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  • £29.95

    Song for the Skies

    Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £14.95

    Bel Canto (Tenor Horn and Piano)

    Bel Canto, a solo for Eb Tenor Horn and band, was written for Sheona White. As the title suggests the music is very song-like and features soaring melodic lines which exploit the middle and upper registers of the tenor horn.

    Estimated dispatch 7-14 working days
  • £24.95

    Bel Canto (Tenor Horn Solo with Brass Band - Score and Parts)

    Bel Canto, a solo for Eb Tenor Horn and band, was written for Sheona White. As the title suggests the music is very song-like and features soaring melodic lines which exploit the middle and upper registers of the tenor horn.

    Estimated dispatch 7-14 working days
  • £5.00

    Largo (Winter) (Trombone or Horn Solo and Piano Accompaniment)

    In 1723 Antonio Vivaldi (1678-1741) composed four concerti for violin and small orchestra entitled The Four Seasons. Winter is the fourth of these and the Largo is its central slow movement depicting a cosy scene by the fireside watching the falling rain.This arrangement was prepared at the request of Brett Baker and has been recorded by him accompanied by Brass Band Of The Western Reserve, music director Dr Keith M Wilkinson, on the CD Slides Rule!Parts included for Trombone BC, Trombone TC, Eb Horn, F Horn and Piano Accompaniment

    Estimated dispatch 7-14 working days
  • £7.00

    Ye Banks and Braes (Trombone or Horn Solo and Piano Accompaniment)

    The origins of this melody are unknown but, set to the poem by Robert Burns, this has become one of the most popular Scottish songs.An arrangement for solo trombone and brass band, requested by Brett Baker, has been recorded by Brett and Brass Band of the Western Reserve on the CD Slides Rule! This is a version with piano accompaniment.Parts included for Trombone BC, Trombone TC, Eb Horn, F Horn and Piano Accompaniment

    Estimated dispatch 7-14 working days
  • £14.95

    Album of Four Brass Quartets (Brass Quartet - Score and Parts)

    Written for 2 Cornets, Eb Horn and Euphonium TC with optional rehearsal Piano Accompaniment. Includes: I Drew My Ship into the Harbour; Heigho, My Jackie; Theme and Variations on Hey-ho the Morning Dew; Helda's Lament.

    Estimated dispatch 7-14 working days
  • £14.95

    Variations on a Theme of Paganini (Brass Quartet - Score and Parts)

    Written for 2 Cornets, Eb Horn (or F Horn) and Euphonium TC (or Tuba BC). Commissioned by the National Brass Band Championships of Great Britain, with funds provided by the Arts Council of Great Britain and first performed at the Royal Albert Hall, London, on 5th October 1974.

    Estimated dispatch 7-14 working days
  • £9.95

    Quartet for Brass (Brass Quartet - Score and Parts)

    Written for 2 Cornets, Eb Horn and Euphonium TC.

    Estimated dispatch 7-14 working days
  • £5.95

    Burlesque for Basses (Tuba Quartet - Score and Parts)

    Written for 2 Eb Basses and 2 Bb Basses

    Estimated dispatch 7-14 working days
  • £37.95

    Benvenuto Cellini (Brass Band - Score only)

    Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.

    Estimated dispatch 7-14 working days