Results
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£24.95
Now Is The Hour (Cornet Solo with Brass Band - Score and Parts) - Steadman-Allen, Ray
This romantic Maori song of farewell was arranged as a cornet solo for David Daws. Within The Salvation Army, the words 'Search me, O God, and know my heart today' are now associated with this beautiful tune.
Estimated dispatch 7-14 working days
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£12.50
Now Is The Hour (Cornet Solo with Brass Band - Score only) - Steadman-Allen, Ray
This romantic Maori song of farewell was arranged as a cornet solo for David Daws. Within The Salvation Army, the words 'Search me, O God, and know my heart today' are now associated with this beautiful tune.
Estimated dispatch 7-14 working days
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£17.99The Bells of Peover (Cornet Solo with Brass Band - Score and Parts) - Doe, Philip
The Bells of Peover is a beautiful and lyrical cornet solo, conjuring up a pastoral scene with the distant ringing of church bells. The piece is named after a pub in the Cheshire village of Lower Peover, near Knutsford. Suitable for Youth/4th Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£32.95Abide With Me (Cornet Solo with Brass Band) - Ord Hume, James
Solo Cornet Conductor
Estimated dispatch 7-14 working days
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£49.99Cavatina for Cornet (Cornet Solo with Brass Band - Score and Parts)
In this solo work - a commission for an 18th birthday present - the opening mood of a brooding modal blues gives way momentarily to a more optimistic central section.Following an emotional climax and reflective cadenza, the opening material returns, but now tying in with the central section, and the piece finally ends in a more positive mood.
Estimated dispatch 7-14 working days
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£16.99The Bells of Peover (Cornet Solo with Brass Band - Score and Parts)
The Bells of Peover is a beautiful and lyrical cornet solo, conjuring up a pastoral scene with the distant ringing of church bells. The piece is named after a pub in the Cheshire village of Lower Peover, near Knutsford. Suitable for Youth/4th Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£34.95Song of the Night Sky (Cornet Solo)
Cornet Solo with Brass BandOrpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea.And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster.The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in.His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies.Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.
Estimated dispatch 7-14 working days
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£40.00
Lantern (Cornet and Brass Band)
This evocative cornet solo was inspired by a set of old street lights that had been set up in a neighbours garden. A slow, wistful introduction leads into a lively march with some touches of ragtime. Also available for solo cornet and piano.
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£30.00Eriskay Love Lilt (with brass band) - Trad
Eriskay Love Lilt is a traditional Gaelic melody from the Western Isles of Scotland, sensitively arranged here by Andrew Duncan as a cornet solo with brass band accompaniment.This arrangement was written in 2001 for Phillip McCann and was first played by him with the Hepworth Band at the 2002 Leek Music Festival in Derbyshire, England. It has also since been recorded by Eleanor Ferguson with the Whitburn Band on Reflections of Freedom.Andrew Duncan comments: The Isle of Eriskay (Eirisgeigh) lies forty miles off the North West coast of Scotland in the North Atlantic. It is a small island, only two kilometres square and lies between the larger islands of South Uist and Barra. Eriskay is one of the islands which form the archipelago known as the Western Isles or Na h-Eileanan an Air. The Eriskay Love Lilt is a hauntingly beautiful tune which is typical of the greater number of traditional Gaelic melodies in that it is largely based on the Aeolian mode, the black notes on the piano.Also available with piano accompanimentor as a solo with brass ensemble (10-piece).
In Stock: Estimated dispatch 3-5 working days
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£69.95Concerto for Horn (Horn Solo with Brass Band - Score and Parts) - Gregson, Edward
Horn in F with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a light-hearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.Duration: 18.00
Estimated dispatch 7-14 working days
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