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£84.99Christmas Brass - Richard Peaslee
Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly.In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-likeclosing passage.In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending.Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style.In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba.Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending.Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion
Estimated dispatch 5-14 working days
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£59.99
All Cried Out
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don't Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrote fine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.
Estimated dispatch 5-14 working days
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£60.99Gold - Gary Kemp
At the beginning of the eighties trendy English boy band, Spandau Ballet, made it big with hits like True and Gold. Millions of records were sold worldwide, and the group became one of the most successful bands of the eighties. Why not bring a little 80's pop magic to any concert with the zesty disco tempo and jazzy chords of this arrangement.
Estimated dispatch 5-14 working days
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£59.99I'm Begining To See The Light - Harry James
I'm Beginning to See the Light as popularised by Duke Ellington, arranged for Brass Band by Klaas van der Woude.
Estimated dispatch 5-14 working days
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£154.99Sketches from Nowhere - Thomas Doss
Sketches from Nowhere is the second composition that Thomas Doss has written for brass band. The title was inspired by various images the composer saw in his mind's eye while working on this piece: pictures of foreign places; pictures of the creation of our world. The main motif that weaves its way from the beginning to the end of the work is meant to parallel humanity's great evolution: from its humble beginnings as mere stardust to the present day.
Estimated dispatch 5-14 working days
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£60.99The Last Night of Fall - Etienne Crausaz
This beautiful chorale for Brass Band illustrates the winter solstice, the longest night of the year. Describing the end of nature's cycle, it has a rather melancholic character until the final chord which symbolises the new beginning.This contemplative work is ideal for creating a moment of tranquillity during a concert, and is also suitable as a warm-up piece.
Estimated dispatch 5-14 working days
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£54.99
Won't Be Missin' You - Hans Vansant
Hans Vansant wanted something different with this lively number. Instead of "I Will be Missin' You", he composed "I Won't be Missin' You!" After all, each end of a friendship is a new beginning.
Estimated dispatch 5-14 working days
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£60.99
Aperitivo Energico - Philip Gorts
This dynamic overture makes a good beginning of your concert and can be played by every orchestra, thanks to the well-considered instrumentation. The colorful themes constantly alternate which results in a movement that characterizes this energetic composition. With Aperitivo Energico we proudly introduce you to Philip Gorts.
Estimated dispatch 5-14 working days
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£47.50
Fusion Factory - James L. Hosay
At the end of the Sixties and the beginning of the Seventies, slowly but surely, a new exciting music style arose in pop music. Pop groups enlarged the musical spectrum by combining jazz harmonies with rock 'n' roll rhythms. These experiments are now known as 'fusion'. Fusion Factory combines elements of early fusion with modern fusion sounds. Listen to the excellent result!
Estimated dispatch 5-14 working days
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£54.99Four Old Dances - Jan Van der Roost
These four dances are written in a kind of neo renaissance style. Because of the fact that little technical demands are required from its performing artists, these dances are mainly meant for beginning groups, youth ensembles and also for bands in all kinds of small strengths. Jan Van der Roost originally had pedagogical intentions with this piece.
Estimated dispatch 5-14 working days
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