Results
-
£54.99
Three Classics for Youth Brass Band (Score & Parts)
In a suite of three parts arranger Dagmar Kildevann makes a bridge between starting musician and classic composer. You hear the following parts: Grand march from Aida - Verdi. Aria, from The Marriage of Figaro - Mozart. Can-Can, from Orpheus in the Underworld - Offenbach. 03:15
Estimated dispatch 7-14 working days
-
£12.99
Three Classics for Youth Score Only
In a suite of three parts arranger Dagmar Kildevann makes a bridge between starting musician and classic composer. You hear the following parts: Grand march from Aida - Verdi. Aria, from The Marriage of Figaro - Mozart. Can-Can, from Orpheus in the Underworld - Offenbach. 03:15
Estimated dispatch 7-14 working days
-
£69.99
Variations on a Shaped Note Melody Brass Band (Score & Parts) - Curnow, James
Based on the American 'shaped-note' melody Saints Bound for Heaven, Variations on a Shaped Note Melody by James Curnow captures a feeling of joyful celebration through a series of unique and skilfully adapted variations. The opening strains are actually fragments of the first variation and occur before the main tune is introduced by low brass. The second variation features a euphonium solo and builds to a glorious climax with the full ensemble. The final variation is joyful and filled with energy, using flourishes and fanfares throughout the band for a grand conclusion to this marvellous work. 05:25
Estimated dispatch 7-14 working days
-
£59.99Versailles (Brass Band - Score and Parts)
Versailles, composed by Christian Bouthier, reflects a number of impressions of the royal castle in Versailles, near Paris. There are four movements consisting of Le Chateau, Le grand Trianon, L'Appartement du Roi and Les Grandes Eaux each of which depicts a different aspect of Versailles both inside and outside. Bring a touch of regalness to any concert band programme. 06:00
Estimated dispatch 7-14 working days
-
£25.00Breakaway Fanfare and Romance - David Hext
A grand fanfare of an opening instantly catches the attention of the audience. This is then followed by the delightfully gentle melody of the Romance, reflected around the sections with some wonderful chordal sounds to build the intensity.The piece closes with a return to the fanfare theme and a definitive flourish to the end.This is an ideal work to add some original composition interest to a concert of entertainment contest programme
In Stock: Estimated dispatch 3-5 working days
-
£30.00
Rhapsody - Tim Paton
Composer, Tim Paton comments: Rhapsody began life in 1971, as Rhapsody in three movements. It was originally written for wind and brass octet with timpani, and was performed at the Royal Manchester College of Music (soon to become the RNCM) in 1972.Ten years later, it was expanded into a piece for wind band. In 22, I decided to make another major revision, and create a lower section test piece for brass band. I removed the middle movement, and published it as a "Romance" for brass band. I composed a link between what had initially been the outer movements, and renamed the piece Rhapsody".The link is inspired by the minimalist music of Philip Glass. In the lead up to the grand finale of the Rhapsody, I have used an accompanyingmotif/obligato which is directly inspired by a passage in the final movement of Janacek's "Sinfonietta".
In Stock: Estimated dispatch 3-5 working days
-
£30.00
Varushkin
Whilst at the RNCM, Thomas Pitfield asked me to write a set of variations on a Russian folk tune, (the same one used by Tchaikovsky in his Serenade for Strings). Pianist Heather Slade-Lipkin said that it sounded like it should be played by a band!! So here it is! A pretty tune, and a good programme filler."The variations are divided into two sections with an interconnecting bridge. Tim Paton subjects his theme to a number of transions, which includes a 'grand waltz' and comic effects". Rodney Newton
In Stock: Estimated dispatch 3-5 working days
-
£275.60Catharsis - Kjetil Djønne
"Catharsis" explores purification through musical art - a process that provides spiritual renewal and release from moral ambiguities. Its etymology traces back to ancient Greece, but understanding and usage in modern language evolved in the late 18th century. The piece poses cathartic questions through diverse musical elements, from cadences to the ensemble, undergoing changes in tempo, style, texture, and meter. The music embarks on a journey from lyrical expressions to structuralism, from vibrant hues to pale tones, from unrest to tranquility, and from jazzy interludes to grand fulfillment.
Estimated dispatch 5-14 working days
-
£53.50Heritage - Philip Sparke
Philip Sparke wrote Heritage as a grand concert march in the tradition of Elgar and Walton. After a brief introduction, the march's long main theme is presented: first in subdued tones, then taken up by the full band, adding a tenor counter melody. The following bridge passage leads to a change of key and the traditional trio section. A repeat of previous motifs leads to a return of the main theme, followed by a short closing coda.
Estimated dispatch 5-14 working days
-
£53.50Hypernikon - Jan van der Roost
The Greek word 'hypernikon' roughly translates as 'More Than Conquerors', the motto of Gordon College in Wenham, Massachusetts - the commissioner of this piece. The work is inspired by David Rox's very own name - the first two letters of his name, D and A, sets the first theme is in D major, with these notes being the tonic and dominant of the scale. After the stately intrada, the tempo accelerates and the festive feel of the march emerges. The trio melody serves as a beautiful contrast before finally ending with the opening theme in a grand tutti.
Estimated dispatch 5-14 working days
View Music