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  • £9.95

    Tunes and Toasts for all Times (Solo Eb Horn) - Barsotti, Roger

    Titles:ENGLISH AIRSA fine old English GentlemanA-hunting we will goBritish GrenadiersCherry ripeClementineCome, lassies and ladsDrink to me onlyDulce DomumDrunken sailor (The)For he's a jolly good fellowFarmer's boy (The)Floral DanceFrothblowers' AnthemGirl I left behind me (The)Here's a health to all good ladiesHere's a health unto her MajestyHere's to the maidenJohn PeelKeel row (The)Love's old sweet songMarch of the Fire BrigadesMistletoe bough (The)On Ilkla MoorPrincess Royal's Red Cross marchRoast beef of old EnglandSir Roger de CoverleySee the conquering hero comesSoldiers of the QueenThere is a tavern in the townNAUTICALHeart of oakHornpipeLife on the ocean waveShenandoahRed, white and blue (The)Rule, BritanniaSCOTTISH AIRSAnnie LaurieAuld lang syneBonnie banks of LochBonnie DundeeBlue-bells of ScotlandCampbells are coming (The)Charlie is my darlingFlowers of the forestHundred pipers (The)Highland LaddieRobin AdairScotch ReelScots wha haeWill ye no come back againYe banks and braesIRISH AIRSCome back to ErinDanny boy (Londonderry air)Harp that once through Tara's hallIrish Washerwoman (The)KillarneyMinstrel boy (The)Oft in the stilly nightOff to PhiladelphiaSt. Patrick's DayWELSH AIRSAll through the nightAsh grove (The)Bells of AberdoveyDavid of the white rockLand of my fathersMen of HarlechAMERICAN AIRSCarry me back to old VirginnyDixieGood-night (shine, shine, moon)John Brown's bodyMarching thro' GeorgiaOld folks at home (The)Star Spangled BannerTramp, tramp, tramp, the boys are marchingWhen Johnny comes marching homeYankee doodleCANADA AlouetteMaple leaf (The)O CanadaAUSTRALIAWaltzing MatildaSACRED AIRS & CAROLS Abide with meEternal Father strong to saveO God our help in ages pastFirst Nowell (The)Good King WenceslasO come all ya faithfulWhile shepherds watchedJerusalemSupreme sacrifice (The)Dead march in SaulPARADES (All organisations)General saluteSlow march or troop "Scipio"Troop "May-blossom"FANFARES, etcDeclamatory No. 1Occasoinal Fanfare No. 2"Reveille""Retrear""Last Post"Galop from "Orpheus in the Underworld"God save the Queen (in B flat)God save the Queen (in F)

    Estimated dispatch 7-14 working days
  • £104.99

    Theme Park Fun! - Wilco Moerman

    In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set, on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challengedto visit a house full of ghosts, creepy figures and other ominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park, but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions,it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train, the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops, corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end. This day in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to theexit. Just one look over the shoulder, the amusement park figures are waving at us. Hopefully we will come back again soon!

    Estimated dispatch 5-14 working days

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  • £84.99

    Christmas Brass - Richard Peaslee

    Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly.In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-likeclosing passage.In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending.Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style.In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba.Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending.Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion

    Estimated dispatch 5-14 working days
  • £57.50

    Veni Immanuel

    The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo Cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.

    Estimated dispatch 5-14 working days

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  • £40.00

    Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes

    "Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!

    Estimated dispatch 7-14 working days
  • £29.95

    Prayer to St Michael - Jonathan Bates

    DURATION: 4'00". DIFFICULTY: Moderate. 'Prayer to Saint Michael' is a solo for Euphonium, composed for the Wantage Band and inspired by the life of a young Johann Sebastian Bach, who following the death of both parents by the age of only 10 moved to live with his older brother - Johann Christoph Bach - who was the church organist at St Michael's Church in Ohrdruf. It was in this church where Bach spent many hours studying and performing, being instructed by Johann Christoff on the clavichord. Within 6 years, the young Bach had been enrolled in the prestigious St Michael's School in Luneberg. . "St. Michael the Archangel, illustrious leader of the heavenly army, . defend us in the battle against principalities and powers, . against the rulers of the world of darkness and the spirit of wickedness in high places. Come to the rescue of mankind, . whom God has made in His own image and likeness, . and purchased from Satan's tyranny at so great a price. The Holy Church venerates you as her patron and guardian. The Lord has entrusted to you the task of leading the souls of the redeemed to heavenly blessedness. Entreat the Lord of peace to cast Satan down under our feet, . so as to keep him from further holding man captive and doing harm to the Church. Carry our prayers up to God's throne, . that the mercy of the Lord may quickly come and lay hold of the beast, . the serpent of old, Satan . and his demons, casting him in chains into the abyss, . so that he can no longer seduce the nations. Amen.". .

    In Stock: Estimated dispatch 1-3 working days
  • £34.95

    Water Lilies - Jonathan Bates

    DURATION: 5'00". DIFFICULTY: 1st Section+. 'Water Lilies' is a setting of a short poem by the American War poet Sara Teasdale from 1937. Teasdale's evocative writing is steadily becoming a renowned influence for composers - particularly in the choral scene, and this was where my first introduction to her work was founded in a work by Eriks Esenvalds entitled 'Stars'. . The percussion writing in this depicts a gentle ripple on a lake as water lilies float by at dusk, whilst the band writing explores a deep and personal interpretation of Teasdale's words which whilst on the face seem quite dark and brooding, yet really seem to express a feeling of longing and determination. . Water Lilies . If you have forgotten water lilies floating . On a dark lake among mountains in the afternoon shade, . If you have forgotten their wet, sleepy fragrance, . Then you can return and not be afraid. . But if you remember, then turn away forever . To the plains and the prairies where pools are far apart, . There you will not come at dusk on closing water lilies, . And the shadow of mountains will not fall on your heart. . Sara Teasdale (1937). .

    In Stock: Estimated dispatch 1-3 working days
  • £42.95

    Christmas in the Nursery (Brass Band - Score and Parts) - Wiffin, Rob

    This arrangement of Christmas Carols was made in the same format and style as the highly successful Dancing 'round the Nursery.It includes:Here We Come A-WassailingIn Dulci JubiloI Saw Three Ships Come Sailing InWe Three KingsSussex CarolDing Dong Merrily on HighDeck the HallsGood King WenceslasThe Twelve Days of ChristmasJingle BellsWe Wish You a Merry ChristmasDuration: 4.30

    Estimated dispatch 7-14 working days

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  • £3.75

    Christmas Day (SATB Choral Octavo) - Holst, Gustav - Beringen, Robert van

    Gustav Holst composed almost 200 works, one being a very elegant and charming fantasy on the old English Christmas carols: Good Christian Men, Rejoice, God Rest You Merry, Gentlemen, Come Ye Lofty, Come, and The First Nowell.

    Estimated dispatch 7-14 working days

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  • £23.99

    Christmas Day (SATB Choral Octavo - Pack of 25) - Holst, Gustav - Beringen, Robert van

    Gustav Holst composed almost 200 works, one being a very elegant and charming fantasy on the old English Christmas carols: Good Christian Men, Rejoice, God Rest You Merry, Gentlemen, Come Ye Lofty, Come, and The First Nowell.

    Estimated dispatch 7-14 working days

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