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  • £60.00

    The Night To SIng (Score only) - Bramwell Tovey

    The piece takes its inspiration from the VE Day celebrations of 1945. On 8 May 1945 the end of the war in Europe was celebrated in Great Britain. VE day (Victory in Europe day) gave rise to extraordinary public celebrations all over the country, from street parties to services of thanksgiving, to impromptu singing and community music-making. Contemporary reports mention Victorian ballads and Edwardian music hall songs, as well as the latest popular craze - the Conga. Festivities continued until dawn whereupon, finally surrendering to fatigue, the remnants of the crowd headed home on foot, long after the last bus. Some felt the celebrations to be inappropriate - much of Europe lay in ruins and war still raged in Asia. Almost everyone lamented the loss of somebody who had not survived. Duration: 16:50

    Estimated dispatch 7-9 working days
  • £72.00

    The Night To SIng (Parts only) - Bramwell Tovey

    The piece takes its inspiration from the VE Day celebrations of 1945. On 8 May 1945 the end of the war in Europe was celebrated in Great Britain. VE day (Victory in Europe day) gave rise to extraordinary public celebrations all over the country, from street parties to services of thanksgiving, to impromptu singing and community music-making. Contemporary reports mention Victorian ballads and Edwardian music hall songs, as well as the latest popular craze - the Conga. Festivities continued until dawn whereupon, finally surrendering to fatigue, the remnants of the crowd headed home on foot, long after the last bus. Some felt the celebrations to be inappropriate - much of Europe lay in ruins and war still raged in Asia. Almost everyone lamented the loss of somebody who had not survived. Duration: 16:50

    Estimated dispatch 7-9 working days
  • £45.00

    Starburst

    Commissioned by the Greater Manchester Hub Youth Brass Band for their 2014 season, Starburst is a high-octane work in a contemporary style with elements of rock and funk fusion. The piece features soloistic input from all sections, with vibrant percussion colours adding to the overall effectiveness. Although the piece sounds extremely virtuosic it is accessible for most bands, and is fun to rehearse as well as exciting to listen to. Duration: 00:04:00 Grade: 3 (Works well when paired with Aurora Awakes)

    Estimated dispatch 5-7 working days
  • £30.00

    Starburst (Digital Download)

    Commissioned by the Greater Manchester Hub Youth Brass Band for their 2014 season, Starburst is a high-octane work in a contemporary style with elements of rock and funk fusion. The piece features soloistic input from all sections, with vibrant percussion colours adding to the overall effectiveness. Although the piece sounds extremely virtuosic it is accessible for most bands, and is fun to rehearse as well as exciting to listen to. Duration: 00:04:00 Grade: 3 (Works well when paired with Aurora Awakes)

    Estimated dispatch 5-7 working days
  • £30.00

    Es ist ein Ros Entsprungen

    DescriptionEs ist ein Ros Entsprungen is sometimes sung to the English words "A Great and Mighty Wonder". This tune to the reformation era German carol first appeared in the Speyer Hymnal in Cologne in 1599. This harmonisation of the tune by Michael Praetorius in 1609, one of his earliest publications. Praetorius was, along with his slightly younger contemporary Heinrich Schutz, the foremost German composer of the day, and became famous for his choral music. Much of this was written for multiple groups positioned around the church and conducted by a central conductor, giving a multi-phonic effect similar to the Venetian music of Gabrieli. Today his most famous music is Terpsichore, a collection of over 300 secular dances.You can view a preview PDF file of the score here.PercussionPercussion required are timpani and clash cymbals only; if clash cymbals are not available this part should be omitted (rather than played on a suspended cymbal).Mutes2 x solo cornets, second cornets and all trombones will require cup mutes

