Results
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£10.00
ISAIAH 40 (Brass Band Study Score) - Robert Redhead
Commissioned for the final of the 1996 National Brass Band Championships of Great Britain. The timeless truths contained in Isaiah 40 were written to encourage a people facing very intimidating circumstances. The Jewish people of the 5th Century BC were preparing to make an arduous journey though the desert to return to their ravaged homeland after a lengthy exile in the sophisticated society of Babylon. Both Scripture and music sound out a message of hope, as they view life from an eternal perspective, thus placing change in its proper context. Because 'the Lord is the everlasting God' his word 'stands forever' and 'those who hope in the Lord will renew their strength'. They will not merely get through somehow but 'they will soar on wings like eagles'.
Estimated dispatch 7-14 working days
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£44.95
VICTOR, The (Brass Band Set) - Kenneth Downie
Written for the Melbourne Staff Band, this march features the hymn tune, 'Millennium'. While the origins of the tune are unclear, it has a distinct character; from the opening rising fourth interval through to its conclusion, it embodies strength and vigour. The composer has hinted at the style brilliantly employed by the great Australian march writer, Arthur Gullidge, by opting for a minor key in the first section offset by a melodious trio section in a major key.
Estimated dispatch 7-14 working days
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£34.95
SOUTHERN CROSS, The (Brass Band Set) - Brian Bowen
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£69.95
ISAIAH 40 (Brass Band Set) - Robert Redhead
Commissioned for the final of the 1996 National Brass Band Championships of Great Britain. The timeless truths contained in Isaiah 40 were written to encourage a people facing very intimidating circumstances. The Jewish people of the 5th Century BC were preparing to make an arduous journey though the desert to return to their ravaged homeland after a lengthy exile in the sophisticated society of Babylon. Both Scripture and music sound out a message of hope, as they view life from an eternal perspective, thus placing change in its proper context. Because 'the Lord is the everlasting God' his word 'stands forever' and 'those who hope in the Lord will renew their strength'. They will not merely get through somehow but 'they will soar on wings like eagles'.
Estimated dispatch 7-14 working days
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£29.95
CHRISTMAS JOY (Brass Band Set) - Erik Leidzen
A 'classic' Christmas march, played by bands the world over. If your band doesn't play it, you should be asking why not! A cleverly worked 'romp' through the Christmas tunes 'Hark the glad sound', 'Jingle Bells' and 'Wassail song'. Very accessible and great fun to play in a group of any size.
Estimated dispatch 7-14 working days
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£29.95
LIGHT WALK (Brass Band Set) - Barrie Gott
The 'big-band' arrangement that brought the arranging skills of Barrie Gott instantly to the attention of the brass world. Still a hit wherever it is played, this 'great fun' music allows the band to 'let its hair down' and the Flugel Horn the chance to take centre stage.
Estimated dispatch 7-14 working days
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£59.95
PLANTAGENETS, The (Brass Band Set) - Edward Gregson
The Plantagenets was composed for the Championship Section of the Regional contests of the National Brass Band Championships of Great Britain 1973. The work is not intended to be programme music but rather it tries to portray the mood and feelings of an age, that of the House of Plantagenet, which lasted from the middle of the 12th century to the end of the 14th century. To many, it conjures up an Age of Chivalry and this is represented by fanfare motifs which occur throughout the work in varied form. The opening thematic figure, rising through the band in thirds and followed by the fanfares, is important as nearly all the subsequent material is based upon it. There follows two themes, the second of which is lyrical and introduced by horns. In the long, slow middle section, a new theme is introduced by a solo horn (recurring on cornet and euphonium in canon) and is developed at some length. A lively fugato scherzino, however, leads to a recapitulation of the opening section music and the work ends with a maestoso statement of the slow movement theme. A final reference to the fanfares ends the work.
Estimated dispatch 7-14 working days
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£44.95
LABOUR AND LOVE (Brass Band Set) - Percy Fletcher
Following its selection as test-piece for the 3rd Section of the Regional Brass Band Championships of Great Britain 2010, the publishers have made the following amendments to the original publication; Tenor Trombone parts are now in treble clef, percussion parts are now included in the full score.
Estimated dispatch 7-14 working days
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£69.95
ENGLISH HERITAGE (Brass Band Set) - George Lloyd
English Heritage was first heard in the pleasant surroundings of Hampstead Heath as part of a Kenwood Lakeside concert given on 2nd July 1988. It was commissioned for English Heritage by Michael Webber, the organiser of Kenwood Concerts for English Heritage and subsequently chosen as the Championship Section test-piece for the National Brass Band Championships of Great Britain 1990. The sense of historic significance inherent in ensuring the preservation of England's fine buildings of the past drew from the composer music which seems to capture the essence of Olde England. This is a musical view of England's heritage concerned not only with pageantry and ceremonial but also catching some of the humour inherent in the English character as well as those quiet reflective moments which have surely fashioned England's past and influenced its present.
Estimated dispatch 7-14 working days
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£29.95Adam Zero, Suite from (Brass Band - Score only) - Bliss, Arthur - Childs, Robert
Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30
Estimated dispatch 7-14 working days