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  • £24.50

    In The Pines - Traditional - Max Stannard

    Whilst the song may not be familiar with some, this traditional American folk song is believed to date back to the 1870's. With various other titles including 'Where Did You Sleep Last Night?' and 'Black Girl', this work has been recorded by numerous artists over the years and was in 1993, introduced to a new generation when it was performed by the US band, Nirvana. Max Stannard's haunting setting brings your audience in with the haunting melody before shifting gears into a great jazz-waltz section. Featuring several soloists, this is a great entertainment items and a good showcase for concerts and contests.

    In Stock: Estimated dispatch 1-3 working days
  • £24.50

    Auld Lang Syne - Traditional - Max Stannard

    The ionic words of Robert Burns were set to the tune of a traditional folk song and ever since, its popularity in English speaking countries has grown continuously. Traditionally sung to welcome in the New Year, this arrangement by Max Stannard suits all festive occasions and can be used as a moving encore to your Christmas concert programme this year.

    In Stock: Estimated dispatch 1-3 working days
  • £44.95

    Judd: Scottish Folk Variants - Euphonium Solo

    Here is music that provides a soloist with melody and bravura, as it did when premiered by Derick Kane at ISB120 for which it was commissioned. Hence, there are a number of traditional Scottish melodies that form the basis for these variants. Perhaps you will recognise, in sequence: 'The dashing white sergeant', 'My bonnie lies over the ocean', 'Skye boat song', 'Bonnie Dundee'.

    Estimated dispatch 7-14 working days
  • £44.95

    SCOTTISH FOLK VARIANTS (Euphonium Solo with Brass Band Set) - Stephen Bulla

    This solo was written for the ISB120 event in June 2011 especially for Derick Kane and The International Staff Band. The material for the solo is indicative of Derick's Scottish roots and features in turn, 'The dashing white sergeant', 'My bonnie lies over the ocean', 'Skye boat song' and 'Bonnie Dundee'.

    Estimated dispatch 7-14 working days
  • £44.95

    Scottish Folk Variants (Euphonium Solo with Brass Band - Score and Parts) - Bulla, Stephen

    This solo was written for the ISB120 event in June 2011 especially for Derick Kane and The International Staff Band. The material for the solo is indicative of Derick's Scottish roots and features in turn, 'The dashing white sergeant', 'My bonnie lies over the ocean', 'Skye boat song' and 'Bonnie Dundee'.

    Estimated dispatch 7-14 working days
  • £22.50

    Scottish Folk Variants (Euphonium Solo with Brass Band - Score only) - Bulla, Stephen

    This solo was written for the ISB120 event in June 2011 especially for Derick Kane and The International Staff Band. The material for the solo is indicative of Derick's Scottish roots and features in turn, 'The dashing white sergeant', 'My bonnie lies over the ocean', 'Skye boat song' and 'Bonnie Dundee'.

    Estimated dispatch 7-14 working days
  • £64.00

    THREE JAPANESE FOLK SONGS (Brass Band) - Inagaki, Takuzo

    Includes: Lazy Loafer of Aizu; The Mountain Woodcutter's Song; Villager's Festival Dance. Grade: Medium.

    Estimated dispatch 7-14 working days

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  • £55.00

    Second Suite in F - Gustav Holst arr. Phillip Littlemore

    Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert, restoring it to the original key of F and including sectioned omitted from the 1923 arrangement.Duration: c. 12 minutesDifficulty: 2nd Section and above

    Estimated dispatch 5-7 working days
  • £30.00

    O Tannenbaum - Traditional German Carol

    O Tannenbaum (O Christmas Tree) is a German Christmas song. Based on a traditional 15th century folk song it became associated with the fir tree, traditionally used as a Christmas tree in German tradition. By the early 20th century it was being sung as a Christmas carol. The modern lyrics were written in 1824 by Ernst Anschutz, sourcing his material from an old 16th century Silesian folk song by Melchior Frank. My arrangement presents the traditional material in a full-on, big band swing style.

  • £25.00 £25.00
    Buy from Wobbleco Music

    The Giddy Goat - Traditional Swiss - Daniel von Siebenthal

    The Giddy Goat is a silly folk song that everyone knows in Switzerland. It is about a white goat that does not want to get milked, so she kicks the milker. Thinking that this is because the goat is white, the owner decides that he will buy a brown one instead. From there on, people make up their own verses in which the goat is often replaced with past loves, enemies, and anyone or anything worthy of ridicule. Daniel, the arranger, lives in Gstaad in the Saanen district and the "Saanen goat" is a breed of white goat known throughout the world. As a farm boy, he did his share of goat milking and received the occasional hoof under his chin for his trouble. So, this piece is a tribute to a local breed that became world-famous, especially in America where the tune also meets its counterpart Billy Grogan's Goat (a similar silly song). The Giddy Goat should always be played as a "silly song" reflecting the goat's nature; capricious and cantankerous. The low bass line is important in Swiss folk music and should approximate to a plucked string-bass whose strings are dampened, to give it a pulsating feel. For those who would like to yodel we include the following Swiss tongue twister:- Holeduli duliduli, holeduli duli duli duuli, Holeduli duliduli, holeduli duli duli duu