Results
-
£15.00Visions of Gerontius (Brass Band - Study Score) - Downie, Kenneth
Visions of Gerontius is a set of variations on a hymn tune which is invariably associated with Cardinal John Henry Newman 's words taken from his visionary poem "The Dream of Gerontius", which deals with the journey of the soul from this world to the next. The stanzas of the hymn are taken from the poem which Elgar set to music in his great masterpiece of the same name, for soloists, chorus and orchestra, first performed in Birmingham in 1900. The dramatic setting of those words provides some of the most memorable moments in the music.
Estimated dispatch 7-14 working days
-
£35.62'Mid all the traffic (Brass Band) Traditional arr. Andy Wareham
This stunning arrangement by British composer Andy Wareham is of the popular hymn 'Mid all the Traffic, which marries the North-American folksong Shenandoah set to lyrics by English journalist, novelist and poet William Arthur Dunkerley (written under the pseudonym of 'John Oxenham'). The hymn is very well-regarded in both the Salvation Army and wider brass band movement thanks to a popular arrangement by renowned Salvationist composer Leonard Ballantine. The arranger writes: 'This setting of 'Mid All The Traffic was originally composed during the Covid-19 pandemic as an octet arrangement for single instrument. My hope was to create an arrangement that offers an alternative view on harmony and could be multi-track recorded; allowing performers to give, and share, a performance whilst in isolation. The music was written in dedication to all of the 'key-workers' in the UK, especially in the NHS, who worked tirelessly throughout difficult conditions during the Covid-19 pandemic.' To view a follow-the-score video of the work please visit https://www.youtube.com/watch?v=naajvdsg9Wo PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Bass Drum Suspended Cymbal
In Stock: Estimated dispatch 1-3 working days
-
£29.95Easter Hymn (Trumpet Solo with Brass Band - Score and Parts) - Steadman-Allen, Ray - Holz, Ronald
Ray Steadman-Allen sketched this short, festive arrangement in the early 1990s.While labelled by RSA as a Trumpet Solo, a Cornet soloist would also be appropriate. The piece should not prove difficult to prepare except in terms of maintaining balance between the soloist and the band. Some of the harmonies are quite unexpected, even curiously dissonant in the late RSA style. However, such sounds should help the listener hear this traditional hymn in a new and vital manner. The piece would serve well as an Intrada on Easter Sunday, or during any celebratory occasion in Eastertide.
Estimated dispatch 7-14 working days
-
£57.50Let Us Rejoice! (All Creatures of our God and King) (Brass Band - Score and Parts) - Sparke, Philip
This arrangement presents three contrasting verses of the ancient hymn tune Let Us Rejoice!, which in the English-speaking world is usually sung to the hymn All creatures of our God and King. It is effective as a concert piece as well as an instrumental interlude during a church service, particularly at Easter or Whitsun.Duration: 3:00
Estimated dispatch 7-14 working days
-
£74.99
Praise to the Lord Brass Band (Score & Parts)
This composition, based on the hymn Praise to the Lord, is comprised of eight separate parts that can be played together as a concert piece or opening work. The A and B sections are different openings, C is four-part arrangement of the hymn, D is a solo for four saxophones, or two trumpets and two trombones, E is a calm intermezzo, F a solo for trumpet or cornet, and G and F finally are a majestic or peaceful closing section. How will you choose to present this piece on stage? 05:30
Estimated dispatch 7-14 working days
-
£24.95Idyll on an Irish Folk Hymn - Ralph E Pearce
Idyll on an Irish Folk Hymn was originally written for a concert of Irish music given by the Phoenix-based Salt River Brass. It was made at the request of a close friend of the composer, whose favourite melody this is....
Estimated dispatch 5-7 working days
-
£74.99Praise to the Lord - Carl Wittrock
This composition, based on the hymn Praise to the Lord, is comprised of eight separate parts that can be played together as a concert piece or opening work. The A and B sections are different openings, C is four-part arrangement of the hymn, D is a solo for four saxophones, or two trumpets and two trombones, E is a calm intermezzo, F a solo for trumpet or cornet, and G and F finally are a majestic or peaceful closing section. How will you choose to present this piece on stage?
Estimated dispatch 5-14 working days
-
£37.95Easter Hymn (Brass Band - Score and Parts) - Mascagni, Pietro - Wilson, Eric
A traditional setting of the 'Easter Hymn' (Regina Coeli) from the opera Cavalleria Rusticana - Mascagni's much-loved opera. The arrangement is a semitone lower than it appears in the opera. Duration: c.6:00
Estimated dispatch 7-14 working days
-
£37.95Easter Hymn (Score and Parts) - Eric Wilson
A traditional setting of the 'Easter Hymn' (Regina Coeli) from the opera Cavalleria Rusticana - Mascagni's much-loved opera. The arrangement is a semitone lower than it appears in the opera. Duration: c.6:00
Estimated dispatch 7-9 working days
-
£24.95
The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
View Music