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£74.99Cornet Concerto No.1 - Jonathan Bates
My 'Cornet Concerto No.1' was composed for Lode Violet and Brass Band Willebroek in 2018 and features 2 movements, entitled 'Dystopia' and 'Utopia'. . The nature of the music in the opening section, 'Dystopia', is very jagged, disjointed and unsettling, as the soloist almost battles against the constant churning of the mechanical accompaniment, trying to persevere with it's own ideas and styles without being dragged into conforming to it's surroundings. The movement is based largely on the 3 note interval heard right at the outset of the piece (C, D & G#, a series of notes that lends itself so well to different modes, scales, harmonies and intervals) and this forms much of the rhythmic and harmonic structure of the opening section.Whilst this movement acts as a virtuoso feature to demonstrate the extended capabilities of both the soloist and instrument, I feel the accompanying ensemble plays an equal role in the narrative of 'dystopia', and features a number of demanding and prominent episodes for soloists within the accompanying band. A short and heavy coda concludes the movement, with a sense of real pain and sorrowfulness as the music fades away into darkness. . 'Utopia' opens in an instantly more hopeful nature, with the soloist introducing the first real 'theme' of the movement, taken up shortly by the accompaniment. Throughout this movement, there are a number of timbral and melodic references back to the darkness of 'dystopia', but transformed into a much more positive outlook and soundworld. There is a moment of quiet reflect (using the initial 3 note cell as a basis) before flying head first into a frenzied wild 'tarantella' like section, full of joy and energy which tests the dexterity and light-natured approach to virtuosity (much unlike the heavier material in the 1st movement) of the soloist. Primarily, the concept of this finale is fun - joy, happiness, and freedom from restraint, so the addition of a quirky 'tongue-in-cheek' habanera section offers a brief moment of respite from the craziness of the tarantella. To conclude the work, there is an extended cadenza for the soloist which is built on several motifs heard throughout the concerto, which leads the band into a dramatic and energetic final few bars.. Jonathan Bates. (2018). .
In Stock: Estimated dispatch 1-3 working days
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£8.50CLOWN DANCE (score) - French Traditional
score shows Bb, Bb, Eb, bass clef and percussion, but set contains transcribe d parts for brass band brass and orchestral brass.
In Stock: Estimated dispatch 1-3 working days
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£27.50CLOWN DANCE (score & parts) - French Traditional
score shows Bb, Bb, Eb, bass clef and percussion, but set contains transcribe d parts for brass band brass and orchestral brass.
In Stock: Estimated dispatch 1-3 working days
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£11.50MASADA (score) - Moore, Colin (1925-2019)
The music was proofed before publication by The Pemberton Old Wigan D W Band after the manuscript was discovered by a band member and friend, Jon Don Duncan.
In Stock: Estimated dispatch 1-3 working days
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£42.50MASADA (score & parts) - Moore, Colin (1925-2019)
The music was proofed before publication by The Pemberton Old Wigan D W Band after the manuscript was discovered by a band member and friend, Jon Don Duncan.
In Stock: Estimated dispatch 1-3 working days
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£34.95
HIS EYE IS ON THE SPARROW (Tenor Horn Solo with Brass Band Set) - Leonard Ballantine
A traditional gospel spiritual originally written in 1905 by Civilla D. Martin and Charles H. Gabriel, the song is most associated with actress-singer Ethel Waters. The song has been covered extensively in gospel music, with notable versions by Shirley Caesar, Marvin Gaye, Kirk Franklin and the Family, Lauryn Hill and Tanya Blount (from Sister Act 2), Mahalia Jackson, Sister Rosetta Tharpe, Dottie West, Barbara Mandrell and Jessica Simpson.
Estimated dispatch 7-14 working days
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£34.95
TUCKER (Cornet Solo with Brass Band Set) - Erik Leidzen
Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.
Estimated dispatch 7-14 working days
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£27.50
Folk Festival - Shostakovitch, D.
Estimated dispatch 5-7 working days
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£27.50
Galop - Shostakovitch, D.
Estimated dispatch 5-7 working days
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£50.90
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