    Estimated dispatch 7-14 working days

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  • £45.00

    f/m

    Descriptionf/m was inspired by the internet cartoon 'frequency' by the artist Randall Munroe, which can be seen atxkcd.'Frequency' displays a grid of randomly chosen statistical events which flash at the frequency of their real-time occurrence; an outwardly banal idea with surprisingly profound results. f/m (which - predictably - is short for frequency/modulation) takes a similarly random set of time/duration statistics and uses them to generate the note lengths for each instrument. The first four statistics (and the first brass instrument entries) are derived from physical science. The next eight are all related to the natural world. The final ten, for which the cornets are used, represent contemporary human activity. The percussion instruments maintain a "tick and chime" throughout the work. To view a PDF preview of the score click here.The statistics used are as follows, indicated by numbers in brackets in the score at the first iteration of each one:Lightning strikes the earth 100 times per secondThe first pulsar ever discovered, PSR1919+21, pulses once every 1.337 secondsThere are approximately 10 supernovae every 0.95 secondsEvery 0.6 seconds the entire solar system moves 100 miles around the galactic centreEvery 4.1 seconds a 70 kg human emits 1000 gamma rays due to naturally occurring potassiumA blue whale's heart beats once every 6.67 secondsA hedgehog's heart beats 300/min or 5 times a secondEvery 2 seconds the net population of the world increases by 5There is one birth every 0.24 secondsThere is one death 0.56 seconds5.14 people die of malaria every minute ( one every 11.67 seconds)10 kilotonnes of polar ice are lost on average every 1.4 seconds.Walmart's takes in sales revenue of $10,000 every 1.4 secondsEvery 3 seconds there are 60,000 plastic bags used in US supermarketsEvery 0.72 seconds the world uses 500 tonnes of paperEvery 7.65 seconds, South Korea builds a carEvery 1.75 seconds, China builds a carEvery 5.8 seconds, Germany builds a carEvery 4.7 seconds, the USA builds a truckTwo commercial airline flights take off every 1.86 secondsMacdonalds serves 300 burgers every 4 seconds and feeds 787 people per secondStarbucks uses 3 gallons of milk every secondPerformance Notes:All entries are cued by the conductor at his/her discretion. There is no specified minimum or maximum time between entries and no specified overall duration; the times between each new entry do not have to be consistent unless the conductor wishes them to be so. However each player should be allowed time to complete at least one iteration of their note, and preferably to become comfortable with their place in the overall texture - one of the aims of the work is try present dissonant sounds through the medium of the brass band outside the normal performance context, allowing players to find their place in a non-diatonic harmonic matrix without regard for linear motion or developmental activity. Entries should not coincide unless they align vertically on the score. While it is accepted that absolute accuracy is not possible, players should attempt to get as close as they can the the printed duration of their note, and do their best to keep that duration consistent during repetitions. Rests are indicated by empty staves. A continuous line indicates a repetition in progress.Soprano cornet will require a harmon mute. Cornet 1 and Trombone 2 require metal straight mutes. Cornets 5,7,8 and 9 require cup mutes. The work requires three percussionists, playing tubular bells, vibraphone and and egg shaker.Approximate duration 6'00" - 9'00"

    Estimated dispatch 7-14 working days

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  • £44.95

    Deus Solus (Brass Band - Score and Parts)

    Deus Solus (meaning God Alone) was composed for the Melbourne Staff Band's 130th anniversary at the request of Bandmaster Ken Waterworth. It is based on three Christian tunes - the 18th century hymn O God, our help in ages past (S.A.S.B. 47), and the more contemporary songs God and God alone (Phill McHugh) and Chris Bowater's Faithful God (S.A.S.B. 360). The work begins quietly and with a sense of the unknown, with references to O God, our help in ages past, alluding to the formation and early days of the band.

    Estimated dispatch 7-14 working days
  • £77.00

    General Series Brass Band Journal, Numbers 2234 - 2237, August 2023

    2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.

    Estimated dispatch 7-14 working days
  • £29.95

    Hold That Fort! (Brass Band - Score and Parts)

    This piece infuses a well-known Salvation Army tune, Hold the fort (T.B. 300) with the contemporary funk, hip-hop and R 'n' B styles used in popular music from the 1970s into the 2000s.Duration: 3.00

    Estimated dispatch 7-14 working days
  • £29.95

    Toccata Fire (Brass Band - Score and Parts)

    Toccata Fire combines the contemporary setting of William Booth's hymn Send the fire (S.A.S.B. 326) with the Gowans and Larsson song Burning, Burning (S.A.S.B. 317) in an exciting work.Duration: 3.00

    Estimated dispatch 7-14 working days