully penned by Gary Rose507: Carol Arrangement - Glory in the highest (Sam Creamer)This Christmas favourite is given the classic Count Basie big band swing style - a perfect addition to your December concerts.508: Meditation - In Holiness (Dean Jones)Written for Merthyr Tydfil Corps band, this expressive work pieces together the tunes Hereford (T.B. 16) and Beethoven (T.B. 5).509: March - Ellan Vannie (Paul Sharman)The opening statement of this march reference the tune Ellan Vannin (T.B. 366) which gives rise to the title. 'Ellan Vannin' is Manx Gaelic for 'Isle of Man' and this music was written for a musician's weekend at Douglas Corps

    Estimated dispatch 7-14 working days
  • £99.50

    Street Life - Sample

    Randy Crawford led R&B veterans the Crusaders on the transatlantic hit "Street Life" (1979). A specially re-recorded version was featured in the soundtrack for the films Sharky's Machine and Jackie Brown. The composer Joseph Leslie "Joe" Sample (February 1, 1939 September 12, 2014) was an American pianist, keyboard player, and composer. He was one of the founding members of the Crusaders. but he enjoyed also a successful solo career and guested on many recordings including Miles Davis, George Benson, Jimmy Witherspoon, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, and the Supremes. Sample incorporated jazz, gospel, blues, Latin, and classical forms into his music. This arrangement can be used with a singer, but then need some attention to balance and please take away most melody lines. Electric Bass, Piano and Guitar are optional. If you would like to add an improvisation, please repeat bar 54 -62 without melody as many times you want. (Look at the piano part for chords).

    Estimated dispatch 5-14 working days

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