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  • £29.50

    Celebration - Ben Hollings

    Composed by Carlton Main Frickley Band's Composer-in-Residence, Celebration is an epic concert opener composed to begin any programme with an exciting fanfare & hymn style structure. The work opens with 'exultant' fanfares throughout the cornet section & flugel, before a heroic theme is heard in the trombones. After the bold fanfare opening, the music settles into a setting of the hymn, Eventide which features a flugel solo. The middle section of the piece gives the band chance to showcase a warm and sostenuto sound before a reprise of the opening fanfare material is combined with Eventide and the heroic theme to bring the piece to an exciting finale.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    Deep Harmony - Handel Parker - Alan Beaumont

    Composed in 1854 By Handel Parker, this tune has become a favorite within the Brass Band world. Many have said that no other ensemble can perform a hymn tune quite like a Brass Band. Now this favorite has been arranged by Alan Beaumont and allows the Solo Cornet play to shine, before all the cornets join him in a fanfare whilst the hymn tune rides underneath. Suitable for any occasion.

    In stock: Estimated dispatch 1-3 days
  • £29.50

    Home Away From Home - Phil Coulter - Steven Hague

    This gorgeous melody has been made famous by the virtuoso flautist James Galway, popularised on Classic FM and now arranged for brass band with a solo cornet taking the starring role. A perfect concert item, such a simple melody, but heart warming and playable by most bands.

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    I See The Light from 'Tangled' - Alan Menken - Adrian Horn

    Disney's take on the story of Rapunzel saw veteran Disney composer, Alan Menken score the film and from it, came the hit, 'I See The Light'. A lyrical ballad, out of all the tracks produced for the film, Alan stated that this was his favourite of them all. Now arranged by Adrian Horn for solo cornet and band, this release is perfect for soloists looking to perform something popular with general audiences of all ages. With little in the way of technical difficulty, this would be a great item for younger players to enjoy. One not to be missed this Summer.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    In The Blue Mid Winter - Gustav Holst - John Lee

    If your band is looking for something a little more laid back to add to their Christmas programmes this year, then look no further. As the title suggests, this clever setting of Holst's In The Bleak Mid-Winter arranged as a Blues feature, allows the band a change from the traditional styles of music heard at Christmas. Featuring a Blues solo from the principal cornet, this piece is a great addition to keep your festive programmes versatile.

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    Pie Jesu (From Requiem) - John Rutter - Adam Rutter

    John Rutter's music is known across the world for its simplicity and memorable melodies. The 'Pie Jesu' from his requiem is certainly no exception. First performed in Dallas, Texas in 1985, the 6 movements completed Rutter's setting of the Roman Catholic Mass. The third movement (the 'Pie Jesu') is typical of the composer, featuring a strong melody line with subtle accompaniments. Now arranged for Solo Cornet by Adam Rutter, this slow melody allows the soloist to shine in one of the finest and most famous settings of the work to date. A great addition to any concert & soloists repertoire.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    Rondo - Allegretto (from Clarinet Concerto) - Von Weber - Andi Cook

    Born in Oldenburg, Germany, Weber composed his first two operas aged just 16. Being one of the finest pianists around, his music is filled with vigour and spirit. Weber wrote three concertos for clarinet in 1811 at the age of 25, for the Munich clarinettist, Heinrich Barmann. The most famous movement from the first concerto has been skilfully arranged for solo cornet and brass band. A perfect showcase of a piece.

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    Sibelius Fantasy - Gavin Somerset

    Composed in 2003 for a composition competition, this work uses elements of three major work by the Finnish composer Jean Sibelius (1865-1957). The three being... Symphony No.5, Finlandia, Karelia Suite (March) The piece starts with an atmospheric opening before setting of in bar 10 with a tempo that will remain for most of the piece. The main original theme is brought in at A before the famous sequence from Sibelius' Symphony No.5 enters at B and then very distinctly at C. The music then rollercoasts through keeping all sections of the band busy, until we reach J when the solo Euphonium can shine, helped along by Flugel and Repiano. The Molto Vivo before K sets off with dazzling trills from the cornet section, and bringing with it the theme from Finlandia in bar 165, followed shortly by the March from the Karelia Suite. From N to the end, all three pieces are brought to a final climax together. A rousing piece and makes an interesting change to a direct transcription.

    In stock: Estimated dispatch 1-3 days
  • £34.09

    Swinging all the way (Brass Band) Dave Collins

    Swinging all the way is a jazzy take on the most well known of Christmas tunes, Jingle Bells. We begin in a dark underground jazz club with the rich, luscious harmonies supporting the tune that we all know. But the melody is perhaps secondary to the timbres and dissonances of this darkly elegant ballad punctuated by the solo cornet, a contrast of styles between the joyous melody and sober accompaniment. As the work progresses it becomes more uplifting, with solo features from the trombone, before emerging into the bright lights of a big band set, with stride bass, crunchy punctuating rhythms and screaming trumpets. The arrangement ends where we began, after our exciting sleigh ride comes to an end. To view a rolling score video please visit www.youtube.com/watch?v=UbUMVuWFrNI PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 4.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani/Sus. Cymbal Drum Kit Vibraphone/Xylophone

    In stock: Estimated dispatch 1-3 days
  • £10.00

    Edward Gregson: Concertante for Piano and Brass Band

    DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com

    Estimated dispatch 7-14 working days

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