Results
-
£75.00Music from The Royal Palaces (Brass Band - Score and Parts)
Selected as the Section 3 test piece for the National Brass Band Championships of Great Britain 2025Music from 'The Royal Palaces', arranged by Michael Halstenson in 2023, is also cast in five movements: the quietly regal 'Queen Victoria's Call to the Throne'; 'The Ballroom in Buckingham Palace' waltz evoking the gaiety of functions at Buckingham Palace; 'Joust of the Knights in Armour' (George V's reign) depicting knights preparing to joust; 'Melodrama' characterising the murder at Holyrood House (Edinburgh) of Mary, Queen of Scots' Secretary, David Rizzio; and the majestic 'The Royal Palace Theme' march.
Estimated dispatch 7-14 working days
-
£29.95
Music from The Royal Palaces (Brass Band - Score only)
Selected as the Section 3 test piece for the National Brass Band Championships of Great Britain 2025Music from 'The Royal Palaces', arranged by Michael Halstenson in 2023, is also cast in five movements: the quietly regal 'Queen Victoria's Call to the Throne'; 'The Ballroom in Buckingham Palace' waltz evoking the gaiety of functions at Buckingham Palace; 'Joust of the Knights in Armour' (George V's reign) depicting knights preparing to joust; 'Melodrama' characterising the murder at Holyrood House (Edinburgh) of Mary, Queen of Scots' Secretary, David Rizzio; and the majestic 'The Royal Palace Theme' march.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 518 - 521, June 2023
518: March - A Christmas cavalcade (Morgan Juel Stavik)This march contains several Christmas carols and songs. Some are easy to recognise and are identified in the score, while other references are more subtle.519: Christmas bossa nova (Kevin Larsson)Using Jingle Bells, The First Nowell, It came upon the midnight clear and Ding dong! merrily on high, here is a great bossa nova to liven up your Christmas concert.520 (1): In te Domine speravi (Des Prez trs. Zachary Docter)This piece is a transcription of an early 16th century choral work by the Renaissance composer Josquin des Prez. Josquin was a well-known and highly regarded composer in his day. Like many composer of this period, Josquin wrote linearly, valuing independent free-flowing lines over vertical harmonies. As a result, the interlocking counterpoint in this work can be quite complex and the tied rhythms challenging.520 (2): Excerpt from 'Vespers' (Rachmaninoff trs. Andrew Poirier)Sergei Rachmaninoff's setting of the All-Night Vigil (Vespers) Op.37, of which this excerpt is taken, was composed in January and February 1915. The outbreak of World War I in August 1914 took many people by surprise, and to Rachmaninoff it was a severe shock. This compelled him to write a piece that reminded him of his childhood and the importance of the Russian Orthodox Church within the national identity of Russia. The excerpt transcribed here has a quality and enigmatic charm that never fails to move the souls of those that listen to it.521: March - Walk of faith (Stanley Makau)This march introduces Stanley Makau to the band journals. Stanley is currently the Deputy and Youth Bandmaster at Quarry Road Citadel Corps in Nairobi, Kenya. His inspiration for the march primarily came from Psalm 91: 11-12, and the march is in keeping with the traditional style that has been a staple for Salvation Army music-making.
Estimated dispatch 7-14 working days
-
£55.00Triumph Series Brass Band Journal, Numbers 1347 - 1350, March 2023
1347: Intrada on 'St Magnus' (Ruben Schmidt)This is an energetic intrada based on the tune St. Magnus with the composer keeping the words The head that once was crowned with thorns (S.A.S.B. 22) in mind.1348: March - In every corner sing (Alan Williams)This is a bright march requiring plenty of vigour and imagination. Featuring and taking its title from Let all the world in every corner sing: My God and King! (S.A.S.B. 41), this bright melody is contrasted with the tune Lydia associating the words There is a name I love to hear, I love to sing its worth (S.A.S.B. 94).1349: I need thee (Craig Woodland)An expressive arrangement of the traditional hymn I need thee every hour (S.A.S.B. 707)1350: March - The great commission (Paul Sharman)This march was written for the Norwegian Christian brass band, Egersund Missionary Band, and is derived from the tune Onward, Christian soldiers (T.B. 188) as well as a brief fragment of the Norwegian National Anthem and the melody Die Sach is dein (The work is thine).
Estimated dispatch 7-14 working days
-
£58.10Jerusalema (Brass Band - Score and Parts)
Jerusalema is a song by South African DJ and record producer Master KG featuring South African vocalist Nomcebo. Here is a great brass band arrangement by Corsin Tuor
Estimated dispatch 7-14 working days
-
£12.00The World Rejoicing (Brass Band - Study Score)
In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well-known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Crger. A number of composers have incorporated this chorale into their music, most famously J.S.Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonization of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows: Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.The World Rejoicing is dedicated 'in loving memory of my brother', Bramwell Logan Gregson, who sadly passed away in the Autumn of 2018.Edward Gregson
Estimated dispatch 7-14 working days
-
£90.00Vienna Nights (Brass Band - Score and Parts)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
-
£12.00
Vienna Nights (Brass Band - Study Score)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
-
£34.95Seascapes (Brass Band - Score Only)
Seascapes was commissioned for the National Brass Band Championships of Great Britain in 1988.Seascapes takes its inspiration from the poem 'Cargos' by John Masefield. In the first movement, a gentle lyric theme, set against a pulsating background is contrasted with a dance. The dance reaches its climax and the music concludes with a quiet theme. The second movement has something of the nature of a sarabande, with a central section, which is a little lighter but retains a Spanish flavour. The composer adds a whimsical thought of his own that there may also have been a party of monks aboard. A variety of ingredients blend in the third movement: the coaster engines, the sea, some jovial shanty-music and the storm element through which the coaster steadily chugs.Suitable for Championship Section bands.
Estimated dispatch 7-14 working days
-
£79.95Corineus (Brass Band - Score and Parts)
Premiered by Cory Band at the 2018 Festival of Brass, Manchester. Selected as the set-work for the Championship Section at the 2019 National Youth Championships of Great Britain.Corineus, in medieval British legend, was a prodigious warrior, a fighter of giants, and the eponymous founder of Cornwall. The first of the legendary rulers of Cornwall, he is described as a character of strength and power. It is on the medieval ruler that this new work, Corineus, is based, presented in three contrasting sections. The work opens with heraldic fanfares and a sense of jubilance before presenting musical material which changes and develops organically, portraying the journey taken by Corineus, Brutus, and the Trojans from modern-day mainland Europe to Britain. The central section of the work is slower, creating a feeling of longing. Brutus' son, Locrinus, had agreed to marry Corineus' daughter, Gwendolen, but instead fell in love with a German princess. In writing this part of the work, the composer portrays the longing of Gwendolen for her husband, knowing he is in love with somebody else. After Corineus died, Locrinus divorced Gwendolen, who responded by raising an army in Cornwall and making war against her ex-husband. Locrinus was killed in battle, and legend suggests that Gwendolen threw Locrinus' lover into the River Severn. This dramatic battle provides the inspiration for the final part of the work. In writing this work, the composer hopes to flare the imagination of young brass players around the country, in an engaging new take on a firm fixture in British folklore.Duration: 11.00
Estimated dispatch 7-14 working days