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£48.95Concert Gallop
Here is a charming, easy-going solo for all B-flat or E-flat brass instruments from the prolific Philip Wilby. This brass band version also comes with alternative solo parts for euphonium duet or trio and euphonium quartet (two baritones and two euphoniums).
Estimated dispatch 7-9 working days
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£30.00The Bare Necessities - Terry Gilkyson
A superb arrangement by Jon Bennett of this Disney favourite from The Jungle Book. It's been arranged here as a duet for two Eb Basses (or Eb/Bb Bass as an alternative) with brass band.Even just the concept of the scoring lends itself to being a piece with excellent entertainment value! When coupled with the expertise of the arranger's musicality, this is a feature which will definitely be well received by your band and audiences alike.
In Stock: Estimated dispatch 3-5 working days
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£49.99Grant Us Peace - Etienne Crausaz
Composer Etienne Crausaz has created an attractive brass band orchestration of his own work Grant Us Peace, which was originally written for mixed choir. It offers various readings of a single phrase that is found at the end of the Agnus Dei: "Dona nobis pacem" (Grant Us Peace). This request is musically expressed in a manner which is by turns soft, naive, powerful, imploring and trustful. Two soloists (cornet and flugel horn) are highlighted in a short duet at the beginning of the piece. This music is conducive to contemplation and meditation, while also seeking to arouse emotions.
Estimated dispatch 5-14 working days
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£34.95Judd: Time and Eternity
Following the popularity of the composer's earlier cornet and euphonium duet, 'I'll Not Turn Back', this duet was written for The International Staff Band's 2000 recording, 'Renaissance' on which the soloists were David Daws and Derick Kane.
Estimated dispatch 7-14 working days
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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