Results
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£32.95DIALOGUE FOR TUBAS (Tuba feature/Brass Band) - Atherton, Peter - Vinter, Gilbert
Estimated dispatch 7-14 working days
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£108.10Grand Choeur Dialogue - Eugène Gigout
Estimated dispatch 5-14 working days
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£32.95
Dialogue for Tuba - Atherton
Estimated dispatch 5-14 working days
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£75.00As Above, So Below - Jay Capperauld
An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation's Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don't hesitate considering The Wallace Collection to provide the brass quintet elements - if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the 'SOLVE' (Latin for 'Separate' which correlates to the Above) and 'COAGLUA' (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase 'As Above, So Below'.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.
Estimated dispatch 7-14 working days
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£37.32Horn Concerto No.1 1st Movement (Tenor Horn Solo with Band) Haydn arr. Wilson
Franz Joseph Haydn's Horn Concerto No.1 in D major was composed in 1762, when he was new to the Esterhazy court. It is a virtuosic concerto that showcases the beauty and range of the horn. The concerto was originally scored for solo horn and orchestra, and is one of Haydn's most popular works. Here it has been arranged by Duncan Wilson for tenor horn with brass band. His arrangement of the concerto is a faithful and effective adaptation of the original work. The movement opens with a lively tutti introduction, followed by the entrance of the solo horn. The horn plays a series of melodies and passages that are both lyrical and virtuosic. The band provides accompaniment and contrast, and the two interact in a lively dialogue. The movement builds to a climax and then concludes with a triumphant coda. To view a follow-the-score video please visit https://www.youtube.com/watch?v=Uo2K5tge6Fs PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Tenor Horn Soloist Eb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani
In stock: Estimated dispatch 1-3 days
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£60.99Banana Island (Brass Band - Score and Parts) - Crausaz, Etienne
Banana Island is an extraordinary fictional place: coconut palms, date palms, mango trees, banana trees and mangroves grow in abundance. Animals live there in heavenly harmony. On a Caribbean danse rhythm, the Soca, several themes develop and create a dialogue between the various registers. A central section offers the cornet and trombone the chance to display their soloist skills. This work is full of energy and brimming over with enthusiasm! This music forms part of the musical tale La Malediction d'Aragne (Aragne's Curse), written by Dominique Schweizer and commissioned by the Lyre de Courtion (dir. Dominique Morel) on the occasion of its 100th anniversary.Duration: 4.15
Estimated dispatch 7-14 working days
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£104.99Deliverance (Brass Band - Score and Parts) - Crausaz, Etienne
Deliverance is an exciting concert suite by Etienne Crausaz. The first movement is in the style of a siciliana, starting out quiet and calmly, then slowly building in excitement and energy. The second movement, a scherzo, allows for colourful sounds and timbres and is full of humorous musical elements and contrasts. The third movement, the vivace, presents a dialogue between the higher and lower registers of the band with plenty of time changes. Deliverance is an action-packed composition, full of colour and contrast.Duration: 11.15
Estimated dispatch 7-14 working days
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£119.99Landscapes (Brass Band - Score and Parts) - Moren, Bertrand
Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.
Estimated dispatch 7-14 working days
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£44.99Landscapes (Brass Band - Score only) - Moren, Bertrand
Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.
Estimated dispatch 7-14 working days
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£54.99The Little Musician (Brass Band - Score and Parts) - Ares, Rob
Comprising two sections (Tranquilo and Moderato) this flexible band piece is a great way of training your 'little musicians'. art of the Scherzando First Dialogue series this jaunty little piece will be popular with your players for many years to come.Duration: 4:30
Estimated dispatch 7-14 working days
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