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  • £59.99

    Mr. Sandman - Pat Ballard

    Who doesn't remember this international 70's hit for Emmylou Harris with it's special 'barber shop' style harmony. The three parts are given to the cornets as soloists with subtle band accompaniment featuring a great part for your vibraphone player. Everyone will leave your concert humming this great tune.

    Estimated dispatch 5-14 working days
  • £59.99

    Nordic Fanfare and Hymn - Jacob de Haan

    As the title suggests, this opening work consists of a fanfare and a hymn. It was written for the opening ceremony of the FIS Nordic World Ski Championships in Oberstdorf (Allgau, Germany) and can be played in four different versions depending on your needs or the players available. You can use a complete version, a short fanfare played just by cornets, trombones and timpani, a double fanfare (extended with tutti-band) or a fanfare version followed by the hymn. Fanfare and Hymn is an extremely practical and versatile ceremonial opening piece.

    Estimated dispatch 5-14 working days
  • £69.99

    Irish Mood - Stijn Roels

    Irish Mood was written in a classic 'theme and variations' construction, opening with an Irish-inspired melodic theme, which is then followed by four variations of divergent character. After the introduction of the theme by the soloist, the cornets and trombones play the main melody in Variation 1, while the soloist provides a flowing counter melody. Next comes the highly extrovert and lively Variation 2, contrasted by an introverted Variation 3 in a minor key. A masterful tutti (Variation 4) then leads the piece toward a brilliant ending.

    Estimated dispatch 5-14 working days

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  • £65.00

    Four Sketches - Simon Dobson

    Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano, Head of Brass at the Royal College of Music, in recognition of the 25th anniversary of Benjamin Britten's death. The first movement, 'Fanfare',quotes directly from the opening violin melody from Britten's song cycle Les Illuminations. This melodic line is superimposed upon sonorous Lydian mode chords to project a majestic sound. The second movement, 'Prayer', is adefinite contrast, being and much more reflective and pensive in it's mood, and featuring a dream like euphonium cadenza. The third movement, 'Funeral March', builds from a soft chordal opening to a chaotic andconfusedfortississimo climax with flourishes in the cornets and pounding tri-tones across the basses, before plunging into silence for a flugel cadenza to finish. The final Finale movement is much more positive from the off, withits jaunty melodies over a Brittenesque ostinato. The block chordal passages offer a crashing climax, making for an exciting conclusion to an excellent new work for the medium. Simon Dobson's 'Four Sketches' was the winningentry in the European Brass Band Composer Competition held in Brussels in March 2002.

    Estimated dispatch 5-14 working days
  • £22.00

    Clarion Alarum - Simon Dobson

    Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band, contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns, euphoniums and tubas. BrassBand Grade 5: 1st Section Duration: 2.5 minutes

    Estimated dispatch 5-14 working days
  • £22.00

    Little Hymn - Simon Dobson

    Little Hymn was composed by award-winning composer Simon Dobson (b.1981) to provide an alternative to the traditional hymn tune settings that provide one of the foundations of the brass band repertoire. This simple, hauntingmelody begins on a brass quartet without cornets. The full band joins for the second part, which rises to a richly textured climax before receding to a quiet, reflective close.

    Estimated dispatch 5-14 working days

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  • £74.99

    Kingdom of Dragons - Philip Harper

    The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team. This piece was commissioned by the Gwent Music Service with additionalfunding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band. Although the music is continuous, it is divided into four distinct sections, each one representing one of theunitary authorities which make up the County of Gwent. I. Monmouthshire, which has a large number of ancient castlesII. Blaenau Gwent, an historic area of iron and coal miningIII. Torfaen, where Pontypool Park is a notablelandmarkIV. Newport, the largest city in the region. The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles inMonmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machineryclanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo beforethe music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphoniumlead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs inthe first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, idealsshared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion. NOTES ONPERFORMANCEPercussion requirements: (3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metalbeater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone

    Estimated dispatch 5-14 working days
  • £74.99

    Olympus - Philip Harper

    Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)

    Estimated dispatch 5-14 working days
  • £82.30

    Riv i hjertet - Sondre Justad

    The singer/ songwriter Sondre Justad was born in Lofoten in the north of Norway in 1990. His first album Riv i hjertet was released in 2015, and it became a huge success. He got very fine reviews in some of the largest norwegian newspapers, and the title-song was played frequently on the national radio-stations. The song title could loosely be translated as pulling at my heartstrings, and the song has a deep and dark meaning, with the opening lyrics sounding: If I knew - that I would be dying soon, would I be happy with the way I am living my life Please note that the repeating figures in upper cornets should never be dominant, they should only provide texture tothe accompaniment.

    Estimated dispatch 5-14 working days

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  • £137.70

    Variations for Brass Band - John Brakstad

    "Variations for Brass Band" consists of a chorale and 5 variations of brilliant, lyric and humorous character. The piece also contains several soloparts and elements of ensemble.Each variation has its own title, but the piece should be played in its entirity.The chorale is based on a minor pentachord, and each variation begins with these five notes, with different rhythmical treatment.There is also a little secondary "theme", consisting of five notes which are heard throughout the work (eg. as sixteens/semiquavers in cornets in bar 1).When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.

    Estimated dispatch 5-14 working days

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