Results
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£12.00LeFay's Mirage
DescriptionThe "mirage" of the title refers to an optical effect called a fata morgana, often seen in a narrow band right above the horizon. It is an Italian term named after the Arthurian sorceress Morgan le Fay, from a belief that these mirages were fairy castles in the air or false land created by her witchcraft to lure sailors to their deaths.Fata Morgana mirages significantly distort the object or objects on which they are based, often such that the object is completely unrecognizable. A Fata Morgana may be seen on land or at sea, in polar regions, or in deserts. It may involve almost any kind of distant object, including boats, islands, and the coastline.Music often performs the same tricks - the original material is inverted, reflected and changed until it becomes something almost entirely new. This work is in two main sections, slow and fast, separated by a virtuoso cadenza with the material in the second part being a distorted reflection of that in the first. As befits a work commissioned to show off a soloist's range and ability, the work is highly challenging technically and covers the full range of the tenor horn.Where the sustain pedal is required by the music, this is indicated in the piano part; pedalling elsewhere is at the player's discretion.
Estimated dispatch 7-14 working days
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£29.95Attack of the Fighting Machines - Jonathan Bates
DURATION: 3 minutes. DIFFICULTY: Championship. 'Attack of the Fighting Machines' was composed for the City of Bradford Brass Band in 2022 as part of a set of music inspired by H.G Wells' world-renowned 'War of the Worlds' book. . As the first part of the story nears an end, the mass evacuation of mankind begins as a crowd races toward an already packed steamer. Bedlam ensues as the steamer pulls away from port and heads toward the horizon. Just moments later, the silhoutte of a fighting machine appears, followed by another, and another, as the next battle of Man v Martin rages on to afiery conclusion.
In Stock: Estimated dispatch 1-3 working days
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£74.99
Animal Kingdom Brass Band (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£25.00One Fine Day - cornet solo
One Fine Day is the most famous arias from the opera Madam Butterfly. It comes at the beginning of Act II, which is set three years after the action of Act I. Pinkerton, Butterfly's husband, is a US Naval Officer and he had to return to the sea shortly after their wedding. In the aria, she sings about the day he will return, seeing the ship appear on the horizon, then seeing it enter the harbour. When he arrives, they will be reunited for ever.This cornet solo is an ideal slow encore piece which needs a sweet sound and good breath control.Duration: c.3'00"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£25.00One Fine Day - vocal solo
One Fine Day is the most famous aria from the opera Madam Butterfly. It comes at the beginning of Act II, which is set three years after the action of Act I. Pinkerton, Butterfly's husband, a US Naval Officer has returned to the sea after their wedding. In this aria, she sings about the day he will return, seeing the ship appear on the horizon, then seeing it enter the harbour. When he arrives, they will be reunited for ever.Duration: c.3'00"Grade: Suitable for all
Estimated dispatch 5-7 working days
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£35.00
Soliloquy - Barry, D
As featured on Steve Stewart's stunning new CD 'Over the Horizon'3rd section +Duration 3.20 minsListen to Steve StewartCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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£59.99
Horizons - Sven Van Calster
This great number by the young artist Sven Van Calster was composed for the Antwerp-based trumpet band "Blazerensemble - Deurne" (B), especially for the recording of their CD.This refreshing and fairly simple but dynamic music was written for several instruments and can therefore be played by practically any formation. Horizons is inspired by the many journeys that the trumpet band has made. Listen to this work and expand your horizon.
Estimated dispatch 5-14 working days
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£69.99New Horizons - Morten J. Wallin
The Norwegian composer Morten J. Wallin dedicated "New Horizons" to his three children, of 8, 20 and 23 years old. Each of them lives in a world of their own and is at a different stage of life, with their own school, friends and hobbies. They also all dream of the future in their own way, and of a life that is always offering new perspectives and ... a new horizon
Estimated dispatch 5-14 working days
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£74.99Animal Kingdom - William Vean
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing inswing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition.
Estimated dispatch 5-14 working days
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