Results
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£57.50The Mandalorian - Christopher Bond
This popular Star Wars series follows the exploits of a bounty hunter in the post-Return of the Jedi era. Featuring a stunning soundtrack by Ludwig Goransson, here is the iconic main theme in a dramatic and powerful setting for the concert stage. Note: whilst the demo video demonstrates the concert band arrangement, the version available to purchase on this website is the brass band transcription by Christopher Bond.
Estimated dispatch 5-10 working days
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£57.50Themes from The Crown - Christopher Bond
From the masterful Netflix series on British royalty, here are two of the iconic musical themes skilfully set for brass band by Christopher Bond with rich textures and haunting melodies. Note: whilst the demo video demonstrates the concert band arrangement, the version available to purchase on this website is the brass band transcription by Christopher Bond.
Estimated dispatch 5-10 working days
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£49.99You Can't Stop The Beat - Christopher Bond
This upbeat showstopper from the Broadway musical and hit movie Hairspray is a great way to infuse some added excitement into your next programme. This is sure to sound impressive even with younger bands. Note: whilst the demo video demonstrates the concert band arrangement, the version available to purchase on this website is the brass band transcription by Christopher Bond.
Estimated dispatch 5-10 working days
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£34.95Time Eternal - Christopher Bond
Time Eternal (2011) was written as a showcase for band in the form of a seven-minute journey which demonstrates the ability of the band and its soloists. As the title suggests, the idea of time is important in the work, with bell-like gestures forming the opening and closing sections. Rhythmic material is heard, often juxtaposing more lyrical passages, sometimes with dramatic percussion or semiquaver running accompaniments in the cornets.A slow and expressive middle section hears soloistic contributions from the flugel horn and euphoniums, as well as fuller tutti passages, before a return to the energetic tempo of the opening where material is heard again, often presented in different ways with a real sense of drive through to the close.
Estimated dispatch 5-10 working days
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£29.95
SOLDIERS OF CHRIST (Brass Band Set) - George Marshall
This march was the second of Marshall's marches to be published and contained the note 'Revised by the Editor', who at the time was Lt. Colonel Richard Slater. Marshall maintained correspondence with the Colonel as his composing skills developed although this early work already demonstrates melodic charm and effective scoring.
Estimated dispatch 7-14 working days
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£59.95
MY STRENGTH, MY TOWER Rhapsodic Variations (Brass Band Set) - Dean Goffin
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£25.00BA-Rock - Steve Robson
This can definitely be described as a fun piece from Steve Robson, with a bit of clever styling thrown in for good measure!With an initial, melodious theme written in the style of a 'Baroque' composition, it is then recreated in a modern 'Rock' idiom, joining the two extremes and presenting a great little number to brighten your concert programme.Whilst this already demonstrates one instance of its play on words, it's also worth noting that this composition also formed part of the writer's portfolio for his BA degree!Whilst written withfour percussion parts of Timpani, Kit, Tambourine, Glockenspiel & Cow Bell, the tambourine part can be omitted if necessary.
Estimated dispatch 7-14 working days
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£30.00Dance, Dance - Lucy Pankhurst
Lucy Pankhurst skillfully demonstrates her talent for developing a simple melody into a great fully-fledged concert item.This fun piece starts as a single cornet line, the melody builds throughout the band, harmonically developing and holds fantastic interest with musical surprises around every corner.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 530 - 533, June 2024
530: Carol Arrangement - God rest you merry, gentlemen (Noel Jones)This swing arrangement of the traditional English carol also features references to O come, all ye faithful (C.C. 61) and Jingle Bells (C.C. 121). Play with imagination and a sense of style!531: Go, tell it on the mountain! (Nathanael Watchorn)Historically, the passion of enslaved people in America for singing about the Gospel of Jesus is well documented, but it was men of three generations, each named John Wesley Work, who enabled spirituals to become more widely known. John Wesley Work Sr, a church choir director in Nashville, Tennessee, wrote and arranged music for the pioneering Fisk Jubilee Singers whose early repertoire consisted largely of spirituals. This passion and knowledge of spirituals was passed down through the generations. John Work III travelled hundreds of miles to collect songs by attending church services in remote areas. In 1940, he published a collection of 230 songs which included a setting of Go, tell it on the mountain! that is still performed today.Nathanael Watchorn, a Bandsman at Regent Hall Corps in London, is a new contributor to the journals. He originally wrote this as a vocal arrangement for the group FourHymn, subsequently transcribing it for the corps' Young People's Band, while he was Band Leader.532: Carol Arrangement - They all were looking for a king (Stephen Hull)At the North American Composers Forum, Major Len Ballantine challenged participants to find an unfamiliar song in the Salvation Army Song Book and try to write an arrangement of the listed tune. Stephen Hull happened across They all were looking for a king (S.A.S.B. 128) and the tune Childhood (T.B. 421) which lead to this arrangement.533: March - Washed and healed (Eiliv Herikstad)The Christian experience of many people will have been positively impacted by the life of the late Bandmaster Eiliv Herikstad, either personally or through his musical leadership and compositions. This march is the second publication from this well-known Salvation Army composer since his Promotion to Glory last year. This march is more traditional in style that many of his compositions but contains a strong Christian message and demonstrates his compositional expertise.
Estimated dispatch 7-14 working days
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£59.95Judd: My Strength My Tower - Contest Version
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1 This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2 Fire and ferocity are asked for in the course of this variation. Variation 3 This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4 Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5 The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days