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£75.00As Above, So Below - Jay Capperauld
An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation's Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don't hesitate considering The Wallace Collection to provide the brass quintet elements - if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the 'SOLVE' (Latin for 'Separate' which correlates to the Above) and 'COAGLUA' (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase 'As Above, So Below'.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.
In Stock: Estimated dispatch 3-5 working days
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£64.09Caprice (Euphonium Solo with Brass Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£55.00Italia
ABOUT THIS PIECE: Romance. Elegance. This is an exquisite arrangement of the song originally performed by Chris Botti and Andrea Bocelli: Italia. Composed by Chris Botti and David Foster, Italia is a heartfelt tribute to the beauty and passion of Italy, blending lush melodies with a sense of timeless sophistication. The original, featuring Botti's soaring trumpet lines and Bocelli's rich tenor voice, is celebrated for its emotional depth and breathtaking lyricism. This arrangement adapts those qualities for solo cornet, solo trombone, and brass band, offering a wonderful opportunity to explore the piece's expressive range and captivating musicality. ENSEMBLE: Cornet and Trombone with British Brass Band Accompaniment WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts - DUE TO COPYRIGHT LAW THIS WORK IS ONLY AVAILABLE IN THE UK AND EUROPE LEVEL: 2 LISTEN: DURATION: 3-minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£39.99The Egg Travels - Main Theme from Walt Disney's 'Dinosaur'
ABOUT THIS PIECE: Bring the cinematic grandeur of Walt Disney's animated film: Dinosaur to your programme with this powerful arrangement of The Egg Travels--the main theme from the film. Composed by James Newton Howard, this sweeping orchestral piece captures the wonder and majesty of prehistoric life, blending lush harmonies with soaring melodies that evoke both adventure and emotion. This arrangement translates the dramatic intensity of the original score into a compelling showcase for band, making it an excellent choice for concerts and even entertainment contests. With its memorable theme and rich musical textures, The Egg Travels provides an opportunity for the band to explore a broad dynamic and emotional range. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 3-minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£28.00Bogoroditse Devo
ABOUT THIS PIECE: Bring the serene beauty of Rachmaninov's Bogoroditse Devo to your next programme with this stunning arrangement. Taken from his All-Night Vigil (commonly known as the Vespers), this exquisite choral work is one of Rachmaninov's most revered compositions. Written in 1915, it is a heartfelt setting of the Orthodox Christian prayer to the Virgin Mary. This arrangement preserves the work's meditative character and rich textures, allowing your band to explore its deeply expressive qualities. Ideal for concerts, ceremonial occasions, Christmas, or moments of reflection, Bogoroditse Devo showcases your band's ability to convey both power and delicacy. ENSEMBLE: Standard British Brass Band (NO PERCUSSION) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 3-minutes, 20 secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£38.00Monteverdi Three Miniatures
ABOUT THIS PIECE: Monteverdi - Three Miniatures, is an engaging and educational brass band arrangement by Adam Taylor, originally composed for the British Open Youth Brass Band Contest at the Guild 2015. This piece masterfully reimagines themes from the works of Claudio Monteverdi, presenting them in a contemporary style that's both accessible and inspiring for modern brass ensembles. Ideal for youth bands and ensembles looking to explore early music in a fresh format, Monteverdi - Three Miniatures offers flexibility and creativity. The arrangement includes adaptable tempos to match your interpretation, a featured duet with parts available in both Bb and Eb, and written percussion parts that can be expanded with additional instruments or streamlined for smaller sections. Players are encouraged to add their own ornamentation, allowing for personal expression and an authentic touch to the music. With its nod to the grandeur of the late Renaissance and early Baroque periods, this piece serves not only as an excellent concert addition but also as a valuable educational tool, introducing young musicians to Monteverdi's timeless work. Dive into this vibrant arrangement and bring the essence of Monteverdi's genius to your next performance. ENSEMBLE: Standard British Brass Band (with adaptations) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 5-minutes, 30-secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£89.95Songs of Ascent - Jonathan Bates
DURATION: 14 minutes. DIFFICULTY: Championship. 'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. In my view, the festival itself is the leading showcase for original contemporary music for the medium (in a concert setting) in the world and therefore an ideal place to explore new ideas and sounds, which was a notion fundamental to the construction of this work. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material. Following an extended opening for four individual tuba lines, there are a number of solos for members of the band off stage, with bleak and deep accompaniment lines, reflecting the words of Psalm 130. Amongst these 'songs of ascents', the most common and strong themes are repentance and redemption; with the central core of this work emerging 'from the depths' to reveal one of very few calming and reflective passages of the work utilising the tune of 'Guide Me O Thy Great Redeemer' in a new setting, featuring the Solo Horn and Bass Trombone, before returning to the ethereal and dark timbres that form much of the music up to this point. In terms of compositional technique, this work is solely based on a set of 4 9-note scales in their various unique transpositions (below). Each of these scales provide a set of 2 whole tone scales, 6 minor triads, 6 major triads and is built on 9 augmented triads. Whilst most of the music in this work is based melodically on the set of notes (heard right at the outset in the motif in the tuba line), the central section delves into the harmonic capabilities of these 'modes', using a number of the 7 'keys' which can be derived from the minor & major chords derived in each scale. All 4 scales are used independantly to each other, with whole sections of the work focussing on each mode. 'Songs of Ascent' was selected as the set work for the Championship Section at the Butlin's Mineworker's Championships in 2020.
In Stock: Estimated dispatch 1-3 working days
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£34.95The Cave of Wonders - Jonathan Bates
DIFFICULTY: Champ. DURATION: 3'00". 'The Cave of Wonders' was composed for the Foden's Band's winning performance at the 2023 Brass in Concert Championships, held at The Glasshouse, Gateshead where the band performed a set of music inspired by the Disney classic, 'Aladdin'. Near the start of the film, Aladdin enters the Cave of Wonders to retrieve the golden lamp and is instructed to touch nothing but the lamp. His pet monkey Abu grabs some of the surplus jewels triggering the cave's collapse. Trapped, Aladdin and Abu explore the cave, discovering and releasing a magic carpet. The carpet instructs Aladdin to rub the lamp as their only hope of escape and in doing so releases a mighty Genie from it's captivity.
In Stock: Estimated dispatch 1-3 working days
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£67.00
Bla vals - Idar Torskangerpoll
A piece that explore the "blue" notes in music, and where we have the constant change of 3 or 2 in a bar. Solo in horn or altosax.Make sure that the bass line and percussion is steady and firm throughout the piece.
Estimated dispatch 7-14 working days
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£69.95
TRANSFORMATION (Brass Band Set) - Kenneth Downie
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days