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£59.99
Easy Baroque Suite Brass Band (Score & Parts)
This three-part Easy Baroque Suite has been written for flexible instrumentation, making it possible for almost any instrument to participate. Robert van Beringen made sure the level of difficulty was appropriate for youth and school bands. The suite combines the Voluntary by Jeremiah Clarke, Menuett by Johann Krieger, Spring from Vivaldi's Four Seasons and the Hallelujah Chorus from Handel's Messiah. 04:30
Estimated dispatch 7-14 working days
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£53.20PORTRAIT OF RAY CHARLES, A (Brass Band) - Charles, Ray - Smith, Sandy
Grade: Medium. Includes: Hallelujah I Love Her So; Georgia on My Mind; Hit the Road Jack; I Just Can't Stop Loving You.
Estimated dispatch 7-14 working days
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£35.00Symphonic Dance No.3 - Sergei Rachmaninov arr. Phillip Littlemore
Completed in 1940, the set of Symphonic Dances was Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like outer movements and the focus on individual instrumental tone colours throughout. Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941.This arrangement is of the last dance and is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from Rachmaninov's own Vespers (also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement). Duration: 3'45"Diffiuclty: 2nd Section and above
Estimated dispatch 5-7 working days
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£59.99Easy Baroque Suite - Jeremiah Clarke
This three-part Easy Baroque Suite has been written for flexible instrumentation, making it possible for almost any instrument to participate. Robert van Beringen made sure the level of difficulty was appropriate for youth and school bands. The suite combines the Voluntary by Jeremiah Clarke, Menuett by Johann Krieger, Spring from Vivaldi's Four Seasons and the Hallelujah Chorus from Handel's Messiah.
Estimated dispatch 5-14 working days
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£77.00General Series Brass Band Journal, Numbers 2238 - 2241, December 2023
2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.
Estimated dispatch 7-14 working days
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£30.00Twelve Scripture-based Songs Volume XXI
Twelve scripture-Based Songs arranged for Brass Band (Volume XXI) are packaged and marketed in complete sets which include a full score and a set of master parts. It is intended that these parts be used as 'masters', for the purpose of photocopying a quantity of parts to accommodate the precise instrumentation needs of the band for which this has been purchased. 1. Be glad in the Lord2. Brothers, let us come together3. He is here4. He's my guide5. How great thou art!6. Love divine, all loves excelling7. Praise the Lord! Hallelujah!8. Rescuer (Good News)9. Total Praise!10. Who you say I am11. You are always there12. You give life, you are love (Great are you, Lord)
Estimated dispatch 7-14 working days
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£14.95Instrumental Album No.14 - Eb Solos and Duets
Includes: Nearer my home; O lovely peace; Swiss melodies; Whosoever; Sing glory, Hallelujah!; Isle of Beauty; In the Army; Rocked in the cradle of the deep; Shepherd of Israel; Battling for the LordInstrumentation: Soprano, Eb Horn & Eb Bass
Estimated dispatch 7-14 working days
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£14.95Instrumental Album No.9 - Four Quartettes
Includes: Triumph; Calvary; The Battle Eve; The Hallelujah CornerInstrumentation: 3 Trombones (TC) & Bass Trombone (BC)
Estimated dispatch 7-14 working days
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£29.95Judd: Marching to Glory
This energetic piece focusses on the Christian's life goal of 'marching home to Glory' which is described in the first verse of William James Pearson's song.We are marching home to Glory, Marching up to mansions bright,Where bright golden harps are playing,Where the saints are robed in white.There's a golden harp in Glory,There's a spotless robe for you;March with us to the hallelujah city,To the land beyond the blue.
Estimated dispatch 7-14 working days
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£55.00Purcell Variations (Brass Band - Score and Parts)
Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use.For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell's original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated 'Hallelujahs'. Purcell's tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material - a quarry for ideas if you like: "I was obsessed with the intervals of thirds in Purcell's tune, rather like Brahms in his Third Symphony", the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell's lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell's opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie's famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell's tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his 'home territory' for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work's introduction. Purcell's second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell's 'Hallelujah'.
Estimated dispatch 7-14 working days
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