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£19.95Bandkraft 2
The second of three superb sets of new music and arrangements for brass ensemble.Jazz Intermezzo - Peter Sievewright: Very close harmonies produce thick luscious tone colours, beneath an intriguing jazz theme.Bossa Nova - John Golland: A memorable tune, enjoyable and relaxed as a Bossa Nova should be, with much fun to be had in mastering the Bossa Nova rhythm.Ballade - Grieg, Arr. Ifor James: A simple enough melody, but a marvellous test for the phrasing and intonation of the horn section of the band.Bollin Hill Suite (Hoe Down, Passacaglia and March) - Phillip Malbon: A classic suite for brass band, concise yet complete.
Estimated dispatch 5-14 working days
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£137.99Klezmer Discovery - Sjaak van der Reijden
The Yiddish word 'Klezmer' has been derived from the Old Hebrew words 'Kley' (tool, instrument) and 'Zemer' (song, singing, making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music, Klezmer music has succeeded in preserving its distinctive Jewish character. 'Klezmer Discovery' is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of a number of motives from differenttraditional melodies (a Mitzve Tenzel and L'cha Dodi), followed by a melody in 3/8th time (Kandel's Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently, 'Der Terk in Amerika', a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast, cheerful dance melodies (bulgars) form the finale of 'Klezmer Discovery' (Lebedyk un Freylekh, Lomir sich iberbetn and Sherele).
Estimated dispatch 5-14 working days
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£74.99Willow Pattern - Philip Harper
Composed in 2009 for Nicholas Childs and the Black Dyke BandThis piece tells the Willow Pattern legend through music. Several leitmotifs are used both for the different characters and also for some of the important emotions in the tale. Additionally, Knoon-se's part is mainly played by the flugel horn, Changby the euphonium, the Mandarin by the Eb Bass and the Duke Ta-jin by the trombone. The Willow Pattern LegendOnce, in ancient China, there lived a wealthy and powerful Mandarin who had a beautiful daughter, Knoon-se. She had fallen in love with Chang, a humble accountant, which angered her father who imprisoned her in the Pavilion by the river with only theexotic birds for company. She learnt that the Mandarin planned to marry her to the pompous Duke Ta-jin and that the wedding would take place on the day the blossom fell from the willow tree, so she sent Chang a message: "Gather thy blossom, ere it bestolen". The Duke arrived by sea amid great fanfare when the tree was heavy with bud, and nights of magnificent banquets followed. After one such occasion when the Mandarin slept, Chang crept over the crooked fence and tiptoed into the Pavilion to rescueKnoon-se, but as they escaped the alarm was raised. They fled over the bridge with the Mandarin close on their heels brandishing his whip.They managed to escape by boat to a secluded island where they lived happily for a time. Meanwhile, the Mandarin learned of their refuge and, intent on revenge, he ordered his soldiers to kill them. As Knoon-se and Chang slept at night, the men setfire to the pagoda in which they lived and the lovers perished in the flames. However, the Gods, moved by the lovers' plight, transformed their souls into two turtle-doves which rose from the charred remains, soaring above the Earth, symbolising eternal happiness. Willow Pattern is dedicated to the memory of Jean Harper who passed away as I was completing the piece and who was a great collector of porcelain and china-ware. NOTES ON PERFORMANCEMute Requirements:Metal mutes soprano cornet, repiano cornet, 2nd cornets, 3rd cornets (6 in total) Cup mutes all cornets and trombones (10 + 3) Harmon mutes soprano cornet, solo cornets, repiano cornet (6) Percussion Requirements:There are two parts for percussion on the score. The minimum requirements are as follows: 2 players - Timpani, 2 Large tom toms, 2 Wood Blocks, Triangle, Sleigh Bells, Whip, Clash Cymbals, Suspended Cymbal, Hi-hat, Glockenspiel, Xylophone, Tam tam (or susp. cym.) For performances with extra resources, and to achieve closer authenticity, the full requirements are as follows: 3 players - Timpani, 3 Taiko Drums played with thick wooden sticks (or Large tom toms), 2 Wood Blocks, Triangle, Chinese Bells (or Sleigh Bells), Whip, Clash Cymbals, Chinese Cymbals (small clash cymbals approx 12"), Suspended Cymbal, Glockenspiel,Xylophone, Tam tam
Estimated dispatch 5-14 working days
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£102.60Cherubic Hymn of Ukraine - Yakiv Yatsynevych
Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brottum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik -
Estimated dispatch 5-14 working days
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£127.30
Dancing Trolls [Norwegian Dance] - Øystein Olsen Vadsten
"Dancing Trolls" is a sequel to "The Battle of the Hats", which was published in 2015. Like "The Battle of the Hats", "Dancing Trolls" is a piece of music based on Norwegian traditional dances. This time around,its the reinlender dance which takescentre stage.The music is composed by Oystein Olsen Vadsten who keeps the strong melodic and tempo, which is dear to this kind of dance. Admittedly given a make-over with a more rhythmic accompaniment and more exciting harmonization.Thismakes it a fun piece, both to Listen to and play. The reinlender dance derives from the Rhineland in Germany,and is also known as the German Polka.To the conductor:Because this is a dance form whichis dependent on the right "swing",it is of great importance to keep as close to the metronome mark as possible. A steady groove, primarily specified by the drum set, is also essential for a good result. Remember to keep a good balance between the melody carrying instruments and theaccompaniment. Good luck and have fun with this "crazy" little tune.
Estimated dispatch 5-14 working days
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£22.00Little Hymn - Simon Dobson
Little Hymn was composed by award-winning composer Simon Dobson (b.1981) to provide an alternative to the traditional hymn tune settings that provide one of the foundations of the brass band repertoire. This simple, hauntingmelody begins on a brass quartet without cornets. The full band joins for the second part, which rises to a richly textured climax before receding to a quiet, reflective close.
Estimated dispatch 5-14 working days
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£54.99Who's next? - David Well
Who begins? Who follows? In 'Who's next?' the orchestra is divided up into two parts a number of times. The division seems random, but on close scrutiny it becomes clear at the end that sides are clearly taken, also in playing the melody, first one section and then .... who'll be next? 'Who's next?' is solid Rock, no nonsense, going straight ahead.
Estimated dispatch 5-14 working days
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£74.99Kingdom of Dragons - Philip Harper
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team. This piece was commissioned by the Gwent Music Service with additionalfunding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band. Although the music is continuous, it is divided into four distinct sections, each one representing one of theunitary authorities which make up the County of Gwent. I. Monmouthshire, which has a large number of ancient castlesII. Blaenau Gwent, an historic area of iron and coal miningIII. Torfaen, where Pontypool Park is a notablelandmarkIV. Newport, the largest city in the region. The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles inMonmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machineryclanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo beforethe music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphoniumlead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs inthe first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, idealsshared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion. NOTES ONPERFORMANCEPercussion requirements: (3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metalbeater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone
Estimated dispatch 5-14 working days
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£104.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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£54.99You'll Never Walk Alone - Oscar Hammerstein II
This great football anthem (don't be put off if you are not a Liverpool supporter!) was originally featured in the Rogers and Hammerstein musical Carousel, however it was made famous worldwide when it was sung against the background of the Eiffel Tower to close the 1998 World Cup. It can now be performed by your band, with or without football scarves, to end your concert on a winning note.
Estimated dispatch 5-14 working days
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